Wine Archives — Page 2 of 69 — Being John Curtas

Of Cabbages and Kings…and Pizzas and Pia Zadora

September 29, 2022October 4, 2022

‘The time has come,’ the Walrus said,

‘To talk of many things:

Of shoes – and ships – and sealing wax –

Of cabbages and kings

And why the sea is boiling hot –

And whether pigs have wings.’

– The Walrus and the Carpenter, Lewis Carroll

(And all the little oysters stood, and waited in a row)

Oyster season is upon us. The days in Vegas aren’t quite so hot; and the nights are even a bit cool. Spirits brighten, paces quicken, appetites increase, and Las Vegans come out of their shells, as do bivalves…inasmuch as the latter involves being on the end of an oyster fork.

Summers you see, are for hibernating, both for certain shellfish, and people accustomed to enduring 108 degree heat for weeks on end. Oysters mate in the summer (and get watery and flabby in the process), while residents of the High Mojave do the same, at least as it involves staying in our air conditioned shells, or in a swimming pool, as much as possible.

Every year, almost like clockwork, we get hungrier on September 15th. Labor Day may be the unofficial end of Summer, but for us, the weather always seems to break about two weeks later. Sure, the hot days don’t disappear entirely until mid-October, but as soon as we feel a nip of cool in the morning, we start celebrating. And by celebrating we mean going out to eat like a starving man attacking a banquet.

Through happenstance as much as planning, this year we found ourselves overwhelmed by Italian, suffused with seafood, and awash in oysters. Below are some impressions of our more noteworthy meals…and by “noteworthy” I mean ones we either loved or hated.

(Never eat ‘ersters in any month without a paycheck in it)

Like the Walrus and the Carpenter, we eagerly await the arrival of plump, firm ‘ersters from both coasts, and the best and freshest collection in town can usually be found at the Water Grill. Unlike the Walrus, we feel little guilt in luring a couple of dozen of these eager little creatures into our greedy maw. Instead of poetry and persuasion, we use cash…in this case around $42/dozen. Stick with West Coast is our usual mantra: they have traveled less and have more of the mineral-rich salinity we look for. The WG may be part of a chain, but it’s a chain restaurant with sole…that knows it plaice, and hasn’t floundered since landing on the L.A. scene 30 years ago.

After gorging ourselves on Fanny Bays and Indigos, we next found ourselves inundated with Italians. (In case you haven’t noticed, Vegas is lousy with Italians these days.)

An old friend met us at Piero’s for a birthday party (and we stayed for a bite); another epicurean acquaintance lured us back to Lago; everyone said Amalfi was amazing, so we had to see for ourselves. Then RPM opened for lunch, and of course we had to go. In between all these, we also squeezed in multiple lunches at Cipriani, a lunch at Esther’s Kitchen, and dinners at Milano and Rosa Ristorante. Between the eight of them, we noshed on enough noodles to numb a Neapolitan.

But you do not come here to hear about our digestion, dear readers, you come for the piquancy of our opinions. So let us get straight to the nitty Pecorino.

SHIPWRECK

(All show no dough)

Lago has always suffered from unfortunate nautical design that puts one in mind of a cruise ship. Which is fine if you like dining with people whose idea of culinary adventure is a carving station with a salad bar. There is truth in advertising, though, because the food here lives down to the decor.

The cheesy design also commits the sin of raising expectations. “You’d think with a contraption that impressive, they’d turn out something less crappy,” one of our companions observed after being confronted with a pizza oven that had to cost more than a Ferrari, and is the size of a walk-in closet (above). Another dining companion (let’s call him the Restaurant Pro) said: “If they were serving this stuff in a neighborhood Eye-talian joint, you could forgive it.” What he referred to was a meal of seven different items, each more sloppy and less worth it than the first

What is unforgivable is a mini “pizzette” tasting as if the Pillsbury Dough Boy poured a thimble of so-so sauce on a saltine:

(Fuggidabadit)

….followed by gloppy, overpriced pasta, pedestrian, puny panzanella (bread salad), and pathetic chicken parm (see below) — the whole tourist-trapping shebang aimed at separating the credulous from their cash.

Lest you forget, Lago is located smack dab in the center of the Bellagio — a hotel which once had the greatest assortment of restaurants in Las Vegas, and maybe the world. It replaced Circo, a gastronomic gem of design, wine, solicitous service and Tuscan excellence. All Lago is servicing is the bottom line.

Sirio Maccioni must be rolling over in his grave.

(Somewhere, Vital Vegas is salivating)

If you’re interested (and you shouldn’t be), lunch for five, with tip and a single, modest bottle, set us back a cool $411. This included seven tubes of rigatoni for $32 which in quantity and taste would’ve been a perfect meal for a three-year old.

LET’S GO FISH

Amalfi by Bobby Flay was a pleasant surprise, and RPM blew us away so much we can’t wait to return for dinner. Both feature by-the-numbers fare, with nothing to scare, tweaked here and there to give the place some flair.

The whole point of Amalfi is pesce, and it takes its template from Milos by pricing fish by the pound and letting you choose it from a display at the back of the restaurant:

(Bobby’s wet dream)

As with Milos, the fish is impeccably fresh and eyebrow raising-ly expensive (although we noticed a couple of species priced a buck or two/lb. less than at Milos). Appetizers toggled between ordinary (tuna tartare) to interesting (lemon-oregano prawns) to impressive (soft scrambled eggs with bottarga and tomato toast). Pastas were surprisingly astonishing, with a spaghetti limone that was loaded with Dungeness crab, and pasta “rags” (below) that showed spice, brightness, and restraint.

(From rags to richness)

These pastas prey among the pecunious, though, as they’re priced from $28-$38.

As splendid as the food was, the crowd was even more inspiring, because 1) there was one (it was packed on a hot, Tuesday night); and 2) everyone looked their best, rather than the cargo shortswearing/hat-backwards/flip-flopping/t-shirt sporting/mouthbreathers who usually infest this hotel in summer.

(Missing: wife-beaters and Bud Lite)

(“This guy Curtas says we should get the turbot…”)

If Bobby Flay can motivate people to dress for dinner (and by “dress for dinner” we mean put on a collared shirt), maybe there’s hope for humanity yet.

ENDLESS PASTABILITIES

(Classic cheese and pepper)

RPM is the latest Italian upgrade on the Strip, and like its competition, it plows no new ground, preferring to concentrate on quality cooking over cartwheels. One lunch for two people does not a good sample size make, but we found our charred pepperoni pizzette to be almost perfect — a slightly spongy charred crust supporting a thick layer of strong, melted cheese and good sausages:

(Cheesy does it)

Look closely (above) and you’ll see dough, properly proofed and baked with just the right amount of a tomato sauce — smothered in an amalgam of nutty, serious cheese — so vibrant and umami-rich it practically explodes in your mouth. Finding a better mini-pizza in Vegas will not be easy. The cacio e pepe (above) and carpaccio were also first rate, as was the torta meringata, which roughly translates as “baked Alaska.”

(Don’t think Alaska the Food Gal to share)

I’d rate the pastas at RPM (carbonara, pappardelle, pomodoro...) as a little more basic than the seafood-forward ones at Amalfi (scialatielli, squid ink fettucine, gnocchi, agnolotti, and the like), as well as being slightly lower in price ($17-$42). Both show real commitment to careful cooking of Italian classics, which is a lot rarer than you’d think in this genre — it being painfully easy to throw any slop on a noodle and have Americans beat a path to your door.

A final bonus: RPM may have the best Italian wine list of any place in town that isn’t named Ferraro’s. Organized by region, it is full of interesting, off-beat bottles at acceptable markups. Only time will tell if they stick with such an ambitious wine program — Vegas is littered with the remains of interesting lists which regress to the mean once the original hoopla dies down, and the incessant demands of satisfying the less adventuresome grabs the bottom line.

Until that happens, you’ll find us scouring it for Sagrantino, Aglianico, Primitivo and all sorts of bottles you won’t find elsewhere:

TIME FOR YOUR PIA ZADORA BREAK…

(Pia’s not Fonda Jane )

Why Pia, you ask?

Because Pia Zadora, like Piero’s is a pleasant reminder of days gone by — when men were men, women had big hair, and Vegas wasn’t run by a bunch of bean counters. A time when a young man could make his way in Las Vegas by sheer chutzpah, shameless womanizing, and a tolerance for substance abuse that would make Keith Richards blush.

Or so I’ve heard.

For the uninitiated, Piero’s is a Las Vegas institution I have loved to hate since 1985. Perhaps I am softening in my old age, or maybe the time has come for a reassessment, or maybe I was wearing rosé colored glasses on the night we dined. Whatever it was, it has to be on me, since the restaurant hasn’t changed a thing about itself in decades.

You still valet your car in the port cochere; enter a short hallway leading to the hostess stand; admire the giant chimps adorning the walls; and then find one of two large bars which flank a warren of dining rooms (some cozy, some huge), which are packed with a crowd who thinks nothing of slugging down a few martinis with their marinara.

(Cheers to you, Pia!)

The pint-sized chanteuse now entertains the conventioneers at “Pia’s Place” inside Piero’s on weekends, and as if on cue, we bumped into her on our way in. She’s starting to shrivel at bit (like all of us), but it’s nothing that muted lighting, pancake makeup, and an appreciative crowd can’t fix. Since sunlight and Piero’s are strangers, everyone can watch her show, and tuck into their (decent) osso buco, and (very good) linguine with clams with the confidence they look twenty years younger in these subdued rooms.

I”m not saying this place is a time warp, but if Dan Tanna walked in sporting poly-quad, triple knit bell bottoms and ordered a Harvey Wallbanger, no one would bat an eye.

Pia’s still belting them out like it’s 1982. Like all of us, she is fighting the ravages of time they only way she knows how: by sticking with what works. Piero’s works, both as a memory and institution. The food won’t win any awards but there’s plenty of it and it fits its clientele like a Tommy Bahama trunk show. The drinks are huge (and well-made) and the servers are always on it like a bonnet. When it and Pia depart this mortal vale, Las Vegas will be a poorer place.

DEEP POCKET DIVING

Speaking of being poorer for it, if deep sea diving (into your wallet), is how you cast about, then snorkel on down to Estiatorio Milos, where dropping 400 sand dollars on a 5 lb. fagri (red porgy, below) is a delicious way to get soaked.

(Porgy is the best)

On the plus side, this beauty easily feeds six. But do the math: any way you sashimi it, you’re still dropping a lotta clams. Milos does a wonderful job of casting for (and landing) those angling for trophy-sized seafood, as well as others bobbing for much smaller fry. The latter usually can be found taking the bait at lunch — where the $30 special is still a steal, which allows you to drink like a….to drink a lot.

(Gone fishing…at Milos)

Take us home, Lewis:

“O Oysters,’ said the Carpenter,
      You’ve had a pleasant run!
Shall we be trotting home again?’
      But answer came there none —
And this was scarcely odd, because
      They’d eaten every one.”

The Best Restaurant(s) in the World

April 30, 2022May 4, 2022

(Restaurant Guy Savoy, Paris)

If you take it as a given that French restaurants are the best in the world, it only stands to reason that the best restaurant in the world will be in France.

Don’t get your panties in a bunch, I’m not here to dismiss the cuisines of entire countries — only to point out that, like sushi, Mexican street food, and pasta, the places where some food was invented are generally where you will find the highest elevation of the art. And Paris, in case you’ve forgotten, is where the modern restaurant was born in the latter half of the 18th Century.

Of course, the “best” of anything is a conceit and highly subjective. Measuring a “winner” or “the best” of anything — from wine to women — is a nice parlor game, but ultimately a waste of time unless there’s a stopwatch involved.

Whoever wins these accolades usually comes down to who got fawned over the most in a few influential publications — not who objectively gives diners the best food, drink, and experience. Anyone who thinks the several hundred voters who weigh in on these awards have actually eaten at the places they vote for as “the best restaurant in the world” (as opposed to forming their opinions based upon reading accounts of the few who have), has rocks in their head.

“Awards” of this sort are simply a way to give a deceptively false measuring stick to those who don’t know much about a subject. Subjectivity disguised as objectivity, all in the name of marketing to the wealthy with more money than taste. Same as with wine scores and Oscar nominations. The rich need these adjudications to convince themselves they’re doing the right thing, and “The “World’s 50 Best Restaurants” is there for them. As Hemingway puts it in “A Moveable Feast”:

The rich came led by the pilot fish. A year earlier they never would have come. There was no certainty then.

Back when El Bulli was garnering these awards (and I was voting on them), I heard from several colleagues who ate there, and what they described was more of a soul-deadening food slog (an edible marathon, if you will) than an actual pleasant experience.

A close friend (who also happens to be a chef) told me he stopped counting after 40(?) courses of (often) indecipherable eats, and was looking for the door two hours before the ordeal ended. (The trouble was, he said, there was literally no place to go — El Bulli being, literally, in the middle of nowhere.)

But Feran Adrià (like Thomas Keller before him and Grant Achatz and René Redzepi after), was anointed because, as in Hollywood, a few influential folks decided they were to be christened the au courant bucket list-of-the-moment, and woe be to anyone in the hustings to question these lordly judgments. In the cosseted world of gastronomic beneficence (and the slaves to food fashion who follow them) this would be akin to a local seamstress suggesting Anna Wintour adjust her hemline.

Because of this nonsense, we’ve been saddled with the tyranny of the tasting menu for twenty-five years (Keller, Achatz, et al), disguised foods and tasteless foams (Adria), and edible vegetation (Redzepi) designed more for ground cover than actual eating.

As far as I can tell, neither molecular cuisine nor eating tree bark and live ants has caught on in the real world — beyond trophy-hunting gastronauts, who swoon for the “next big thing” the way the fashion press promotes outlandish threads to grab attention.

Which brings us back to France. More particularly, French restaurants and what makes them so special. Let’s begin with food that looks like real food:

(Surf & Turf: Langoustines au Truffes La Tour D’Argent)

….not someone’s idea of playing with their food, or trying to turn it into something it isn’t. This cooking philosophy alone separates fine French cuisine from the pretenders, and gives it a confidence few restaurants in the world ever approach.

For one, there’s a naturalness to restaurants in France that comes from the French having invented the game. Unlike many who play for the “world’s best” stakes, nothing about them ever feels forced, least of all the cooking. With four-hundred years to get it right, and French restaurants display everything from the napery to the stemware with an insouciant aplomb that is the gold standard.

You don’t have to instruct the French how to run a restaurant any more than you have to teach a fish how to swim. Or at least that’s how it appears when you’re in the midst of one of these unforgettable meals, because, to repeat, they’ve been perfecting things for four hundred years. Everything from the amuse bouche to the petit fours have been carefully honed to put you at ease with with being your best self at the table.

(Gruyère gougeres have been around longer than America)

Having been at this gig for a while, I’m perfectly aware that the death of fine French dining, and intensive care service accompanying it, has been announced about every third year for the past thirty.

I’m not buying any of it. When you go to France (be it Paris or out in the provinces), the food is just as glorified, the service rituals just as precise, and the pomp and circumstance just as beautifully choreographed as it was fifty years ago. The fact that younger diners/writers see this form of civilized dining as a hidebound, time-warp does not detract from its prominence in the country that invented it.

Whether you’re in Tokyo or Copenhagen, the style and performative aspects of big deal meals still takes their cues from the French. Only elaborate Mandarin banquets or the hyper-seasonality of a kaiseki dinner match the formality and structure of haute cuisine.

These forms of highly stylized dining follow a path straight up the food chain. There are rules and they are there for a reason, usually having to do with how you will taste and digest what is placed before you. Light before heavy; raw before cooked; simple before complex — you get the picture

You usually begin with something fished directly from the sea. Oysters and other shellfish are a natural match, as is a shrimp cocktail. (A good old-fashioned American steakhouse has more in common, with high falutin’ French than people realize.) Their natural salinity stimulates the appetite without weighing you down.

Man’s evolution into a more cultivated forms of eating is represented by bread, as is the domestication of animals by the butter slathered upon it. (If you want to stretch the symbolism even further, look at olive oil and the fermentation of wine and beer as representing mankind’s earliest bending of agriculture to his edible wants and needs.)

(Early man struggled with the whole pommes soufflé-thing)

From there things get more elaborate, depending on whether you want to go the seafood, wild game, or domesticated fowl route. Vegetables get their intermezzo by using salad greens as a scrub for the stomach to help digest everything that precedes them. (The French think eating a salad at the start of a meal is stupid, and it is.) You finish of course with cheese (“milk’s leap toward immortality” – Clifton Fadiman), and then with the most refined of all foods: sugar and flour and all the wonderful things that can be done with them. A great French meal is thus every bit the homage to nature as Japanese kaiseki, albeit with a lot more wine and creme brûlée.

As I’ve written before, French food is about the extraction and intensification of flavor. Unlike Italians and Japanese, a French cook looks at an ingredient (be it asparagus, seafood, or meat) and asks himself: “Self, how can I make this thing taste more like itself.” All the simmering, searing, pressing, and sieving in a French kitchen is as far a cry from leaving nature well enough alone as an opera is from the warble of a songbird.

With this in mind, we set our sights on two iconic Parisian restaurants: one, as old-fashioned as you can get, and the other a more modern take on the cuisine, by one of its most celebrated chefs. Together, they represent the apotheosis of the restaurant arts. They also signify why, no matter what some critics say, the French still rule the roost. Blessedly, there is no chance of encountering Finnish reindeer moss at either of them.

LA TOUR D’ARGENT

If experience is any measure of perfection, then The Tower of Money should win “best restaurant in the world” every year, because no one has been serving food this fine, for this long, in this grand a setting.

A restaurant in one form or another has been going on at this location since before the Three Musketeers were swashing their buckles. What began as an elegant inn near the wine docks of Paris in 1582 soon enough was playing host to everyone from royalty to Cardinal Richelieu. It is claimed that the use of the fork in France began in the late 1500s at an early incarnation of “The Tower of Silver”, with Henry IV adopting the utensil to keep his cuffs clean.

Apocryphal or not, what is certainly true is that Good King Hank (1553-1610) bestowed upon the La Tour its crest which still symbolizes it today:

History, of course, provides the foundation, and the setting continues to provides a “wow” factor unmatched by all but a handful of restaurants in the world. No place but here can you dine with the ghosts of Louis XIV, Winston Churchill and Sarah Bernhardt, all while seeming to float above Paris on this open door to the city’s past — all of it available to anyone with the argent to book a table.

But the proof is in the cooking — that has been, on our last two visits, as awesome as the view. It’s no secret that the glory had started to fade twenty years ago, and that Michelin — the arbiter of all things important in the French food world — had taken notice, and not in a good way.

A reboot of sorts was announced over five years ago, and by the time we visited in 2019, the kitchen was performing at a Michelin two-star level at the very least. Independent of the view, the service, and the iconic wine program, the cooking (and presentation) was well-nigh perfect. It was all you want from this cuisine: focused, intense flavors put together with impeccable technique and an almost scientific attention to detail.

When we returned this past winter, things seemed be have gotten even better. This time we showed up with a party of six. It was a busy lunch, filled with local gourmets and some obvious big business types, but also a smattering of tourists who (like us) had to keep picking their jaws up off the table as spectacle of Paris and its finest French food was spread before them.

I have never been to La Tour at night, but for my money, lunch is the way to go. The food is unchanged (lunch specials are offered, but you can order off the dinner menu and we did), and the sight of the Seine River stretching beneath you and Notre Dame and the Ile de la Cite in the distance are worth the admission all by themselves.

I suppose the ideal time to dine here would be arranging for a table at dusk, so you could see the lights of Paris come alive in all their blazing glory. But as I’ve argued before, lunch has always been the ticket for us when we want to eat and drink ourselves silly in a fine French restaurant.

There’s nothing silly, of course, about the food. This is serious stuff, but there’s nothing stuffy about it, despite its pedigree — French service having retired the snootiness thing decades ago. Meaning: if you show up and are well-behaved, they are friendly to a fault.

(Canard au sang with a side of burns, coming right up)

Credit for that has to lie with owner André Terrail, the third generation of the family to be at the helm. (The Terrails have owned the restaurant since 1911.) Since taking over a few years before his father Claude’s death in ‘o6, Terrail has kept all the historical provenance of his venerated birthright intact — upgrading the cuisine while still managing to keep the whole operation true to its roots. No easy feat that. We don’t know what the problems were twenty years ago, but on our last two visits, we didn’t see any missteps, either on the plate or in the service. And what appeared before us was every bit as stunning as any Michelin 3-starr meal we’ve had…in Paris or elsewhere.

You take good bread for granted in Paris, but even by those lofty standards, this small baguette was a stunner:

(Face it: you knead this)

Perfect in every respect: a twisted baguette of indelible yeastiness — perfumed with evidence of deep fermentation — the outer crunch giving way to ivory-pale, naturally sweet dough within that fought back with just the perfect amount of chew. It (and the butter) were show-stoppers in their own right, and for a brief minute, they competed with the view for our attention. We could’ve eaten four of them (and they were offered throughout the meal), but resisted temptation in light of the feast that lay ahead.

Soon thereafter, these scoops of truffle-studded foie gras appeared, deserving of another ovation:

(Home cooking this is not)

From there on, the hits just kept on coming: a classic quenelles de brochet (good luck finding them anywhere but France these days), Then, a slim, firm rectangle of turbot in a syrupy beurre blanc, or the more elaborate sole Cardinale:

….followed by a cheese cart commensurate with this country’s reputation.

The star of the show has been, since the 1890s, the world-famous pressed duck (Caneton Challandais) — served in two courses, the first of which (below) had the deepest-colored Bèarnaise we’ve ever seen; the second helping bathed in the richest, midnight-brown, duck blood-wine blanket imaginable. Neither sauce did anything to mitigate the richness of the fowl, which is, of course, gilding the lily and the whole point.

(You can never be too rich or have too much Béarnaise)

We could go on and on about how fabulous our meal was, but our raves would only serve to make you ravenous for something you cannot have, not for the next ten months, anyway.

Yes, the bad news is the restaurant will be closing today, April 30, 2022 for almost a year — until February 2023 — for renovations. This saddens us, but not too much, since we don’t have plans to return until about that time next year. In the meantime, the entry foyer probably could use some sprucing up (since it looks like it hasn’t been touched since 1953), and we have confidence Terrail won’t monkey with the sixth floor view, or this skinny little pamphlet he keeps on hand for the casual wine drinker:

(Not found: 2-Buck Chuck)

If the measure of a great restaurant is how much it makes you want to return, then La Tour D’Argent has ruled the roost for two hundred years. (Only a masochist ever left El Bulli saying to himself, “I sure can’t wait to get back here!”) Some things never go out of style and La Tour is one of them. We expect it to stay that way for another century.

À Bientôt!

RESTAURANT GUY SAVOY

If La Tour represents the old guard of Parisian dining at its finest, then Guy Savoy — both the man and his restaurant — provides the connective tissue between haute cuisine’s past, present, and a future where new chefs will take up this mantle and teach the world what elegant dining is about.

The Adam Platts of the world may decry the “irrelevance” of the “old gourmet model”, but I stand with Steve Cuozzo in maintaining that the call for luxury and refinement in how we eat (admittedly at rarefied levels of expense), will never go completely out of fashion. Quoting our friend Alan Richman, Cuozzo writes:

As critic Alan Richman eloquently expressed it in the Robb Report a few years ago, fine dining is more than “a demonstration of wealth and privilege . . . It is an expression of culture, the most enlightened and elegant form of nourishment ever devised. Without it we will slowly regress into the dining habits of cave people, squatting before a campfire, gnawing on the haunch of a bar.”

All I can say to the Adam Platts of the world (and younger food writers who echo the same sentiments) is: If you think “the old gourmet model” is dead or dying, plan a trip to France, where formal restaurants are poised to come roaring back, indeed if they haven’t already done so.

Put another way: get your goddamned head out of that bowl of ramen or whatever Nigerian/Uzbekistani food truck you’re fond of these days and wake up and smell the Sauvignon Blanc.

Or just go to Guy Savoy.

(Savoy at his stoves)

If the world’s best restaurant can’t change your mind, nothing will. Before you accuse me of bandwagon-ing, let me remind you that I’ve been singing the praises of Savoy’s cuisine since 2006, and have even gone so far as to travel between Vegas and Paris to compare his American outpost with the original. Back then (2009), the flagship got the nod, but not by much.

Since its move to the Monnaie de Paris (the old Parisian Mint) in 2015, Savoy’s cuisine and reputation have attained a new level of preeminence (which is all the more incredible when you consider he has held three Michelin stars since 1980).

With mentors like Joël Robuchon and Paul Bocuse having departed to that great stock pot in the sky, and Alain Ducasse having spread himself thinner than a sheet of mille-feuille, Savoy now rules the French gastronomic firmament as a revered elder statesman. The difference being that he and his restaurants haven’t rested on their laurels, but are every bit as harmonious with the times as they were thirty years ago. To eat at Guy Savoy overlooking the banks of the Seine from a former bank window, is to experience the best French cooking from the best French chefs performing at the top of their game. There is something both elemental and exciting about his cooking that keeps it as current as he was as the new kid on the Michelin block back in the 80s.

Dining in the dead of winter can have its challenges. Greenery is months away, so chefs go all-in on all things rooted in the soil. The good news is black truffles are in abundance; the bad news is you better like beets.

The great news is: in the hands of Savoy and his cooks, even jellied beets achieve an elegance unheard of from this usually humble taproot:

(Savoy heard we hated beets, so he tried to hide them from us)

As mentioned earlier, a French chef respects an ingredient by looking at it as a blank canvas to be improved upon. Look no further than this beet hash (Truffes et oefus de caille, la terre autour) lying beneath a quail egg and a shower of tuber melanosporum, both shaved and minced:

(Beet-i-ful)

Neither of these would I choose for my last meal on earth. Both gave me new respect for how the French can turn the prosaic into the ethereal –food transcending itself into something beautiful.

Which, of course, is what Savoy did with the lowly artichoke so many years ago, when he combined it with Parmesan cheese and black truffles and turned it into the world’s most famous soup.

There’s no escaping this soup at Guy Savoy, nor should you want to. Regardless of season, it encapsulates everything about the Savoy oeuvre: penetrating flavor from a surprisingly light dish, by turns both classic and contemporary:

(Nobody knows the truffles I’ve seen)

We may have come for the truffles, but we stayed for the filet of veal en croute (below), once again lined with, you guessed it, more black truffles.

(Filet de veau et truffes cuits en croûte is French for: the most delicious meat dish in the history of the world)

From there we progressed through a salad of roasted potatoes and truffles, a bouillon of truffles served like coffee in a French press, then a melted cheese fondue over a whole truffle:

…and even something that looked like a huge black truffle but which, upon being nudged with a fork, revealed itself to be a chocolate mousse. All of it served by a staff that looked like teenagers and acted like twenty-year veterans.

Suffice it to say the wine pairings were as outstanding as the food, all of it meshing into a seamless meld of appetite and pleasure — the pinnacle of epicurean bliss — high amplitude cooking where every element converges into a single gestalt.

We then went nuts with multiple desserts, including a clafoutis (above) and the petit fours carte (like we always do), and rolled away thinking we wouldn’t be eating again for two days. This being Paris, we were at it again later that night, taking down some steak frites at Willi’s Wine Bar .

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I write these words not to convince you that Guy Savoy is the greatest restaurant in the world, or even that such a thing exists, but rather to persuade you of the transcendent gustatory experiences you can have at places like it. Until I’ve been to every restaurant in the world, I won’t be able to proclaim one of them “the best.” Even then, the best would only be what best fit my mood, my likes and my expectations at the very moment I was there.

Adam Platt was right about one thing: “the best restaurant in the world” doesn’t have to be fancy. The best restaurant in the world can be something as simple as a plat du jour of boeuf bourguignon , studded with lardons and button mushrooms in a run-down bistro smelling of wine sauces and culinary history. It can be at a tiny trattoria on the Amalfi Coast or a local diner where everyone knows your name, or that little joint where you first discovered a dish, a wine, or someone to love. But your favorite restaurant, no matter where or what it is, owes an homage to the place where it all started.

Emile Zola’s “The Belly of Paris” describes the markets of Les Halles as “…some huge central organ pumping blood into every vein of the city.” Those markets may be gone, but their soul lives on in the form of Parisian restaurants, which remain, one hundred a fifty years later, its beating heart. To eat in the great restaurants of Paris is to be inside the lifeblood of a great city, communing with something far bigger than yourself. To be in them is to be at the epicenter of the culinary universe and the evolution of human gastronomy — where the sights and smells of the food, and the way it is served, reflect the entire history of modern dining.

High Steaks in Vegas

April 3, 2022April 13, 2022

Every restaurant in Las Vegas would be a steakhouse if it could be. – EATING LAS VEGAS – The 52 Essential Restaurants

It’s hard not to have a soft spot for the American steakhouse. What began in the beer halls and speakeasies of New York City over a hundred years ago (e.g., Palm, Keen’s, Peter Luger, et al) has morphed into the most expensive of restaurant genres, where checks north of $150/pp are now as common as overpriced California cabernets.

Nothing sells here like steaks. Beef, it’s what’s for dinner, and as a class, Vegas steakhouses outperform other restaurants by whopping margins. If the baseline for a successful Strip eatery is $1,000,000/month in sales, it’s a fair bet that most major meat emporiums exceed that by at least 50%.

So, it’s no wonder our post-Covid restaurant recovery is being led by steakhouses. Hunks o’ prime steer muscle and a formulaic menu are the surest way to fill your dining room, and packed they are…from Summerlin to Las Vegas Boulevard South. Even with the price of beef being through the roof, people are spending faster than drunken sailors on shore leave. Quite frankly, the crowds of free-spending carnivores cramming these places has flummoxed even an old restaurant pro like yours truly. “Where is all this pent-up passion for prime (not to mention cash) coming from?” he thinks to himself as he sees the bodies pressed four-deep at the hostess stand…on Tuesday nights!

Chefs will tell you profit margins on steaks are very low. But there’s something about the beefy vibe that encourages the copious ingestion of booze — from vodka martinis to trophy wines — and when people want to drink, the Vegas steakhouse is here for them.

The point is, the formula for all of these joints is as predictable as a rom-com plot. They all get the same groceries, so all that’s left is how well they tweak them.

These days, everyone features the same 9-10 steak cuts from similar purveyors, letter-box “wagyu” beef that is now about as special as tuna fish, and the same old-same old sauces and sides. (Robuchon potatoes? Check. Shellfish tower? Double your check. Roasted veggies anyone?)

None of this predictability deters anyone from flocking to these restaurants — which, this being America, may be the point.

With all this in mind, we thought we’d take a look at four major players (two newbies and two old souls) to give you a sense of what you’re up against these days.

HARLO STEAKHOUSE & BAR

Harlo burst on the scene barely six months ago and immediately flipped the script on Andiron, its predecessor steakhouse in the space. The front door is now where the backdoor used to be, and what was once open, bright and airy (trying to mimic something swanky and Southhampton) is now dark, cozy and clubby.

The bar also shifted….in more ways than one.

(Inflation? What inflation?)

There is big real estate money behind this project; real pros in the kitchen; and the house is managed by long-time Strip front-man Ivo Angelov (whose loyal following probably accounts for a half of the customers).

Put it all together and you have the kind of out-of-the-gate hit of which most restaurateurs can only dream. It doesn’t hurt that it is the only decent steakhouse for ten-miles, and that Las Vegas’s toniest neighborhoods are all within a fifteen-minute drive. But Andiron had these same advantages and struggled to find its footing (even pre-Covid). Finding itself will not be a problem for Harlo; finding a seat on weekends will be.

Once you’re seated, you can expect the standard cuts and sides, here priced at or above similar fare on the Strip — and when we say, “at or above” we’re not kidding. Prices here have been set without apology and with the confidence (arrogance?) of someone who knows his audience won’t blink at $30 apps and $80 steaks. Fleming’s this is not.

We passed on the seafood tower, instead settling for some very good oysters ($26) served with a compelling yuzu-soy mignonette that made us forget about the excellent cocktail sauce beside it. (By way of price comparison, at Carversteak, thirteen miles east, the shellfish extravaganza is $165; here it clocks in at $175. So much for the Strip being “too expensive.”)

(The salad is there to make you forget you’re eating the inside of an animal)

From there it was on to a smallish, blandish steak tartare ($20) — the only “meh” of the meal — and three Flintstonean shanks of marrow ($30) that would easily serve a table of four. So dense with flavor were the garnishes for the marrow — port wine onions and oxtail jam on toast — they could constitute a meal all their own.

The Caesar ($15) had its charms (crunchy anchovy croutons, lots of grated Parm), as did the warm milk bread and butter. All were served at the right temperature, as was the excellent butter. (Frigid salad, less than impeccably fresh bread, and rock hard butter being unforgivable sins at this level, and the banes of our existence.)

As there were only two of us, the main event was slightly truncated…meaning only one protein and a couple of sides hit the table. At eighty-eight bucks, an aged rib eye better deliver the goods, and by and large this one (below) did. Impeccably trimmed and cooked, it was all that is loved about the marbled succulence of this cut.

(Holy cholesterol-fest!)

Not really sure what the two-week aging brought to the dance but the beefy flavor was there in spades, even if a certain mineral-rich tang was not. The blistered green beans ($10) and crispy ‘taters ($11) were all that and a bag of almond romesco– the snappy sauce adorning the Phasoleolus vulgaris.

Our biggest surprise of all, though, was reserved for the pasta:

(Impastably delicious)

Gina Marinelli is the talent behind these creations, and her rotating cast of pastas will depend on whatever is seasonal the day you arrive. We sprang upon the Spring papardelle with English peas, morels, goat cheese and poppy seeds (above) to see if she was up to her old tricks, meaning: sometimes her pastas go an ingredient too far for our tastes. But this time everything had its place and there wasn’t a flavor wasted. Really spectacular stuff. Worth going for all by itself and enough to make you forget your inner carnivore.

Besides the tariff, Harlo has announced its big-league intentions by hiring a pastry chef — in this case, a young chap named Alberto Rodriguez, who does a panoply of worthy sweets, including a mean Grand Marnier soufflé:

https://twitter.com/i/status/1501736412307095557

They also do the bloated caviar service-thing here (caviar and truffles now running neck-and-neck with “exclusive” Japanese wagyu in the faux luxe sweepstakes), and no shortage of ostentatious spirits for those needing to impress themselves by stupidly combining Louis XIII cognac ($200/shot) with salty fish eggs — one of those things you do because having bad taste isn’t much fun unless you can show off about it.

The wine list is evolving and it isn’t exactly cardiac-inducing, but don’t expect any bargains either. Bottles under a hundy are sprinkled here and there, but the calculation has obviously been made that the landed gentry is now ready to cough up big bucks for bottles. By-the-glass options start at $12 and zoom quickly above $20, topping out at $45 and $65 for “reserve” Cali cabs. That’s sixty-five bucks for a glass. Of wine.

As you can see, Harlo is not for the faint of heart or pocketbook. It is a big-hitter steakhouse with the pedigree and prices to prove it. Direct aim has been taken on a customer base who used to travel many miles for beef and cooking this good. They’re staying closer to home these days, and apparently spending like it’s 2019 again. Only time will tell if Harlo will succeed in out-stripping the Strip, but for the time being, Summerlin’s fat cats now have a steakhouse to call their own.

Our meal was comped and we left a $100 tip, augmented by our dining companion’s $100 tip.

CARVERSTEAK

Waiter: How would you like your steak sir?

Me: Like winning an argument with my wife.

Waiter: Rare it is!

Steakhouse quality is so high across the board, searching for the preeminent purveyor of prime is a fools errand. Instead we look for the subtleties that distinguish them, and hope that something stands out. Often, beyond the differences in decor, it does not.

And none of this is by way of criticizing Carversteak. Only to point out how, to set themselves apart, chefs and owners strain mightily to convince you they’re doing something unique, even when they are not. At Carversteak, occasionally they are.

Sometimes you just throw up your hands and admit you have no more shits to give as to whether Carversteak’s “yellowtail sashimi crudo with avocado , serrano chili, ginger-lime ponzu”:

(Toto, we’re not in Golden Corral anymore)

….is all that different from Harlo’s “hamachi crudo with ginger-soy vinaigrette, avocado puree and serrano chili.”

Or take the ubiquitous shrimp cocktail — one might dazzle you with Cajun remoulade (Harlo), while others — Caversteak, Golden Steer, SW et al — stick strictly to the horseradish catechism.

The same thing occurs with side dishes:

(You cheddar believe, this is as gouda as it gets)

“Oh look honey! They have mac ‘n cheese with aged cheddar!” says you, feigning excitement.

“That’s much better than the mac ‘n cheese with smoked cheddar and gouda, isn’t it?” Said no one ever.

They’re all good, soothing, and cheesy, but basically only minor variations on a theme you’ll find in every steakhouse in Vegas, if not America.

Carversteak does a “baby iceberg wedge” ($19), garnished with an onion ring and a soft-boiled egg. Harlo throws pastrami into the ($16) mix, and tops its lettuce with lavash. (How very unleavened of them!) The Golden Steer keeps it simple and pours on the blue cheese sprinkled with bacon and tomatoes ($10). Is one “better” than the other? Does an onion ring and an egg justify doubling the price? Or are you paying for real estate and decor? Or do you even care?

Where Harlo announces itself as ingredient-driven, here the menu emphasis is recipe-driven — in this case by restaurant vet Daniel Ontiveros — a dude who knows his way around premium proteins.

We didn’t have the “Lobster en Croute” , but at least it is something different. (Cream sauces are back!) Ditto the green goddess “Crudité” — which almost makes hummus wondrous:

(Yummus hummus, believe us)

….and a chunky, mayonnaise-y steak tartare (below) that combines creaminess with a kick. Definitely one of the more unforgettable ones we’ve tried….and we’ve tried them all:

Other items which kept our attention included the “Caviar Poppers” (gougères stuffed with lemon-chive crème fraiche), and the previously maligned yellowtail sashimi, that made up for in presentation what it lacked in innovation.

Finally, there were the proteins. Being a two-top our capacity was limited, but the 20 oz. Kansas City strip ($76) claimed to be aged for 28 days and tasted every bit of it.

(Best steak of the bunch)

We don’t want to go too far out on a limb here, but of all the boffo beef we’ve had during this two-week steak-out, this one had the deepest, most penetrating flavor. Both sauces (Bordelaise and Peppercorn) were textbook perfect, with the latter disappearing the fastest.

(Fleming’s this is not)

The Food Gal® ordered the salmon (above left), even though doing so should be grounds for divorce anywhere but the Pacific Northwest. To our surprise, as much as we fished for flaws, our critic’s net came up empty. Fresh and firm, it was flawless, right down to the curry broth beneath it. All in all, a nice way to give this over-served, insipid (and often stale-tasting) species a little sass.

Big hitters will no doubt love the Brobdingnagian (42 oz.) Pat LaFrieda Tomahawk, which gets its hefty price tag ($260) from the branding of the beef (cf. Harlo where you get 2 ounces less Flannery Beef for eighty fewer bucks). These humongous cuts are all the rage these days, and make sense for large parties, even if the weight advertised includes the prodigious bone. Regardless, large parties of beefy men take to these things like a college boy to a kegger.

Cocktails are by über-booze maven Francesco LaFranconi, and the wine list won’t cause cardiac arrest. How much better can a steakhouse get?

Our dinner a deux was comped and we left a $120 tip.

SW STEAKHOUSE

We’ve run hot and cold about SW over the years. Two perfunctory wallet-bending meals in a row (over five years ago) had us writing it off forever, and it was only Mark LoRusso taking over the kitchen (after the shuttering of Costa di Mare) that brought us back.

It’s a huge (300+ seats) restaurant that can feel like Grand Central Station on busy nights — which is almost every night of the year. It shows itself best if you’re able to score a seat on the patio, but those fill up fast. As busy as it gets, the noise level remains remarkably conversation-friendly, and the lighting is soft, not-too-low — complimenting the aging Boomer crowd seeking to forget the ravages of time when their hair was dark, their thighs were firm, and they had less chins than a Chinese phone book.

If Harlo is ingredient-focused, and Carversteak full of surprising recipes, SW takes the steak as the cheffiest in the bunch, as LoRusso’s mosaic of raw tuna shows:

If that doesn’t convince you, then perhaps this Snake River Farms carpaccio with balsamic “pearls” will:

(Nothing says “don’t try this at home” like balsamic pearls)

All of this is the domain of Mark LoRusso — unsung hero and former top toque of the shuttered Costa di Mare upstairs — who made the transition from Italian seafood to meat seamlessly. We’ve followed LoRusso’s career since the early 2000s, and everywhere he has moved he has made his mark without fanfare, but with the confidence of a real pro who elevates any kitchen he controls.

When they announced he was taking over SW last year we had no doubt it would up its game and it has, re-invigorating the (previously tired menu with Sardinian lobster gnocchi ($29), Alaskan King Crab ravioli ($24/$48), and a thick with lobster bisque that shows off LoRusso’s seafood chops:

(Is that the bisque you can do?)

At these prices, you expect the steaks to be perfect and they are. (See the strip pic at the top of the page.) The tone is set with the incredible/addictive Parker House “monkey bread” that kicks things off, and continues through impeccable wagyu skewers, a properly dressed Caesar ($24), and a marrow bone large enough to slay a few Philistines should the need arise:

No one seems to mind that it has always had the shortest, least interesting menu, and (until recently) the highest prices of any steakhouse in Vegas. We’ve always had a tough time squaring these with the cattle call feel of the joint. Locating a bottle of red wine on the list beneath a Benjamin is tougher than finding a slot junkie with a dental plan.

Regardless, it appears to be a bullet-proof restaurant — packed through thick and thin — overflowing with customers and conventioneers who would line up for a table if Russian tanks and the Bubonic Plague were rolling down Las Vegas Boulevard.

With LoRusso at the helm (aided by Michael Outlaw’s superb desserts) the food is well nigh flawless, as is the service. Both are so good you’ll probably forget you just paid a hundred bucks for a filet.

Our bill for a bone-in strip steak ($84, top of page), with several sides and a bunch of freebies (including a Brontosaurus-sized marrow bone) came to $213 and we left a $100 tip.

GOLDEN STEER

(Breaking up and making up since 1982)

The secret to running a successful restaurant is hiring people who give a shit. – Nectaly Mendoza (Herbs & Rye)

If the Golden Steer was a girlfriend, we’d have one of those “can’t live with ’em; can’t live without ’em” relationships. To say it’s been love-hate over forty years is an understatement…kinda like saying I might’ve had a teensy-weensy bit of an issue with the the whole “till death do us part” thing from 1973-1999.

Sometimes we’d go multiple times in a week; others would find us staying away after another spate of indifferent service from a fossilized crew, warm wine, and a menu as dated as the Rat Pack vibe the place was trading on.

“Never again!” we fumed six years ago after storming out. Tired, threadbare, shopworn…going through the motions…you name it, the adjectives came flowing forth. So over-the-hill did it seem, that we expected a death notice any month. Further cataloguing the failings and service insults no longer serves a purpose, so let’s just say it was obvious, around 2015, that no one gave a shit, and were content to milk the old cow(?) for all she was was worth until someone turned the place into a weed shop or Walgreen’s.

Now, amazingly, people give a shit and it shows. Covid forced the Steer into a reckoning (and new management), and it came out of that nightmare smelling like the apotheosis of prime. Amanda Signorelli (daughter of the owner) now runs the joint with her husband Nick McMillan, and they’ve managed to spruce the joint up and give it a subtle facelift, while retaining the 1958 vibe that gives the Steer its old school patina.

The Steer is cheapest steakhouse of this beefy bunch, except when it is not. The “Chateaubriand for Two” at SW is pegged at $160, while the one here will set you back 190 samolians. Another exception: the Steer’s 12 oz. filet (“The Aristocrat of Tenderness) is priced two bucks more than Carversteak’s ($71 v. $69).

Generally though, the cuts here are a little less expensive, but not by a lot. For example, a classic one-pound New York strip is $65 here, $78 at SW, and $62 at Carversteak. Harlo’s clocks in at an eye-popping 96 buckeroonies. Yikes! (Swear to god, they must price these things by blindly throwing darts at a board.)

Over two recent visits, we sample just about every cut on the menu, and even the filet impressed us more than we expected. Our table loved them all, but this rib eye was the true show pony:

….followed by a dictionary-thick slab of prime rib:

(Missing: gobs o’ horseradish sauce)

….which appeals to many more for its caveman appeal than general taste. (We’ve always considered prime rib more of a horseradish sauce-carrying vehicle than anything else.)

The new menu is substantially shorter than the multi-paged tome that used to confront you — which featured everything from broiled quail to veal saltimbocca. Thankfully, they kept the toasted ravioli ($14) and oysters Rockefeller ($17), although why they call the so-so escargot ($17) a “house specialty” is anyone’s guess.

And for the 563rd time I will criticize them for not using a wooden bowl for the Caesar salad (yes, it makes a difference), but otherwise tell you it is a beautiful rendition and worth every penny of your seventeen dollars. The wedge ($10) is a blessedly simple version, but doesn’t suffer for it:

(Salad, not Caesar)

Ooh and ahh over the bananas Foster. Skip the cherries Jubilee.

The Italian food is just as awful as it always was. Thankfully, there is now less of it.

The wine list is short, but well-chosen and well-priced. Lower your expectations and you’ll be well-served, even if the bottles are still too warm and the sommelier service nothing like what you get at more vino-centric steakhouses.

All in all, the Steer has made a dramatic comeback. Covid’s many losses were somehow its gain, and the newest crowd of avid steak eaters has taken to it like Dean Martin to a martini.

A decade ago, the iconic golden steer statue underneath the lettered sign had faded into a yellowish-tan, and was allowed to stay that way…for years. Her(?) name, BTW, is “Betsy”. This stood less as a metaphor for the Steer’s decline, and more as a direct signal advertising the fact. And it made us sad every time we drove by.

Now Betsy gleams bright and lustrous, trading on the past but looking to the future, a mere stone’s throw from the Las Vegas Strip, but competing with it just the same. Long may her golden hide shine.

Our last dinner for two came to $260, including tip. An earlier dinner (where we ate the entire menu) was covered by generous friends who have the pocketbooks to match their prodigious appetites.

(Vegas steakhouses are once again en fuego!)

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