Gone With The Wind

Joël Robuchon Restaurant Las Vegas | Centurion Magazine

“Actually, the true gourmet, like the true artist, is one of the unhappiest creatures existent. His trouble comes from so seldom finding what he constantly seeks: perfection.” – Ludwig Bemelmans

I think I’m going to miss the butter most of all.

Because this was no ordinary butter. No, this was a smooth, oblong, silky obelisk the size of a football, stood on end on its own trolley, waiting to be shaved and savored to your heart’s content throughout the meal.

Bordier butter it was, and we shall not see its like again. Not in a Vegas restaurant; not in my lifetime anyway.

Bordier Butter - - Picture of L'Avant Comptoir, Paris - Tripadvisor

The irony of me missing the butter most of all should not be lost on you, since the chefs did precious little to prepare the soft, spreadable, sunshine yellow sculpture for your table. It probably represented the least amount of work, skill, and creativity of anything on the menu at Joël Robuchon. But it also represented a level of sublime decadence and luxury unseen in these parts before Robuchon planted his very very French flag here in 2005.

And now it is gone. No one has announced its permanent exit from Vegas — the suits running the show are too crafty for that. They will keep everyone in suspense, hoping against hope that Las Vegas will return to its former glory and slabs of sunshine yellow, smooth as silk, milk fat will once again magically appear at your table .

But our best guess is the butter, like the Robuchon restaurants, have departed, never to return.

Have I been told this by someone? Yes and no. Some employees of the restaurants were given their walking papers back in September, and asked not to make a big deal about it. Will the MGM announce that JR is gone for good? Not anytime soon, even if the decision has already been made.  Good luck with that, MGM!

Is there a scenario whereby, a year or two from now, a set of circumstances will come together to re-open one of the best restaurants in the world because Vegas has rebounded so much that gastro-tourists and high-rollers are (once again) clamoring to eat at the mega-expensive, namesake restaurant of a chef who died two years ago? Yeah….but don’t bet on it.

L'Atelier De Joel Robuchon - Best Restaurants in Las Vegas

If a Robuchon restaurant is resuscitated, it will most likely be L’Atelier (above) — a more modest link in the JR chain, and certainly an easier one to re-attach. So many more of our temples of gastronomy will soon suffer the same fate. But more on them in a moment.

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I was once married to a gal who had once (in the 1970s) been married to a Vegas casino executive. She told me tales laced with incredulity about how hotels would decide their restaurant lineups back in those leisurely leisure suit days. Everything was fungible; nothing but the coffee shop was sacred. In the blink of an eye and snap of the fingers, an under-performing Italian might be plowed under for a tiki lounge; or some bigwig’s wife would get a craving for kung pao chicken and pow! — in a matter of weeks, in would come a Chinese eatery.

Casino money back then was spent fast and loose; restaurants were amenities; they had to be good, but they didn’t have to be important.

Sometime in the early 21st Century, the restaurants here started to be important. Important to tourists, high-rollers, the reputation of Las Vegas and the bottom line. With importance came quality (Robuchon, Savoy, Gagnaire, Boulud, Andrés, Batali…), with quality came pressure to succeed, and maintain that success. In retrospect, it is a wonder we sustained it for so long.

Back in the day, this storm would’ve been weathered much more easily. International reputations and 30 page licensing/profit-sharing deals weren’t part of the equation. There were no public relations minefields to navigate, nor the gaze of the food world to deflect. Eating out wasn’t entertainment, it was something you did when you weren’t home to stay alive.

Opening and closing casino restaurants was no big deal in 1980. There were no prying eyes or oversized egos to contend with. All you had to do was keep the gamblers happy.

Closing restaurants in the early months of 2021 is going to be a very big deal for Las Vegas. It will signify a sea change in how we eat and how the world perceives us. Like old rock stars, some of the “name brands” will hang around, cycling through their old hits, but one by one, they will slowly be put out to pasture.

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 This is how you do it. (Mon. Bordier with his beauteous beurre)

Back to the butter. It was glorious: rich, fresh, deeply creamy, sweet — like no butter Vegas had ever tasted. In summer it had a savory lilt; in winter, a sweeter one.

Waiters in fine French restaurants talk about such things: such things as butter that takes days to make and is delivered in 50 kilo sizes to the most expensive restaurants in the world so people can swoon over ivory-yellow towers of football-sized thickened, cultured cream to slathered on the best baked goods in the business….or just eaten with a spoon, which is what I did.

The butter was only the beginning at Joël Robuchon. After it, the courses cascaded down, one after one, until the the food and wine and service converged into a single gestalt of gustatory perfection. Food so perfect it would take your breath away. A meal so special only a handful in the world could compete with it.

Las Vegas did not get these restaurants and their fancy butters because we were a town of appreciative gourmets. We got them because for thirty years the world treated us as its playground, servicing all of its seven sins, ready to serve a clientele flush with cash and eager to part with it.

They stood like beacons to the  hungry and starstruck once —  these outposts of Puck, Lagasse, Flay, Trotter, Maccioni, Mina, Ramsay, the Michelin stars, the gastronomic gods — like nowhere else on earth, crammed together, right in our own backyard.

But no more. Those days are gone with the wind. The winds of change, of Covid, of a recovery that will take years. This will not be like the Great Recession of 2008-2012. Then, people retained their hunger for Vegas, their yearning for sin, their eagerness to unleash their ids in defeat of all superegos.  All they lacked back then was equity, or corporate expense accounts — the two things our economy relied on to keep the hotels full. But all of those were in reserve waiting to be unleashed when the economy loosened up. And loosen up it did. And Vegas came roaring back stronger than ever. Until 2020 hit.

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Somehow the butter — from French cows that traveled 6,000 miles to be here — represents all that we have lost. Of course, neither it nor the meals it preceded were for everyone: How many people don’t blink at spending $500/pp on dinner? We’re talking rarefied air here, something even the most dedicated, well-heeled fresser might only indulge in occasionally. (No one appreciates fine French more than yours truly, but even in my haughtiest, haute cuisine heyday, too many supercilious meals in a row would have me craving a burger or pizza.)

But the Robuchons, Savoys, Minas, Ducasses and Maccionis represented something that transcended their super swanky settings: they meant Las Vegas had arrived on the big kitchen stage and deserved to be there.

Now the stage will shrink and with it, our reputation. This isn’t the 80s: we can’t just throw up another in-house concept and keep the customers satisfied.

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Fifty years ago, a gambler didn’t care who the cook was; neither he nor his wife gave a hoot who was tossing the pasta at the Desert Inn. The only chef any of them could name was probably Chef Boy-Ar-Dee.

And then we became known for such things: for outposts of celebrities we had seen cooking on TV; for the stars who were then gracing the covers of food magazines, appearing on cooking contests, hobnobbing with the cool kids. From anonymity to superstardom in 30 years — it happened to chefs, and it happened to Las Vegas’s food scene, almost on parallel tracks. And it all culminated with that tower of butter in a 40-seat jewel box tucked into a corner of a mega-casino: ruining us forever for other luxury meals — because everything looks like a valley once you’ve been to the mountaintop.

There will always be a place for super-posh ultra-refined dining. The best-of-everything crowd will demand it, and world capitals like Paris, London, New York and Tokyo will provide it. And for a glorious quarter-century, so did a tacky tourist town in the middle of the High Mojave Desert.

Culinary reputations aren’t built solely upon ethereal ingredients, intensive care service, and wallet-bending meals fit for a king. But remove that level of excellence and what continues will be barely an echo of a time when the world took us seriously, we seemed to have it all, and we could boast of being among the best.

Gone with the Wind Movie Review —

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The following represented our gastronomic scene at its peak. These were the important ones; the ones that put Las Vegas on the map. A few will make it; most won’t. (My crystal ball tells me the Vegas of 2030 will resemble Branson, Missouri more than an ersatz Paris.)

Restaurant Guy Savoy (Against all odds, has reopened and is thriving; I’d eat here weekly if my bank account and waistline would let me.)

Le Cirque (If you think I’m sad about Joël Robuchon….)

Michael Mina (Has always been an underrated gem.)

Jaleo (Still sets the Spanish standard.)

‘e’ by José Andrés (Amazingly, has also re-opened. Having only 8 seats helps.)

CUT (Packed five nights a week.)

Emeril’s (Still busy; still good; still a bitch to get to.)

Bazaar Meat (Steakhouses will be the only survivors of the coming gastronomic genocide.)

Spago ( Spago 2.0 has scaled back its ambitions and is still solid, if unspectacular.)

Twist by Pierre Gagnaire (“Temporarily Closed,” but they’re not fooling anyone. I was told it was on the chopping block two years ago.)

L’Atelier de Joël Robuchon (see above)

Joël Robuchon (see above)

Picasso (For its first decade, as pitch-perfect as a restaurant can be. For its second, a little stale. Those paintings though.)

Hall of Fame

Bartolotta Ristorante di Mare (Still doesn’t get enough credit for the excellence it brought to our burg.)

ALEX (Spectacular, but in so many ways, destined for failure.)

Aureole (Lost its fastball after five years and never recovered its form.)

Bradley Ogden (Was like one of those ensemble movies where the young cast all go on to be big stars. Amazing talent; incredible food. A shooting star.)

Carnevino (If only Mario could’ve kept his dick in his pants. I know Mario, it’s hard when you’re a sex symbol.)

Circo (I treated it like a private club in its early years; Vegas will never again taste Tuscan this good.)

Boulud Brasserie (The original in the Wynn was something special….for about 3 years.)

miX (Ditto, just substitute Mandalay Bay for Wynn in the above sentence.)

B & B Ristorante (Best. Pastas. Ever.)

Valentino (Terrible layout; wonderful wine; never got the traction it deserved, despite awards and accolades.)

Spago (The original; the granddaddy; the restaurant that started our revolution. )

Fleur de Lys (One of the most beautiful restaurants anywhere….until Mandalay Bay ruined it.)

Mesa Grill (Yes, Mesa Grill. You’re welcome, Bobby.)

RM Seafood (Along with Bartolotta, Rick Moonen brought heavyweight chops to our shores, and made us take seafood seriously.)

Charlie Trotter (Charlie was too early (’94) and too late (‘o9) to the Las Vegas restaurant party.)

Coyote Cafe (Was too good for Vegas’s knuckle-dragging hordes. Too authentically southwestern; too spicy; too excellent. The Food Gal® and I had our first kiss at this bar. Sigh.)

Sage (Like Fleur de Lys, an eye-popping design with food to match.)

Napa (Jean-Louis Palladin’s last stand)

Renoir (Alex Stratta’s first Vegas foray)

Vetri (Gone for good, but its progeny – Osteria Fiorella – is packing them in at Red Rock, for good reason.)

…and a few I’ve probably missed.

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The List – January 2020

Image(Happy New Year!)

For years I’ve maintained that to do this job correctly, you have to be a little touched, a lot obsessive, and slightly manic about where you eat.

It’s also like being a porn star: something that sounds like a good idea (to dudes anyway) until you have to do it daily, on command.

And like being a porn star, most guys think they could do it, but they can’t.

Let’s go through my month (a very light one by my standards) and see if you could keep up, eating-wise. Keep in mind these dishes are just the highlights — every meal contained much more to eat, some things of which I nibbled at, other parts I devoured wholesale.

It started with a smiley face on a croque Madame on January 1st at Marche Bacchus (top of page).

Then, in rapid succession, over the course of the month, we devoured…

Esther’s Kitchen

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We grow weary of telling you how great Esther’s is….but we will never get tired of James Trees’ cacio e pepe (above).

DE Thai Kitchen

Image(Kanom jeen namya pu AKA fish curry with noodles)

Not to take anything away from our wealth of Thai options downtown, but the food at the teeny tiny DE Thai Kitchen is the best of the bunch. When the fish-crab curry (above) is on the menu, get it.

Kaiseki Yuzu

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Sure the kaiseki menu is expensive (starting at $100/pp), but the small bites/sake bar up front (above) is quite the deal for food this refined, and a good introduction to Japanese food the way it tastes in Japan.

New York Bagel and Bakery

No better bagels in our humble burg.

ShangHai Taste

Image(Through these doors lie dumpling delights)

Screw those over-hyped Chinese chains (Tim Ho Wan, Din Tai Fung), Jimmy Li’s xiao long bao are the bomb and made with love, not on an assembly line.

Serrano’s Mexican Food

Image(This salsa lit me up from my head tomatoes)

There is nothing remarkable about Serrano’s.…except the service and the spot-on Mexican food. It’s also one of the spiffiest holes-in-the-walls you will encounter, with not a grimy corner in site. A real hidden gem in an unlikely location.

Sage

Image(Egg-cellent caviar; unbliniably good pancakes)

We pop into Sage every other year just to make sure it hasn’t lost its fastball. It hasn’t lost its fastball. In fact it may be throwing more heat than ever. New chef Thomas Griese is seeing to that.

Hiroyoshi

Image(I’m urchin you to try this uni)

Every time I eat at Hiroyoshi, I kick myself for not eating here more often. Simply marvelous sushi at more than reasonable prices for what you get. The uni 3-ways will have you dropping your chopsticks in appreciation.

Estiatorio Milos

Image(These prawns give great head)

These Carabineros deep water prawns may be $30 a piece, but sucking sherry out of one of their detached craniums is the best cephalothorax you can get on the Strip.

Moon Palace

Image(This Double is damn Tasty)

Everyone knows David Chang hates me. And I’m no fan of his warmed over, quasi-Korean concepts at Momofuku, either. But I’m willing to give his new joints a fair shot, and Moon Palace (located across the hall from the spanking new Majordomo), is a mini-burger empire whose time has come. Delicious from the first bite, and probably the apotheosis of the American slider.

Eiffel Tower Restaurant

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Sometimes, we go visit an old favorite hoping for the best but expecting less. Despite the great view and good service, this place is become way too touristy for any serious gastronome. The lunch menu was mainly sandwiches; the torchon of foie gras wasn’t as finely-tuned as it should have been, and the burger not worth the pain-in-the-ass trek it takes to get there from the parking lot. Methinks me and The Food Gal® have eaten our last meal here.

18bin

Image(Well kiss my biscuits)

Fingers are crossed that Louisiana native Jen Landry (above) can put this place on the culinary map. The menu seems promising, and the gal has a way with biscuits. If only the physical layout of the joint weren’t so shitty.

Graffiti Bao

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We liked Graffiti Bao, but didn’t love it enough to ever again travel to the far southwest to eat its bread-y, doughy dumplings. It didn’t help that each of the fillings (Szechuan beef, kung pao chicken and barbecue pork were almost indistinguishable in taste. Our Chinese-Korean dining companion was also put off by the burrata offering on the menu (with garlic-chili sauce and scallion pancake!) — a combination that makes as much sense as kimchi on a pizza. “White people trying too hard to be hip Asians,” she sniffed. And she’s probably right.

The Goodwich

Image(Move over Babe Ruth…and pastrami on rye)

The Patty (pictured above) deserves to be in the Sandwich Hall of Fame. It takes a while to melt all of that gooey cheese into the chopped beef, but the wait is always worth it.

Suzuya Patisserie & Cafe

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On South Buffalo,  a mini-micro-climate of hip Asian-fusion eats has sprung to life, with Suzuya, Graffiti Bao and Fukuburger all located within a stone’s throw of each other. Each space (like its surrounding shopping center) is spanking new, with all the polished, antiseptic charm of a mall food court. This seems to bother the patrons not at all, as from the get-go, Suzuya has been packed with customers both Asian and non-, in numbers that would’ve overwhelmed its original cracker-box location, a few miles west. Suzuya’s pastries are very French, but also a la Française as filtered through Japanese sensibilities, meaning: more delicate and less sweet. From the crowds we’ve observed, there seems to be a pent-up demand for this Sino-Franco fusion, as there should be.

Soyo Korean Barstaurant

Image(Who knew everything but the kitchen sink could be so tasty?)

Korean food baffles me. It’s intense, over-the-top, ingredient-heavy, starchy, spicy, gut-busting and soul-warming all in one. Korean food after a Japanese meal is like a NFL team lining up next to the Bolshoi Ballet. I love it but I don’t claim to understand it. If you want to do both, Soyo is a good place to start.

PublicUs

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I love croissants like a bear loves honey. Like a Pelosi loves impeachments; like a Trump loves beauty pageants. The ones at PublicUs might be the best in town. If not, they’re certainly in the top three.

Yum Cha

Image(Shrimply mouth-watering)

Our new go-to for dim sum. Not in Chinatown, but a real find on W. Tropicana with great prices, an open kitchen, a picture menu (great for dim sum beginners) and very attentive service.

Cornish Pasty Co.

(Belly bombs away!)

If you look up “stick to your ribs” in a dictionary, you’ll see a picture of a Cornish pasty.

El Dorado Cantina

That Ass Though Jennifer Lopez GIF - ThatAssThough JenniferLopez Shakira GIFs(Some buns get a rise out of us)

We spent $83 on Mexican food here. For 3 tacos, and bowl of soup, and appetizer and a beer. For eighty-three bucks I want mariachi music. Or Shakira shaking her ass in my face.  Never again.

Cipriani

Image(Baked, Béchamel’d, and beautiful)

I eat at Cipriani so often they ought to name a booth after me. I could eat its baked tagliolini with ham (above) every day of the week and never get tired of it. Like everything here, it is stunningly simple Italian food served by real pros who never miss a beat.  If you want to see what a great Italian ristorante looks like, this is the place. But don’t say I didn’t warn you about the gelato. You’ll be hooked from the first bite.

That’s 21 restaurants in 31 days — barely breaking a sweat by my standards.

Remember, I’m plowing all this ground so you don’t have to (kind of like a porn star). My continuing mission is to guide you to only the best of the best, so you will know where best to spend your dining out dollars.

We at Being John Curtas hope these posts are helpful to achieve these goals. But if any of this causes you menu envy, try to remember this German word to help you over your green-eyed hunger hurdles:

Futterneid is a compound noun which is made up of the words ‘food’ and ‘jealousy’. The German word ‘Futter’ translates as ‘animal feed’ or ‘fodder’, but is also used colloquially to describe human food. Futterneid translates into English literally  as ‘food jealousy’, but the more idiomatic ‘food envy’ is a better translation.

The word describes the highly relatable feeling when you simply order food at a restaurant wrong, and then have to suffer through the rest of the meal watching someone else eating something that looks and smells much better than what you have.

Examples:

Er war gestern abend wegen des Futterneids so mürrisch.

He was so grumpy yesterday evening because he was envious of the food.

Danke schoen to @thelocalGermany for giving us a word that is now an essential part of our eating vocabulary.

Prost!

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The Taste(s) of a Critic

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The rich are different from you and me. – F. Scott Fitzgerald

So are restaurant critics.

Unlike the rich in Fitzgerald’s quote though, we don’t think we’re better than you, just more observant.

More tuned in. Less distracted. More sharply aware of the fine points of the food we are sticking in our mouths.

Are we snobs? Absolutely. Of the highest order. Don’t you want any professional critic (of art, music, literature, design, etc.) to have the highest standards? To bring years of education and discrimination to the subject at hand?

Of course you do.

Nothing would be more boring, and less useful, than a “critic” who liked everything. Fast food tacos? Great! Canned soup? Beat a path to that door! The 24th link in a celebrity chef’s chain? Don’t miss it!

If you’re looking for that sort of reflexive boosterism, Instagram has plenty of influencers for you.

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If you’re looking for an educated point of view, then you seek out and read someone who knows their stuff. And by “knows their stuff” I mean has a wealth of knowledge based upon real world experience, travel, study, and deep involvement with the subject. You want opinions, Yelp is full of them. If you want to learn something, read on.

To a food critic, every bite, every meal is really about one thing:

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Perspective. A point of view. Vision. The intent behind the food. What is it that this restaurant is trying to do and how well do they do it?

There can be as much perspective behind a taco truck as there is at Twist by Pierre Gagnaire. Is the truck content to sling the same stuff dozens of others are doing, at a cheap price, to help you feed your face quickly and cheaply while helping it pay the rent? If so, then there ya go.

Or is it aiming higher? Are the salsas not out of a can? Are the tomatoes riper, the meat better, and the seasonings finer? Were the tortillas made minutes or days ago? After your second or third bite, are you saying to yourself, “Self, I can’t wait to come back here”?  Or are you just happy you are not hungry anymore?

Not every meal can provoke this kind of reaction:

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…but it’s what you always seek — the Holy Grail of Food — something so intense, so transporting, that memories are stirred of the visceral, the elemental, the emotional ties we have to food.

All a critic is looking for is either that imaginary transportation to another place, or to be riveted to where you sit. If food achieves neither it has failed you. Your mother’s chicken soup could do it; Joël Robuchon’s mashed potatoes do it. A great piece of meatloaf can be just as soul-satisfying as a French Laundry degustation.

One of the reasons critics disdain fast food is because it divorces food from time and place, memory and feeling. Fast food is food as fuel and that’s it. There is no connection, no enrichment gained from eating it. The spiritual binding brought forth from a simple home-cooked meal is non-existent. We cram, we get full, we are connected to nothing but the will to stay alive.

If chain restaurants represent one end of the feeding spectrum, then critics occupy the obverse. Food is the furthest thing from fuel in a critic’s mind. It is an ideal to be sought; perfection to pursue….sometimes with hesitance, sometimes with gusto. To search and find perfection is our quest, but we’ll settle for excellence, wherever we find it.

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Perfection is unobtainable, in art or food, but excellence can be anywhere. And in searching for it with every bite, you acquire what I call a taste Rolodex in your head.
Every bite contains a comparison. A spoonful of ice cream gets graded against every other one you’ve ever had. When you stumble into Giolitti in Rome for a scoop, from your first lick you’re comparing it to La Strega Nocciola in Florence, which, you recall, kicked the ass of that poseur franchised crap you had in New York that time. And when you stroll into Gelato di Milano in Las Vegas, consciously or unconsciously you are holding them to those standards.

The glory of course is in the pursuit; the obsessive hunt for the best. And if you’re going to obsess over anything, what’s better than having an all-consuming ardor for something you have to do twice a day to stay alive?

Yes, we can dutifully shovel proteins, amino acids, starches and complex sugars into our piehole, solely to stay alive, and not give them another thought.

But nature gave us a sense of smell and taste for a reason: to discern the edible from the inedible in the wild. Modern man doesn’t live in fear of dying from toxic berries or diseased meat, but the same skills our ancestors used to eat healthily thousands of years ago serve us well today when deciding the right time to eat a piece of fruit, or when a protein has been cooked to its optimum flavor potential.

Image(More liver and wine, and less sodium please)

On some level, that’s all a food critic can tell you. Did they know how to season it and know when it’s done? There is your baseline. Then, there are finer points and deeper dives: Did the foie gras poached in Sauternes (above) taste of wine-drenched, silky liver, or just salt? Was it properly cleaned?  Is the recipe trying to mimic a classic? Or a riff on it? Or is it a copy of a copy of a riff on a classic? Is the ornamentation on the plate for taste or show or both? Are there too many elements to a dish or not enough? (Rarely the latter.)

All gastronomes are searching for dishes of high amplitude – where the flavor elements converge into a single gestalt. A good critic should likewise be such an inquisitive epicure (or at least aspire to be one), even though many, sadly, are not.

A knowledgeable critic has a wealth of experience in his brain (that Rolodex thing again) to give you answers to these questions. Does that mean he’s right and you’re wrong if you disagree with him? No, but if he/she is doing the job right, at least they’ve given you a baseline of information upon which to make your own judgments.

As with movies, a good critic can not only tell you if something is good, but why it is so. No one said it better than Rogert Ebert:

I believe a good critic is a teacher. He doesn’t have the answers, but he can be an example of the process of finding your own answers. He can notice things, explain them, place them in any number of contexts, ponder why some “work” and others never could. He can urge you toward older movies to expand your context for newer ones. He can examine how movies touch upon individual lives, and can be healing, or damaging. He can defend them, and regard them as important in the face of those who are “just looking for a good time.” He can argue that you will have a better time at a better movie. We are all allotted an unknown but finite number of hours of consciousness. Maybe a critic can help you spend them more meaningfully.

Substitute “food” for “movies” in the above paragraph and you have the best defense of a restaurant critics I can think of.

Finally, we come to the question of the actual tasting itself. How does a critic evaluate a dish? Is it different from how you taste food? Most likely. It is certainly a lot faster.

Hypersensitivity is our calling card — to raw ingredients, degree of doneness, balance, temperature, spices, herbs, texture, mouthfeel (not the same thing), harmony, assertiveness, amplification of one note over another — all of which goes racing through our brain before the second bite.

As with wine or music, once you understand the subject on a deeper level, you’re incapable of being satisfied with mediocrity. You might be perfectly happy grooving to the sweet, sweet sounds of Donny and Marie singing their greatest hit, but someone schooled in classical music or modern jazz is not so easily amused. In another life, Domino’s pizza might’ve sufficed; now it makes you want to barf.

Then there’s that pesky perspective thing again: how does this dish, this restaurant, this meal, fit within the context of every other meal, you’ve had?

Back to Ebert again, he quotes Socrates when arguing that “an unexamined life is not worth living.” He pushes the movie goer to understand both their and a filmmaker’s philosophy about a movie, in order to explain with some depth why you like or don’t like a film.

It would certainly be nice if all movie buffs had that level of understanding, just as I would argue that if everyone who eats (and that would be everyone) would examine their food with same intellectual rigor a critic does, the world would be a happier, healthier place.

Image(Kusshi me quick)

In reality, this will never happen. All a passionate critic can hope for is to shine a small ray of enlightenment on your meal. You should go to Bouchon for oysters, for example, because they always seem to get the plumpest, briniest specimens in town. (Or Sage, for their classic Tabasco sorbet-topped beauties, above.) The selection at Bouchon is never too large and the staff always knows their bivalves. This is the sort of information an informed consumer should have in their holster before dropping fifty bucks on a dozen of them.

Does this mean you will identify the watermelon/cucumber notes of a deep-pocketed Kusshis the same way I will? Perhaps not, but if you taste them next to some $1 oyster bar (Hello, Palace Station!), you would find it’s no contest. Such is the ground a critic plows so you won’t have to.

Yes, I get ecstatic over restaurants like Bouchon and Sage, just like I do over oysters, pizza, steaks, tacos and the fanciest French food you can imagine. (I can still recall my oyster epiphany in Brussels almost thirty years ago, when the slippery little critters were so fresh and alive they contracted when hit with a squirt of lemon.) Such was the beginning of a life-long affair.

As any romantic can tell you, once you fall in love, falling in like is no longer an option. To be a good critic, you must love your subject even when it isn’t loving you back.

True love is like that.