The (Final) List

(Spago boyz: Matthew Hurley, David Robins, and Eric Klein)

A friend of mine recently accused me of going easy on a chef because I was “friends” with him. (The friendly argument concerned a social media post of mine, praising a dish that my foodie ami had found lacking.)

Leaping to my own defense (something I’m quite good at, given my amount of practice), I reminded my paisan that I am actually “friends” with but a handful of professional chefs. I am “friend-LY” with dozens, perhaps a couple of hundred professional cooks…but I’m not close enough to any of them to alter my opinion of their food.

Or am I? Maybe I’m fooling myself. Maybe being on a first name basis with a chef does alter how I judge him and his work.

Perhaps knowing something about someone’s career, and meeting their spouse, and following them on Facebook, for example, gives you a certain rooting interest in how well they do. You’d have to be a heartless asshole to argue otherwise.

No one thinks much about this stuff anymore, since the days of the anonymous critic are as dead as Craig Claiborne. Truth be told, Claiborne, James Beard, Mimi Sheraton, Jay Jacobs, and all the critics I grew up reading were probably well known to the restaurants they frequented. It wasn’t until the 1990s rolled around that a big deal started to be made about critics dining anonymously. The best of them all — Seymour Britchky — was probably under-the-radar when he was at his most acerbic, but after years on the beat, I’m sure he was spotted all over Manhattan as well. From what I know about the man, he didn’t make a whole lot of friends with anyone — almost no chefs attended his funeral, despite his writing about New York restaurants for 20 years.

Once Ruth Reichl wrote her 1993 take-down of Le Cirque — where she, the New York Times critic was treated differently when she was in disguise then when she was spotted by the restaurant — every reader wanted to know if the writer was known to the restaurant when they walked in, as if being identified as a critic by the restaurant invalidates the review. Even today I get asked by people if “they (the restaurants) know me” when I eat somewhere, and my answer is always the same:

Yes, I’m known to almost all the best Strip restaurants, but in Chinatown, I could be on the cover of the New York Times and they wouldn’t give a shit. (For what it’s worth, I was on the cover of the New York Times Food Section once (June 24, 2012), and none of them gave a shit. POINT PROVEN!)

But am I friends with a lot of chefs? Not really.

A friend is someone you hang out with.

A friend is someone who has been to your house.

A friend is someone who invites you to their house.

A friend is someone who calls you for no reason just to see how you’re doing.

By any measure, I am not friends with many chefs….or restaurateurs.

Don’t get me wrong: I love hanging out with them, but I always suspect that they’re hanging with me more out of professional obligation than anything else. But whether we’re close or just acquaintances, you can always learn something by getting to know what makes someone tick. Great food makes me tick, and it’s what motivates the people I write about, so having that in common has always made the conversation fun.

And yes, that means I’m probably pulling for them to succeed…but not so much that I won’t give them an earful if I don’t like something. Just ask Gio Mauro, Steven Kalt, Justin Kingsley Hall, James Trees, Rick Moonen, or Paul Bartolotta about how prickly I get if I think they’re under-performing.

When you get right down to it, rooting for chefs to succeed has motivated me all along. I was never selling anything except my opinions. All I wanted was for those opinions to count for something — to improve the way we all eat, and to encourage chefs and owners to do a better job.

We have that in common — me and all my chef “friends” — even if we have almost nothing else in common. And that has always brought a smile to my face.

(Justin Kingsley Hall gettin’ it done at The Kitchen at Atomic)

The List

The following (in no particular order) are where I’ve been eating and why. Obviously, they all come highly recommended.

 Yui Edomae Sushi – forever and always, my go-to place for superior sushi. Kazu-san is now the executive chef. Still the best in town. Ask for Tomoko-san when you call for a res and tell her I sent you.

7th & Carson – catty corner to EAT on Carson St., this little American bistro makes due with half the customers of its competition. Probably the best pure french fries in Vegas….and the fish and chips ain’t far behind.

EAT – those pancakes, the pozole, that hash! If it’s on this menu, it’s great.

The Kitchen at Atomic – I’m rooting hard for this place, but it needs to find its own way and stop trying to be Sparrow & Wolf Downtown. Some of the dishes sing, like these Buffalo chicken hearts:

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…while others fall flat (some large proteins are examples of how addition-by-subtraction might benefit a recipe). Still, a great space with a very cool vibe and plenty of well-chosen libations to keep boozehounds, ale-heads, brewmeisters and winos happy. There’s a lot of talent working here, and when it all comes together, this place could become a culinary force to be reckoned with.

(Esther’s Kitchen specializes in pasta porn)

Esther’s Kitchen – hotter than hot right now, deservedly so. Get the pastas and the salads and the pizzas. Some of the sandwiches look better than they taste (there’s never enough sauce for this pilgrim), but there’s no way you will ever leave hungry.

Kaiseki Yuzu – for when I miss my Yokohama mama. Go for a quick bite; go for the full kaiseki — either way you’ll be blown away.

Hiroyoshi – another unlikely success story, in a nondescript mall, serving drop-your-chopsticks great Japanese.

Pizzeria Monzú – do we need another great pizzeria in town? Oh yes we do, especially when the sides, the spritzers and the wine list are this good.

The Goodwich – every so often I go a month or two without eating here. This is a mistake I always regret.

Mother’s Korean Barbecue – not the best Korean by a long shot, but good enough when you don’t want all the folderol of one of our better K-pop ‘cue joints.

Good PieVincent Rotolo is da man! Don’t even think of getting a slice anywhere else.

Pho So 1 – our best Vietnamese has facelifted its decor, its menu and its food (like the mouth-water wings above). Better than ever.

Gelato di Milano – Best. Gelato. In. Town. Period. Puts all the others to shame.

Yobo Shabu Shabu Chef Xingkai Deng – the man who put China Mama on the map, is back! And he’s brought superior shabu-shabu (and noodles) with him.

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Cafe Berlin I know a little German.…he’s eating (these sausages) right over here.

Wing Lei – gorgeous as ever, wonderful Mandarin cooking. One of only two places at the Wynn that still interests me. (Allegro is the other.)

Twist by Pierre Gagnaire – it is impossible to get bored with Pierre Gagnaire’s food.

El Menudazo – listen up, gringo. Hitch up the Bronco, put your fears of North Las Vegas aside (come for lunch), and get the pozole, muchacho.

Mon Ami Gabi – I only go at an odd hour (usually mid-afternoon) and sit on the terrace with a bottle of wine, drinking it and drinking in all the despair walking by.

Ferraro’s Italian Restaurant & Wine Bar – why eat Italian anywhere else?  There’s certainly no reason to drink Italian anywhere else.

The Real Crepe – Brittany comes to the ‘burbs! Crepes, crepes and more crepes (see above)….and galettes too! Sweet or savory, they’re all great.

Canter’s Delicatessen – face it: it’s the best deli in town and Bagel Cafe isn’t. 

Delices Gourmands French Bakery – as I’ve stated a hundred times: there ought to be a line out the door for these pastries.

Ohlala French Bistro – just what a French bistro should be: small, solid, and personal. Nice wine list, too.

Flock & Fowl – I didn’t think Sheridan Su’s Hainanese chicken could get any better. It has! Bigger menu, more seats, and devilishly good deviled eggs (as you can see above).

Ocha Thai – coming soon: a new bar with small Thai bites!

Sweets Raku – the weekend lunch (and desserts like the one above) is a must-stop on any foodie tour of Las Vegas.

Chuchote Thai Bistro & Desserts – get the southern Thai specialties and bring a fire hose….or your own six-pack of beer.

Cafe Breizh – the best, Jerry. The best! Five years ago, you had to go to Bouchon for pastries this good:

…now, all you have to do is drive to south Fort Apache.

So there you have it. My final roundup.

These are the places I have been eating in, and the places that I imagine will hold my attention for the next year. I’m enthused about the Raku expansion, Khai Vu’s new wine bar on Spring Mountain Road, and whatever Jamaican specialties they might (eventually) cook up at Jammyland downtown, but two fucks I have ceased to give about whatever Gordon Ramsay is up to.

I fear for the fate of Bazaar Meat, and I suppose I’ll trundle over to Caesars or the Bellagio sometime to see what Guy Savoy or Le Cirque is cooking up, but on the whole, going to the Strip just isn’t doing it for me anymore. Which is kind of funny since I find myself with more money and spare time than ever these days.

I’ll still hit Las Vegas Boulevard whenever I’m hankerin’ for a great steak (nothing in the neighborhoods, except maybe Japaneiro, even comes close to the steaks at our premium beef emporiums), but there’s no need to put up with all that aggravation, and the crowds, and the paid-for parking, and the nickel-and-dimeing of the big hotels when there’s so much cool stuff happening on Spring Mountain Road, and downtown — walking distance from where I work.

I’ll be back on April 1st for a few last words and my final sign-off. Until then, bon appetit et à votre santé to all.

(Day drinking…or as I like to call it: Friday)

Solipsism, The Strip, and GOOD PIE

First of all, thanks to everyone for the kind words and comments. It’s hard to express how much they mean to me. While we may not get the number of page views we had 7-8 years ago, it’s gratifying to know that what we write still resonates with a certain level of intrepid foodie and discriminating gastronaut….like you.

Second of all, as promised, we’re going to end this incarnation of EATING LAS VEGAS with some short, to-the-point recommendations based upon where we’ve been chowing down since the first of the year, and where you’ll be finding us in the coming months.

As you will notice, most of these are off the Strip. Try as we might, it has been almost impossible to work up any enthusiasm for dining on Las Vegas Boulevard for months now. The greed, the stupidity, the same-old sameness, and the insanity of its pricing has finally gotten to us. After twenty five years of being their biggest cheerleader, we can no longer summon the energy to drag our ass down to one of the huge hotels, pay for parking, and endure the slack-jawed hordes who are being subjected to metronomic service at stratospheric prices.

Need more reasons for our disaffection? Then how about:

> Bavette’s is charging $74 dollars for a steak you can barely see.

> Big Casino now tacks “resort fees” onto bills for things (like the gym and landline phones) that most people don’t use.

> Drink and wine prices continue to be obscene. Getting a drink at a Vegas casino is like fighting with the peasants for a sliver of soylent green.…and paying $22 for the privilege.

> Paying for parking is a non-starter for us (as with most locals) — another reason to continue to patronize the Venetian/Palazzo, at least until they capitulate to their accountants and start nickel and dime-ing everything like everyone else.

> The Las Vegas “food press” (note the air quotes) trips over their dick praising Hell’s Kitchen, and whatever licensing deal Giada struck this week to slap her name on some pathetic piece of plagiarism. My compliant, credulous colleagues continue to write about these places like they are actually a Gordon Ramsay, Morimoto, or Giada Di Laurentiis operation, when in actuality they are branding exercises for hotel-run restaurants. Most of these aren’t even management deals — like the one Wolfgang Puck struck with Bellagio for the upcoming Spago re-launch. Instead, they stand as a cynical testament to the continuous soaking of yokels that has become Vegas’s stock in trade.

> Mario Batali is now persona-non-grata in his own restaurants (which his {former} company actually does run) — restaurants that are only famous because his name is attached to them. Yes, we know he’s a pig and has behaved deplorably around many women on many occasions, but what are we to make of his Las Vegas presence? Can his restaurants stand on their own? Even with the talented Nicole Brisson at the helm? Three years ago I would’ve cared, now I can barely manage a shrug.

> The Strip may be dying the slow death of a million paper cuts, but the re-branding/down-sizing of the Batali-Bastianich empire — a bastion of serious foodie cred in our humble burg for almost a decade — is an immediate casualty from which there may be no recovery. Because there are no more celebrity chefs on the horizon, and because the ones here (with a few exceptions, mostly French) are either played out or washed up.

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One final story before I rest my case, stop my navel-gazing, and make a recommendation.

I went to lunch not long ago with some very well-known, affluent types who live in those Happy Trails/Heartbreak Ridges-type neighborhoods in the fancy part of town. These folks have known me for a long time and are fully aware of my writing, my persona, my palate, and my prejudices.

They spend their days tooling around in expensive automobiles, playing golf and planning their vacations. They travel the world. They profess to love good food and wine. As far as I know they can all read and write. It was for that reason that I had given them copies of my book in the past. They asked me where I wanted to go (up around Summerlin), but I got overruled.

Where we ended up was one of those inexplicably popular restaurants that pretends to be about wine, but really isn’t, and acts like it’s putting out great food, but doesn’t.

As I sat there pushing my food around on my plate and trying to find a drinkable wine for under a hundy, it struck me: “You’re never going to reach these people, John.” 23 years of preaching and proselytizing hasn’t made a dent….not with this crowd. They can buy and sell me a dozen times over, and talk about flying here and renting a yacht there, but they wouldn’t know a good cacio e pepe if it bit them on their Asti spumante. And they don’t care to know. Like most folks when it comes to food (and wine) they are blissful in their ignorance. (Did I mention that Santa Margherita pinot grigio was the preferred libation? And that the place was thick with lawyers? And that two of them proudly told me that Michael’s at the South Coast was “the best restaurant in town”?)

As I sat there, it occurred to me that I’ve been no different all these years than a music or movie critic who is always suggesting that people learn to appreciate a higher, more advanced form of the entertainment they enjoy. Month after month and year after year these critics recommend more complex, better music, better movies, and more elevated examples of these art forms. And what do they get for their troubles? People asking them how they like a stupid Star Wars re-boot, or taking them to a Miley Cyrus concert.

When the hoi polloi does this, it doesn’t bother me. When wealthy friends and acquaintances do, I don’t know whether to laugh or cry.

But for you, dear reader, I have nothing but respect.

You have braved the wilds of the inter webs to find me, and have suffered through enough of my kvetching.

You, my friend, are here to learn about the good stuff — the best food and drink this town has to offer. So I say: fuck the knuckle draggers; screw the affluent….AND GET THEE TO GOOD PIE!

Why Good Pie? Because it’s the best New York-style pizza in town. It’s a slice joint no wider than a pepperoni, but the deck oven stuff being put out by Vincent Rotolo puts other pretenders to shame.

Good Pie gives me hope. It stands for the proposition that passionate individuals are still out there trying to bring good taste, and better pizza, to Las Vegas.

Good Pie is everything Tivoli Village and Downtown Summerlin (which is neither down, nor a town, nor downtown of anything) are not.

Good Pie is as real as the dough Rotolo is proofing (every two days) and rolling out to order.  Good Pie is excellent ingredients, house-made sauce (from a combination of California and Italian tomatoes), and the best pizza cheese you’re ever going to find in a take-out joint.

Those pizzas are something to behold, but his garlic knots:

…are going to be what makes him famous.

Yours truly is not a calzone lover (too bready and cheesy — even for this carb-lovin’ turophile), but if you insist on one of these belly-bombs, this is the place to get one:

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And if vegan pizza is your thing, look no further than this bad boy:

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….or what these bad boyz are up to:

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My rich friends won’t come here, because, on a fundamental food and wine level, they’re content to remain in a culture-free cocoon of their own making.

But you, my friend, should, because, like me, you’re always searching for something better, whether in a pizza or a cacio e pepe.

If I wasn’t fat and old and being hounded by my wife and cardiologist, I’d be here every day.

GOOD PIE

725 Las Vegas Boulevard South #140

Las Vegas, NV 89101

702.844.2700

https://www.facebook.com/goodpielv/

 

American Cuisine: Fused and Confused

http://www.thepoorpantry.com/uploads/5/4/2/4/54246035/638784925_orig.png(Tofu with tagliatelle?)

The problem is there aren’t any rules anymore.

Not in politics, and not in restaurants.

Rules are what give us comfort. They provide context and boundaries to how we’re supposed to act and how we’re supposed to eat.

By nature, I’m not a rule follower. Laws are just suggestions, I’m fond of saying, but I don’t really mean it, especially when social intercourse is involved, and especially when dining pleasure is at stake.

Civility, decorum, manners, tradition — they’ve all taken a beating over the last decade, a beating that shows no signs of abating.

In that same vein, upscale eating has become a no-holds-barred, free-for-all.

Fish sauce in meatloaf. Clam toast. Uni shooters. Baby back ribs mingle with roasted cauliflower — in a supposed Italian restaurant. (Boy, do American chefs LOVE roasted veggies.) Soffrito this and lamb burger that.

Mocha oatmeal stout mole with beef cheek, brown butter, and a masa dumpling?

Misho kosho polenta? With duck katsuboshi? Bloody Marys that take 20 minutes to make. ENOUGH ALREADY!

Stoner food. Comfort food. Everything has to be cravable. Nothing is tethered to anything but the chef’s imagination — imaginations that are running wild from coast to coast because everyone is copying everyone else’s Instagrammable dishes.

On and on it goes from Grant Achatz to chefs from Portland, Maine to Portland, Oregon.

I don’t want to eat Iberian-inspired cuisine, I want to eat the real thing…or at least an American restaurant’s close approximation of the real thing. Simply tossing some pata negra ham on something does as much for me as putting pesto on peanut butter.

“Their food aesthetic is hard to define.”is what wins you national publicity these days, but who in the hell wants to eat something they don’t understand?  Grownups want definition;  teenagers need it, and young adults are searching for it. The only people who don’t want definition are children too stupid to know how essential structure is for things to make sense.

American restaurants, I’m here to tell you, and especially new American restaurants, have stopped making sense.

I get it: chefs are in the business of making food that people want to eat. If the crowd wants eclecticism, then pile French foie gras alongside Peruvian tiradito topped with a lamb necks and Millennials will beat a path to your door.

But there’s a big problem with this kind of eating: it’s exhausting.

Thematic restaurants are comforting. Whether it’s a Umberto’s Clam House, Joël Robuchon or In-N-Out Burger, you know what you’re getting when you walk in. You know (or hope) you’re going there to be fed something recognizable, and relax while you’re eating it.

When you have to figure out what’s good, something has been lost. When you have to constantly strain to parse what the chef is up to, then you’ve lost a big battle with my stomach before the war has barely begun.

I’ve been to Europe a lot in the past two years. Even as I type these words I am pining for the beef bourguignon in Beaune, or that pork shank in Munich. I find myself dreaming about Japanese fish restaurants and orgies of Roman pasta. What I don’t dream about is some Japanese-Mexican chef trying to make “Iberian-inspired” cuisine with a Nipponese twist. The worst foreign restaurants I’ve ever eaten in were “eclectic” in their cooking. The worst American restaurants I’ve eaten in were jacks of all trades and masters of none. Just because we live in a melting pot doesn’t mean our restaurant food has to reflect that.

There’s nothing new in food, despite what some chefs will try to tell you. There’s a reason you put ground up pork and not turkey meat in dumplings — because turkey meat brings nothing to the party. All those ingredients you see in Korean stews? Each one is there for a reason. Red wine with meat; white wine butter sauce with fish? The French figured this out a thousand years ago.

Why does no one put pasta in clam chowder? Because potatoes lend better starch and texture to the broth.

The other thing all the world’s cuisines figured out is how to eat. And by “how to eat” I mean the progress of a meal.

Light to heavy, climbing the food chain, all of it makes sense in the context of every country’s cuisine. Even the Ethiopians will tell you in what order to attack your injera. Simply throwing a bunch of small plates on the table confuses both the mind and the palate, to say nothing of lessening our sense of civility.

Thus have America chefs taken the whole cross-cultural thing too far.

Who wants to spend time deciphering whether to get the Bento box and Scotch egg or the fried calamari with some riff on ramen? Or how about salmon with forbidden rice and tomatillo sauce? In a Vietnamese-American restaurant?

The best restaurants in Las Vegas know what they are and what they’re trying to emulate. Carnevino is an Italian steakhouse in the best sense of the word. Twist is French to its core, and Yui Edomae Sushi is a direct copycat of a hidden Ginza sushi joint. They are “foreign” restaurants (and they are essentially theme restaurants), but like all great orchestras they stick to the music and leave improvisation to the fools.

American restaurants have no idea what they are, and spend too much time concocting wild variations of dishes done better somewhere else by cooks who specialize in that kind of cooking. (I get it; chefs get bored. But thinking up oddball combinations to combat boredom is an insult to gastronomy.)

Here’s where I give kudos to James Trees for knowing what he wants to be and what he’s good at. Esther’s Kitchen may not sound like a modern Italian restaurant but that’s what it is.

James Trees knows the rules. He’s not afraid to tweak things here and there, but he sticks to the catechism of Italian cooking pretty closely.

I wish his competition was so inclined.

There are many things to like about Carson Kitchen, 7th & Carson, The Black Sheep, Sparrow + Wolf, Boteco, and The Kitchen at Atomic, but thematic consistency isn’t one of them.

To their core, they are new American restaurants that are all over the map with their (relatively short) menus. And to be blunt about it: this kind of cooking is rarely transporting. It may be picture-worthy and just fine for sitting in deafening rooms with screaming 35 year olds raving about how “amazing” everything is, but at the end of the day, it fills your belly but rarely your soul.

No matter how talented a hotshot young chef is, they’re never going to make a mole as well as a Mexican mamacita who’s been doing it all her life. Ditto raw fish. There’s a lot more to it than just putting some raw slices on a plate and throwing some lime dressing on top. Deep frying is an art, too, as is roasting. But restaurants that are trying to all of these things will excel at none of them.

Fusion food has had an interesting ride over the forty years I’ve been paying attention to restaurants. What started in the early 1980s with Wolfgang Puck’s Cal-Ital-French menus took a sharp turn east when Jean-Georges Vongerichten took New York by storm a few years later with his Thai-inflecked French. By the 1990s, Nobu Matsuhisha and Roy Yamaguchi had everyone talking about pan-Pacific flavors. But by the early 2000s, every food writer in America was over all of it. “Fusion-confusion” was how we mocked it back then.

Then, instead of going away, it took over. The recession had something to do with it. Fancy dining was dead (at least we thought so at the time), and restaurateurs, searching for an audience, had to find something casual and hip and, god help us, picture-worthy, to drive business in the door.

Enter restaurants with more moving parts than a Game of Thrones episode. All of it helped along by the molecular craze — which may have jumped the shark a decade ago, but which gave casual eateries license to try all kinds of wacky combinations.

The foam-thing may have died, but the “anything goes”legacy remains. And what we’re left with is wood-fired grills throwing Bento boxes at us…and udon carbonara.

I’m not necessarily against combining the world’s flavors into interesting combinations, but I am against it when it makes no sense….and when that’s all you’ve got. What I’m looking for is focus — on the menu and in the recipes — focus that seems to be lacking when all of these cultural lines get blurred.

Which leads me to ask: Do they teach this kind of cooking in culinary schools these days? I think not. I think it’s all a direct result of social media creating a “can you top this?” attitude among young chefs. Which deceives them into thinking they’re doing something fresh, when in reality, they’re all posing for the same selfies.

The mission statement of any chef in any restaurant is to satisfy his or her customers. And when all you’re doing is trying to dazzle someone, you don’t allow them to get comfortable enough to be satisfied.

Creativity is a great. The world can’t run without it. But creativity is a slippery slope when it comes to food — a slope that too many chefs are sliding down these days.

I think we’re slowly evolving past the small plates thing, and the something-for-everyone-thing, and the let’s-throw-Asian-accents-on-everything-thing.

This is a good thing, I think. Or maybe I’m just hoping.

It’s time to get back to basics — food that makes people feel good, not impress them for all of the wrong reasons.