The Covid Diaries – Vol. 10 – What’s Next?

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Day 57, May 12 – Surveying the Landscape

What’s next? Who the fuck knows.

Trying to figure out what’s next is the question on everyone’s mind.

I, for one, have decided to stop thinking about it.

Fearing for businesses I love, and the futures of people I respect, has (literally) kept me up nights over the past six weeks.

But it’s a “no win” game going on between my ears, because what’s done is done and nothing I think, do, or say will affect what’s going to happen.

All I can do is continue to put my money where my mouth is, and urge you to do the same.

Image(Beauteous bento at Kaiseki Yuzu)

Trying to find a silver lining in the cloud that hangs over Las Vegas is a fool’s game. Nothing good will come out of this.

Most cities are fearful for some peoples’ jobs; Las Vegas has an entire industry that’s been laid to waste.

We’re talking entire hotels going under, not just a few small businesses, or the death of an outdated business model.

Imagine someone telling New York City it can re-open, but Wall Street has to remain closed “indefinitely” and you’ll get the idea. Or Hollywood being told it can’t make movies and TV shows in the foreseeable future.

The Sinking of the RMS Titanic (1912)(Las Vegas, say hello to your leetle friend)

Every city’s economy will feel a ripple effect from this shutdown; in Vegas, it is more like a tidal wave, soon to be followed by another tidal wave…as Titanic after Titanic sinks.

If/when a place like Mandalay Bay goes down (with its thousands of employees), it’ll be more like an aircraft carrier sinking.

To keep the maritime metaphor going, turning around Las Vegas’s shattered economy will be like asking the 7th Fleet to change course.

The word is MGM Resorts is going to open only two hotels in its portfolio: Bellagio and New York New York. The Palms has been shuttered until a buyer can be found — taking with it a star-studded lineup of restaurants, including Vetri, Mabel’s BBQ, Shark, and Scotch 80 Prime. The exquisite Mr. Coco is also history.

The Wynn/Encore group is making noises about re-opening everything (including all restaurants) this summer, but its statements feel more like a p.r. gambit than reality.

Venetian/Palazzo is a more unwieldy beast, with dozens of eateries leasing space in both the hotels and the Grand Canal Shoppes. Still, props to both hotel corps for being aggressive in trying to make themselves attractive to vacationers again — even if a quarter of all their customers have indicated they won’t return to Sin City until a vaccine is found.

Nothing about the numbers looks good for the hospitality industry. The Nevada gubenator has mandated a 50% reduction in seating in all restaurants — as if businesses operating on 10% margins can make a go of it with their revenue stream cut in half.

Locally, Tivoli Village (a restaurant black hole in the best of times) is losing Brio and Hampton’s, with perhaps more on the way. Unless some free rent deals are figured out pronto, expect others to follow suit.

Image(Maggie the Magnificent)

The only good news I’ve been able to discern in all of this, after speaking with numerous chefs and owners over the past month, is this: small, personal, low-overhead joints may be able to weather this storm. Places like Japaneiro (top of page) La Maison de Maggie (above) Kaiseki Yuzu, The Real Crepe, Elia Authentic Greek Taverna, or Saga Pastry + Sandwich, might survive, with a little help from the government and their landlords.

These eateries are simple operations — little more than a chef/owner at the helm and a helper (often a family member) in the dining room or kitchen. I like to think of them as speedboats, rather than the behemoth battleships of the Strip. They can get by with less because their operations are so bare bones. This was a major part of their charm before, and it’ll be what drives customers to them now.

Re-booting won’t be so easy for chef-ier joints like Esther’s Kitchen, Partage, Honey Salt, Sparrow + Wolf and Other Mama. Don’t kid yourselves — for all the laid back vibe they project, these are sophisticated operations with lots of moving parts. The good news is they have loyal followings of diners just itching to return; the bad news is you may find a restaurant that, for the time being, is 50% of what it used to be in more ways than one.

Image(Hiro-san slices heroic sushi)

If I was a betting man, I’d be betting on Chinatown. And by “Chinatown” I mean our pan-Pacific panoply of Asian eats all over town.

Never underestimate the resourcefulness of Asians, I say!  They’ve been bucking the odds in this country since the 1850s. Their restaurants, almost by definition, are lean and mean family operations. They expect less and have centuries of experience doing more with less, cooking-wise.

For a taste of Vegas like it was a couple of months ago, you can’t go wrong with  Shang Artisan Noodle, Hiroyoshi, Monta Ramen, or China Mama, or scores of other joints up and down Spring Mountain Road.

Yes, nothing is coming up roses right now, but worrying about it accomplishes nothing. (Easy for me to say, I know.)

How quickly people forget that the reason for the lockdown in the first place was to “flatten the curve” and keep our hospitals from being overrun. Guess what? They never were, and the curve flattened long ago.

This is what happens when you turn public policy over to germaphobes, public health ninnies*, and fraidy-cat politicians. They’ve ensured that the picture ahead isn’t pretty — but it might be pretty tasty if you know where to look.

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* Pardon my snark, but if pro-shutdown advocates are going to continue to treat Covid deaths (most of which are the very sick and old) as tragedies of biblical proportions, then I’m going to (continue to) to play the cynical skeptic.

Strip Restaurant of the Year – MICHAEL MINA

Ed. note: This year’s Desert Companion award for Strip Restaurant of the Year goes to an old reliable with a new format.  No matter how it’s presented, the seafood is always impeccably fresh, while the 20 year old restaurant itself has aged like a fine wine. As usual, click here to read about this award in its original format. Bon appetit!

Restaurants grow old in one of two ways: They either stick with a formula that works or they reinvent themselves. Somehow, the new Michael Mina has managed to do both. It is a testament to Mina as a chef, and his team, that it’s been able to do so both seamlessly and swimmingly. In doing so, Michael Mina the chef has returned to his roots, and his restaurant has re-announced itself as our finest seafood emporium.

At first glance, you can be excused for thinking not a lot has changed. It’s always been one of the prettiest restaurants in Las Vegas (thank designer Tony Chi for that) with lighting that flatters both the customers and the food. Mina made his name by treating big hunks of pristine fish like land-locked proteins. He popularized pairing pinot noir wine sauce with salmon, and marrying tuna and foie gras.

These sorts of land-sea fusions are everywhere these days, but they were a very big deal in the 1990s, and Mina’s Aqua (first in San Francisco, then in Bellagio) was an early trendsetter. Even now, he and his crew see marine proteins as umami-rich sea meat, rather than as delicate swimmers barely to be trifled with. Where the Italians and Greeks dress their seafood with little more than a squeeze of lemon, and the French subtly nap theirs with wine and butter, Mina looks at a fish as something to be celebrated with sauces and spices.

The new Michael Mina has gone large-format, and it’s a sight to behold. Every night, six to eight whole fish are displayed before you, each begging to be grilled over applewood, broiled and draped with black beans, or deep-fried and adorned with coconut-green curry. The lighter-fleshed varieties (snapper, sea bass, and striped bass) do well with this spicy coating, while fresh-off-the-boat John Dory and kampachi get dressed in more intense ways.

(Smoked trout with caviar cream)

In keeping with the times, things have lightened up a bit — the only French sauce offered is the mustard beurre blanc (with the phyllo-crusted sole), but Mina can’t resist coating a strongly-smoked trout with a river of Meyer lemon-caviar cream (above). If those aren’t filling enough, his old-school (and justifiably famous) lobster pot pie awaits, bathed in a truffled brandy cream sauce.

(Caviar parfait)

The only problem is there may now be too many great choices on this menu. Executive Chef Nicholas Sharpe and General Manager Jorge Pagani (who’s been with the operation for 17 years) suggest toggling back and forth between Mina’s famous dishes and these new fresh fish offerings to build your best meal. Pagani says there would be a revolt among his legions of regulars if certain standards (e.g., the tuna tartare, caviar parfait (pictured above), that pot pie, or phyllo-wrapped sole) were taken off the menu. And why should they be? They are classics for a reason, and just like this superbly re-imagined restaurant, they will never go out of style.

MICHAEL MINA Returns to the Sea

I almost sued Michael Mina once. More accurately, Michael Mina’s partners tried to hire me to sue him.

My law firm wanted me to take the case, but I demurred because….well….simply because I liked his restaurant so much.

The underpinnings of that suit had to do with the divorce that was then underway between the Bellagio and the Aqua Group — the company (and restaurant) that launched Mina’s career in San Francisco in the mid-1990s. By 1997, Aqua had become Frisco’s most famous seafood restaurant, and Steve Wynn (who had already lured Julian Serrano here from there), needed a seafood star to complete his murderer’s row of chefs at the Bellagio.

Aqua Las Vegas opened to great acclaim in 1998 (as did all of Bellagio’s stars), and for 7 years it was the unchallenged cooking champion of all things from the sea. As its eighth birthday approached, deals were coming to an end and leases needed re-negotiating. Mina apparently wasn’t in step with whatever his partners wanted, and that’s when both sides started lawyering up and I got the call.

I don’t know anything else about the dispute except that within a matter of months, Aqua was out and Michael Mina (the chef and the restaurant) was in.

Smartest move me and the Bellagio ever made.

Aside from a drift away from the seafood that made him famous, not a lot has changed at Michael Mina over the years. It’s always been one of the prettiest restaurants in Vegas (you can thank designer Tony Chi for that) with lighting that flatters both the customers and the food. The one design flaw was the bar to the left as you enter. Originally designed as a sushi bar, it was small and awkward and not conducive to cocktails (or a pre-prandial glass of vino) — with the drinks (formerly) being handed down over a high ledge in front of the seats. As you can see above, this is no longer a problem.

Neither is the menu re-vamp, which returns Michael Mina (the restaurant) to its roots. With this re-boot, the fish-friendly MM of yore is now alive and swimming in the Bellagio Conservatory. Taking a clue from Estiatorio Milos, a seafood display tempts as you are led past the bar, and if looking at whole branzino, John Dory, striped bass, Hawaiian kampachi and Arctic char doesn’t put you in the mood for a fish fry, nothing will.

Mina made his name as a seafood chef. His early fame came from treating big hunks of pristine fish like land-locked proteins. He popularized pairing pinot noir wine sauce with salmon, and pairing tuna with foie gras. Even now, he and his crew see marine proteins as umami-rich sea meat, rather than delicate flowers to be barely trifled with.  Where the Italians and Greeks barely dress their seafood with anything more than a squeeze of lemon, and the French nap theirs with the barest of butter, Mina looks at a fish as something to be assaulted (in a good way) with sauces. Thus does lobster come bathed in brandy and cream (in his ethereal pot pie), while fresh-off-the-boat John Dory gets a dressing of intense, fermented black beans and bok choy. In keeping with the times, things have lightened up a bit — the only French sauce offered is the mustard beurre blanc with the phyllow-crusted sole, but he can’t resisted coating a strongly-smoked trout with a river of Meyer lemon-caviar cream,  His chefs will grill one those whole fish (or a half for 1-2 diners) and adorn it with grilled peppers and preserved oranges, or accent it with Thai green-coconut curry after deep-frying it Asian-style.

When it comes to fish, yours truly is something of a seafood snob (imagine that?). My rules of thumb when ordering a whole fish are simple:

Rule #1: If John Dory (aka San Pierre, aka San Pietro) is on the menu, get it.

https://upload.wikimedia.org/wikipedia/commons/3/35/MacGillivray%2C_William_John_Dory.jpg

The John Dory is an exquisite fish – thick and meaty, but also delicate, not-too fatty and finely-grained. There is a firmness to the meat which will stand up to all sorts of preparations, but a soft sweetness to it that demands a careful hand. It goes well with a variety of sauces, and will stand up to strong accents — like the scallions, Serrano peppers and fermented black bean treatment it gets here. When properly cooked, it takes a rightful place in my pantheon of perfect pisces, along with wild turbot, fresh-caught Pomapno, and true Dover sole.

Rule #2 is: Only eat fish in a fish restaurant.

Rule #3: In a fish restaurant as good as this one, either close your eyes, point and pick, or ask the knowledgeable staff about the variations in species and how they are complimented by the cooking styles.

That last one is crucial, because on any given night, 6-8 whole fish are laid out before you, each begging to be grilled/smoked over applewood, broiled and beaned, or deep-fried with coconut-green curry. The lighter-fleshed fish (snapper, sea and striped bass) do well with this spicy coating and sauce, while the denser Dory, kampachi and char demand to be basically broiled.

Before you get to them, however, you’ll have to navigate the shellfish waters, which are teeming with terrific options. Executive Chef Nicholas Sharpe pointed us to the “petite charcoal-grilled platter” ($130) which is more than enough for four. Nothing against the brisk and briny oysters and cold lobster you find all over town, but this time of year calls for warmth, and grilling the scallops, oysters and Maine lobster with a miso-garlic-yuzu glaze is just the ticket on a brisk fall evening:

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The only problem with the new menu is there are too many great choices. Sharpe and g.m. Jorge Pagani (who’s been with the operation for 17 years) suggest toggling back and forth between the Mina classics (caviar parfait, tuna tartare, hamachi crudo), with these new (“Market Light”) items to build your best meal, and that sounded like a sound plan to me.

Speaking of classics, most of them are still there. (Pagani told me there’d be a revolt among some regular customers if the tartare, parfait, pot pie, or phyllo-wrapped sole were taken off the menu.) And why should they be? They’re classics for a reason. There may be no better starting course on earth than Mina’s caviar parfait:

….and even his steak Rossini is justifiably famous,. But for my money, the real show-stopper (a blend of Mina’s oeuvre, old and new) is his seared tuna and foie gras starter:

Mina has always known fatty liver like a Korean knows cabbage, and three forkfuls will prove it to you. Take a bite of the tuna, then take a bite of the foie, then take a bite of them both together. No meat-meets-fish dish ever became greater than the sum of its two (magnificent) parts than this beauty. It’s expensive ($57), but it’s more than enough for two and almost a complete meal in itself for one.

If you have room after all that seafood-y goodness, don’t miss the classic chocolate bar with salted caramel mousse, or the Egyptian rice pudding (almost as good as Greek!), or the pineapple granita with vanilla panna cotta and Sicilian pistachios (below). Desserts here have been wonderful for as long as I can remember (which is all the way back to 1998), and as with the fish, whatever you point to will be worth it.

A word about wine. No one goes to the Bellagio looking for wine bargains, but this list is well-chosen with lots of white wines at (for the Strip at least) reasonable prices that match well with the food. My sweet spot when looking at Strip wine lists is the $60-$120 range, and if you root around, you’ll find a few German Rieslings that fit the bill — like Müller-Catoir Kabinett for $80. The bright acidity of drier German whites compliments Mina’s love of bold, rich flavors, as do the more mineral-rich Chablis and less-complex (read: cheaper) white Burgundies — which you’ll find more than a few bottles of that don’t break the bank. Anyone who orders a Cali cab with this food ought to be taken out and shot (figuratively speaking).

The half-fish here run around $60-$75, which is a (relative) bargain. Most of the whole fish (that easily feed four) are double that. If you split some appetizers and go this route, you can get out of here for around $100/pp. Tasting menus are $138 and $188, respectively, and are more than worth it if you’re the “go big or go home” type. The last time I paid for a meal at MM, Bill Clinton was president.

MICHAEL MINA

Bellagio Hotel and Casino

3600 Las Vegas Blvd. South

Las Vegas, NV 89109

866.259.7111

https://www.bellagio.com/en/restaurants/michael-mina.h