Restaurant(s) of the Year 2018

Ed. note: It’s that time of the year, food fans: time for the Desert Companion magazine’s restaurant awards, a.k.a. the only restaurant awards that count. For almost 20 years we’ve been handing these out, and unlike others in our humble burg, these are the result of meticulous eating, research and writing, not plagiarized listicles (Eater, Thrillist), ballot stuffing (the Review-Journal), or crowd-sourced nonsense (Yelp). Since I started to whole shebang back in the late 90s (at KNPR – Nevada Public Radio), I usually get the honor of writing the Restaurant of the Year and Chef of the Year entries. Back in the day, I was a committee of one, now, the candidates get thoroughly picked over, re-hashed, strained, refined and clarified (by me, Editor Andrew Kiraly, Jim Begley, Greg Thilmont, and Mitchell Wilburn) before the final selections are agreed upon. This was a watershed year for local restaurants and our winners reflect that. As usual, click here to read about all the awards in their original format. Buon gusto!

DESERT COMPANION RESTAURANT(S) OF THE YEAR 2018

There couldn’t be just one. Not this year. Not in a year that was a watershed for great kitchen talent emerging in the suburbs. For the first time since I can remember (which goes all the way back to 1981) more great restaurants opened off the Strip than on it. And for the first time since our restaurant revolution began in earnest — twenty years ago with the opening of the Bellagio — all the serious foodies in town were not heading to a big hotel, but to Chinatown or downtown — places hitherto dismissed as not worthy of serious consideration by galloping gastronomes.

It was ten years in the making, this restaurant renaissance — the roots of which can be traced to the great recession of 2008, when real estate values nosedived, and chefs everywhere were thrown on the streets. As that recession hung on, two things happened in Las Vegas: the hotels lost their nerve, and young chefs started getting some. The mojo that enticed everyone from Sirio Maccioni to Pierre Gagnaire to come here gave way to a Strip scene reduced to celebrating warmed-over celebrities and licensing deals. Into this void stepped a few brave souls who wondered why Strip-quality cooking couldn’t succeed with locals. In a town of over two million people, there’s no reason we shouldn’t have a thriving local restaurant scene, they thought, and with lots of diners coming of age who wanted the good stuff without all the tourist trappings, it was time for our neighborhood food scene to explode, and explode it has.

In terms of progress, downtown made the biggest jump with Esther’s Kitchen leading the pack. James Trees’ ode to Italy has become ground zero for a neighborhood (the arts district) that went from being little more than a collection of junk shops to a stroll-able, eatable and drinkable area all within the past year. Esther’s doesn’t sound very Italian but that’s exactly what it is–  bombarding you with antipasti, verduras (veggies), handmade pastas and pizzas straight from a Roman’s playbook. He even throws in a fish of the day (always worth it), brick chicken (a crowd favorite), and a thick, porky porchetta for mavens of meat. As good as they are, it’s those pastas and pizzas are where the kitchen really shines.

Trees is a veteran of the Los Angeles restaurant scene and he knows a thing or two about how to grab a diner’s attention. The spaghetti pomodoro, chiatarra cacio e pepe (with pecorino cheese and black pepper), bucatini all’amatriciana, and rigatoni carbonara are the pinnacle of pasta porn. All of it amounts to updated Italian comfort food for the 21st Century.  It may not be like any Roman trattoria I’ve ever been in, but with a significant cocktail program, and a wine list where everything is $40 (by the bottle, not glass), it is most assuredly a modern American version that seeks to do the same thing: satisfy its customers in a way that will have them returning again and again.

(The Three Musketeers)

If downtown came of age in 2018, Chinatown took a European turn. If someone had told me three years ago that this three mile stretch of pan-Pacific eats would be anchored by a French restaurant at one end, and a Spanish one at the other (with an excellent American gastropub – Sparrow + Wolf – in the middle) I would’ve told them to get their head examined. What Executive Chef Yuri Szarzewski, Pastry Chef Vincent Pellerin, and General Manager Nicolas Kalpokdjian (above) have done at Partage is nothing short of phenomenal: transplant a bit of sophisticated France to an all-Asian plaza with a beautiful dining room and drop-your-fork gorgeous food.

Partage means “to share” and the menu encourages you to do just that. Twenty small plate options are offered, each amounting to no more than 2-3 bites of headliners like halibut ceviche (disguised to look like dragon fruit), or a perfect, meaty scallop swimming in a dashi broth with seaweed chutney and steamed leeks. For pure decadence though, nothing beats his oxtail croque monsieur — long simmered meat, slicked with bone marrow, served between three batons of the world’s most luxurious fried bread. The menu toggles back and forth between small bites and big proteins, with a significant nod given to vegetarians as well. A walk through this door transports you to a place I didn’t think could exist in Las Vegas: elevated French dining in a stunning, casual atmosphere, with a great bar and wine list, all served with flair at a fair price. Bon appetit, indeed.

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Our milestone year ended with an olé! From its forty cozy seats to the giant mural dominating one wall to the rolling gin and tonic cart, Edo Tapas & Wine is a jewel box designed to make you fall in love with it from the moment you enter. It arrived at the western end of the Spring Mountain in mid-summer, and announced its serious tapas intentions from the get-go. Things may look unassuming from the front but there’s quite a pedigree behind that door. Chef/owner Oscar Edo is a Strip veteran, as is partner Roberto Liendo. Between them, they have a strong sense of the food and service a place like this needs to appeal to gastronauts who demands the new over the tried and true. And while the whole small plates/tapas thing may seem like old hat, they freshen the genre by blending the traditional with more than just a wink and a nod to their Asian surroundings.

When it comes to those tapas, just pick and point. Chunky Maine lobster comes “salpicón-style — dressed with “tiger’s milk” — which lightens the richness of the crustacean, while croquetas get that Asian spin with kimchi pisto. After those, the hits just keep on coming: pulpo viajero (octopus with tamarind mole), buñelos de bacalao (salt cod fritters with squid ink and lime), and something called “Bikini” — wafer-thin, crispy compression of sobrasada and Mahon cheese — which might be the last word in tiny toast. You really can’t go wrong with any of the plates here — some are just more spectacular than others. One of the more eye-popping ones is huevos estrellados – a toothsome riff on this Spanish staple — assembling olive-oil fried eggs, piquillo peppers and a melange of mushrooms atop fried potatoes. The menu is nicely balanced between meat and seafood offerings, and the paella is worth a trip all by itself.

By Las Vegas Strip standards, these are small fry, but what they represent for the future of our neighborhoods is a very big deal. Cooking this good — with serious cocktail and wine intentions — was unheard of five years ago outside of the hotels. By opening their doors, these operators announced that Italy, France and Spain (the gastronomic capitals of the western world) have arrived in our backyard. Eating out locally in Las Vegas will never be the same, and we have these three to thank for this tasty state of affairs.

 

 

The List

(John Lee at work)

Ed. note: Since we eat in more restaurants, more often, than anyone in Las Vegas, we periodically list where we’ve recently chowed down as a way of directing our loyal readers, to the best meals in town. As usual, all places are randomly listed and highly recommended unless otherwise noted.

NURO BISTRO – a serious challenge to Flock & Fowl’s Hainanese chicken hegemony

ROSALLIE LE FRENCH CAFE – good coffee; even gooder pastries

NOMAD BARget the hamburger and the hot dog

PUBLICUS – always packed these days, for good reason

EDO TAPAS & WINE – The Food Gal’s favorite, for good reason

NOMAD RESTAURANT – bring a wheelbarrow; load it with cash; expect to be dazzled

PARTAGE – how lucky we are to have this food off the Strip

(Hamchi crudo at Esther’s Kitchen)

ESTHER’S KITCHEN – to get a table, go late for lunch or early for dinner

THE KITCHEN AT ATOMIC – great vibe, even if some dishes sometimes miss the mark

PAMPLONA COCKTAILS AND TAPAS – Spaniards are so fun-loving they make the Italians seem like the French

LE CIRQUE Alan Mardonovich now has the kitchen; Ivo Angelov runs the tightest ship in the business

(November is white truffle time at Le Cirque)

KKULMAT KOREAN KITCHEN – the food feels like a loving Korean grandma is cooking it (she is!); but the place sometimes smells like disinfectant

CIPRIANI – a full review is upcoming, but here’s a hint: I think I could eat this food every day

(We’re not sure gelato can taste any better than this)

CUBA CAFÉ – about once every ten years we eat some Cuban…just to remind ourselves why we don’t eat much Cuban

MICHAEL MINA – I’m on a seafood diet; when I see food, I eat it, especially seafood this good

DE KITCHEN – small (12 seats) but mighty Thai in #DTLV

OHLALA FRENCH BISTRO – couldn’t be more French if there was a mime with a monkey out front gargling with Gruyère and garbling La Marseillaise

FERRARO’S ITALIAN RESTAURANT AND WINE BAR – I’d eat here once a week if it was closer to my house

MARCHE BACCHUS – you might like the new full bar; I like Amanda Purdy’s additions to the menu

CASA DON JUAN – much of the food is by-the-numbers, but the carnitas por dos is out of this world

SOHO JAPANESE RESTAURANT – a raucous sushi bar with a serious omakase (see John Lee at work at the top of the page, and behold these tasty snaps below):

SCOTCH 80 PRIME – steaks, whiskys, and sides, all superior

SHINYA MARU RAMEN & IZAKAYA – if you need a ramen fix downtown, this is not bad, but it’s not that good either

PIZZERIA MONZÚ – simply spectacular Sicilian

MORDEO BOUTIQUE WINE BAR – compelling food that was a hit from the get-go

BAJAMAR FISH TACOS – gee, I wonder what their specialty is?

(The “Lucas” at Bajamar)

CLEAVER – the jury is still out on this one

FU MAN DUMPLING HOUSE– closed

SHAKE SHACK – more and more, we’re realizing that SS kicks In-N-Out’s ass

(Blackened mahi mahi at Triple George)

TRIPLE GEORGE – super service; improved food

HONEY SALT – more solid than ever; great brunch

URTH CAFFE – superb cappucino; absurdly-sized pastries

(Too. Damn. Big.)

 

 

A Very Chile Thanksgiving

I’m about as Mexican as Donald Trump.

Don’t speak Spanish and have only been to the country twice in my life.

The only Spanish I know is, “Dos cervezas, por favor,” “Buenos dias,” and “Muchos gracias.” (I guess I speak a little tequila too, but that’s a different subject.)

The only Mexicans I’ve ever interacted with are people who work in restaurants or on my house. To them, I do a lot of loud talking (because that ALWAYS makes them understand my English better), punctuated by many buenos diases and muchos graciases. No matter how stupid I sound, however, they invariably smile at me and keep working.

I think I fell in love with the Mexican people during a family road trip my family took through the country in 1965, and no amount of inflammatory immigration rhetoric, drug wars, or negative stereotypes will ever cool my ardor for the country.

Speaking of stereotypes, the only ones I think should apply are how great looking and hard working they are. Plus, they have the happiest music on earth.

And great soap operas.

The thing about Mexican soap operas is, you can watch any scene any time, and I guarantee there will be two or three of the best looking people on earth chatting about something. As you watch, you’ll be thinking to yourself, “Damn, I didn’t think human beings could get any better looking than that.” Then, two more people will walk into scene who are even prettier than the three you’ve been looking at! Try it sometime, with or without the sound on. (It works even if you’re looking at the men too, but I’m usually not paying attention to them.)

Our handyman Ulysses once told me I was a güero not a gringo and I considered this quite a compliment. (Gueros are white guys; gringos are white guys Mexicans don’t think much of, is how he put it.)

My closest connection to Mexico is through its food. It is a cuisine that both fascinates and intimidates me, with an inscrutability only the Chinese can match.

To say I love Mexican food would be a serious understatement. But the food captivating me has little to do with the tacos-burritos-enchiladas triumvirate most people associate with this cuisine — they being to true Mexican cuisine what hamburgers-hot dogs-pizzas are to American.

It is a shameful fact that most Americans have little knowledge of the Mexican states — areas as diverse as Montana is from Mississippi — and this ignorance extends to the food of these areas. Part of this sad state of affairs can be laid squarely at the feet of Mexican-American restaurateurs who, like their Italian, Greek, Indian, and Chinese counterparts, adapted the food of their native land to a one-size-fits-all template to pander to American tastes. As a result, with few exceptions in some big cities and barrios, you are as unlikely to find a Puebla, Oaxaca, or Yucatan  Mexican restaurant as you are a Republican in a sombrero.

That’s why I make my own.

And that’s why this Thanksgiving we are featuring the foods from Mexico and New Mexico at our table.

No canned cranberry sauce at the palatial Curtas manse. No sirree. This year we went all-in with chiles galore (see picture at top of page), with the centerpiece of our Thanksgiving table being a molé poblano.

And to cook such an ambitious dish (20+ separate ingredients and 10 different techniques) we started at Cardenas Market.

If you’ve never been, Cardenas is a revelation. Unlike American supermarkets, it’s aisles are stocked with foods made for people who actually cook. The produce department alone is twice the size of any gringo grocery store in town, and people’s carts are filled with fresh food, not ready-to-be-reheated crap.

Like I said, that produce is fascinating and inscrutable….but it’s also beautiful:

But there’s always a helpful employee on hand to explain things to you, and give you a taste. Whether you cook Latin American foods or not, if you’re into cooking or just great food, you ought to spend an hour strolling the aisles of Cardenas. It is, by far, the best Latin American market I’ve found in Las Vegas, and the house-made fresh tortillas are worth a trip all by themselves.

To make a molé, a trip to Cardenas is essential. It is the only place to gather the dizzying variety of chiles, nuts, spices and vegetables comprise this intense, multi-layered sauce. Before we get to those, an overview of how we spice up our Thanksgiving is in order. (As of this writing — two days before Thanksgiving — we’ve been three times and a forth trip is planned for tomorrow.) Here’s our menu as it stands now:

The Starters

Spiced jicama

Chile garbanzos

Fresh fried warm tortilla chips (so much better than what you get in a bag)

Guacamole (made at the last possible minute, as it should be)

Chile con queso (from scratch, natch)

Four salsas — tomatillo chile verde, tres chiles with red beans, roasted tomato “Romana”, and arbol-pasilla red chile

The Vegetables

Calabacitas — New Mexican zucchini-corn

Red chile mashed potatoes

Arroz Verde — Mexican Green Rice

Esquites — Corn con crema with epazote

Grandma Schroader’s sour beans (a German interloper, but essential at all my Thanksgivings)

Lots of tortillas (from Cardenas, of course!)

The Proteins

Traditional turkey with sausage stuffing

Ancho chile-rubbed turkey with poblano molé

New Mexican pork posole

New Mexican (beef) green chile stew (which contains a buttload of these deceptively fiery little monsters):

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The Desserts

Flan

Trés Leches cake

Chocolate Trés Leches cake

Mexican dark chocolate tart

As for that molé, all I can say is, I slaved away for an entire day, and I hope people eat it with a grand olé!

Seriously though, it was a lot of work. A labor of love if you like standing on your feet for hours on end, toasting spices, soaking chilies, chopping this and blending that. A pain in the ass if you do not.

The nuts alone will drive you nuts — toasting them, chopping them, cooking them, pureeing them, and straining them — all to make a smooth paste which gives the sauce that certain je n’ais ce quoi.

Without going all recipe nerd on you, I’ll recount the steps just to show you how labor intensive the process is:

First you toast the chiles, which gives you a mess of crackly brown stuff:

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Then you soak, toast, saute, blend and toss until your arms fall off.

After that is the batch cooking (of all of these disparate ingredients) that seems to take half a day.

What you end up with is a big ugly brew: a stew of three chiles, multiple nuts, fruit both dried and fresh, herbs out the yin yang, and spices galore. Various alliums add their accents, and three or four hours after you started, you’ve got a mess that looks like this:

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Which, after more cooking, looking, stewing and straining:

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…. will eventually look like this:

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The dish has more than a little in common with the great spiced stews of Indian cuisine (dots not feathers), and the complexity and intensity is almost overwhelming.

Is it worth it? To anyone who loves the alchemy of cooking, yes. To the average casual cook? Not in a million years. To the diner? Of course, even if 98% of them will have no clue what went into the making it. Some will note the depth, the complexity, the soul-warming essence filling their olfactories; others will be vaguely aware of these things in passing. Both groups will gobble it up in a few minutes. And therein lies the pleasure for the cook. As with any art or craft, the pleasure must come from the making of it, not the end result. If the final product is spectacular, more’s the better. But the satisfaction, as pure and deep as those flavors you created, is in having done it — in creating a whole greater than the sum of its parts. This is the cook’s reward.

Thanksgiving is the one holiday American media and marketing hasn’t managed to ruin. It is solely about food, family and friends, and no matter how hard they try, they can’t really commercialize it. Cultures the world over think about food 365 days a year, while America sets one day aside in late November. We should be thankful for this — for a holiday so tasty that the only people profiting from it are food purveyors. No matter what your table looks like, I hope you take some pleasure in creating it, and thank the people who made all that delicious food possible. Especially the Mexicans.

Happy Thanksgiving!

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