The Covid Diaries – Vol. 10 – What’s Next?

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Day 57, May 12 – Surveying the Landscape

What’s next? Who the fuck knows.

Trying to figure out what’s next is the question on everyone’s mind.

I, for one, have decided to stop thinking about it.

Fearing for businesses I love, and the futures of people I respect, has (literally) kept me up nights over the past six weeks.

But it’s a “no win” game going on between my ears, because what’s done is done and nothing I think, do, or say will affect what’s going to happen.

All I can do is continue to put my money where my mouth is, and urge you to do the same.

Image(Beauteous bento at Kaiseki Yuzu)

Trying to find a silver lining in the cloud that hangs over Las Vegas is a fool’s game. Nothing good will come out of this.

Most cities are fearful for some peoples’ jobs; Las Vegas has an entire industry that’s been laid to waste.

We’re talking entire hotels going under, not just a few small businesses, or the death of an outdated business model.

Imagine someone telling New York City it can re-open, but Wall Street has to remain closed “indefinitely” and you’ll get the idea. Or Hollywood being told it can’t make movies and TV shows in the foreseeable future.

The Sinking of the RMS Titanic (1912)(Las Vegas, say hello to your leetle friend)

Every city’s economy will feel a ripple effect from this shutdown; in Vegas, it is more like a tidal wave, soon to be followed by another tidal wave…as Titanic after Titanic sinks.

If/when a place like Mandalay Bay goes down (with its thousands of employees), it’ll be more like an aircraft carrier sinking.

To keep the maritime metaphor going, turning around Las Vegas’s shattered economy will be like asking the 7th Fleet to change course.

The word is MGM Resorts is going to open only two hotels in its portfolio: Bellagio and New York New York. The Palms has been shuttered until a buyer can be found — taking with it a star-studded lineup of restaurants, including Vetri, Mabel’s BBQ, Shark, and Scotch 80 Prime. The exquisite Mr. Coco is also history.

The Wynn/Encore group is making noises about re-opening everything (including all restaurants) this summer, but its statements feel more like a p.r. gambit than reality.

Venetian/Palazzo is a more unwieldy beast, with dozens of eateries leasing space in both the hotels and the Grand Canal Shoppes. Still, props to both hotel corps for being aggressive in trying to make themselves attractive to vacationers again — even if a quarter of all their customers have indicated they won’t return to Sin City until a vaccine is found.

Nothing about the numbers looks good for the hospitality industry. The Nevada gubenator has mandated a 50% reduction in seating in all restaurants — as if businesses operating on 10% margins can make a go of it with their revenue stream cut in half.

Locally, Tivoli Village (a restaurant black hole in the best of times) is losing Brio and Hampton’s, with perhaps more on the way. Unless some free rent deals are figured out pronto, expect others to follow suit.

Image(Maggie the Magnificent)

The only good news I’ve been able to discern in all of this, after speaking with numerous chefs and owners over the past month, is this: small, personal, low-overhead joints may be able to weather this storm. Places like Japaneiro (top of page) La Maison de Maggie (above) Kaiseki Yuzu, The Real Crepe, Elia Authentic Greek Taverna, or Saga Pastry + Sandwich, might survive, with a little help from the government and their landlords.

These eateries are simple operations — little more than a chef/owner at the helm and a helper (often a family member) in the dining room or kitchen. I like to think of them as speedboats, rather than the behemoth battleships of the Strip. They can get by with less because their operations are so bare bones. This was a major part of their charm before, and it’ll be what drives customers to them now.

Re-booting won’t be so easy for chef-ier joints like Esther’s Kitchen, Partage, Honey Salt, Sparrow + Wolf and Other Mama. Don’t kid yourselves — for all the laid back vibe they project, these are sophisticated operations with lots of moving parts. The good news is they have loyal followings of diners just itching to return; the bad news is you may find a restaurant that, for the time being, is 50% of what it used to be in more ways than one.

Image(Hiro-san slices heroic sushi)

If I was a betting man, I’d be betting on Chinatown. And by “Chinatown” I mean our pan-Pacific panoply of Asian eats all over town.

Never underestimate the resourcefulness of Asians, I say!  They’ve been bucking the odds in this country since the 1850s. Their restaurants, almost by definition, are lean and mean family operations. They expect less and have centuries of experience doing more with less, cooking-wise.

For a taste of Vegas like it was a couple of months ago, you can’t go wrong with  Shang Artisan Noodle, Hiroyoshi, Monta Ramen, or China Mama, or scores of other joints up and down Spring Mountain Road.

Yes, nothing is coming up roses right now, but worrying about it accomplishes nothing. (Easy for me to say, I know.)

How quickly people forget that the reason for the lockdown in the first place was to “flatten the curve” and keep our hospitals from being overrun. Guess what? They never were, and the curve flattened long ago.

This is what happens when you turn public policy over to germaphobes, public health ninnies*, and fraidy-cat politicians. They’ve ensured that the picture ahead isn’t pretty — but it might be pretty tasty if you know where to look.

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* Pardon my snark, but if pro-shutdown advocates are going to continue to treat Covid deaths (most of which are the very sick and old) as tragedies of biblical proportions, then I’m going to (continue to) to play the cynical skeptic.

SPAGO Redux

Image result for Spago Las Vegas

No matter what it does, it does well. No matter what you order, expect it to be one of the best versions you’ve ever had. Call it Wolfgang Puck magic; call it a great management; call it hiring good chefs at the top of their game. Whatever it is, call it consistency. Because if there’s one thing that sets Spago apart from its competitors, it is an almost military precision to its food. You will rarely have a bad dish in any Puck restaurant. At Spago, you’ll never have a bad bite.

Las Vegas got its first taste of Spago in December. 1992, and for the next twenty-five years it loomed large over the Strip dining scene as the granddaddy of all of our great restaurants. When its lease finally was up at the Forum Shops in 2018, it decamped for the Bellagio. Puck signed a management deal with the hotel (no more operational headaches for him!), and with a wave of the hand (and a “don’t let the door hit your ass on the way out”), the dreary Olives got a bright, modern makeover into Spago 2.0.

About the only thing not to like about the new location is the front of it (seen above). Instead of signaling you’re in for a big deal meal at one of the most famous restaurants in America, the signage is abstruse to the point of invisibility, and you can be right in front and not know there’s a restaurant there.

Once you’re inside, this aesthetic sin will be quickly forgotten. The bar still hugs the right side of the restaurant, and low-slung table seating allows you to eat or linger near all those top-shelf cocktails. Large windows and glass doors now frame an outdoor patio that provides the best seating in the hotel for the fountain show. (There are lots of tables outdoors, but they go fast at peak times, so reserve ahead if al fresco is how you want to go.)

Whether you sit outdoors or in, the menu will provide the sort of soothing satisfaction Puck has always delivered: a blend of classics (veal wiener schnitzel, steamed cod “Hong Kong style,” smoked salmon pizzas, crispy skin branzino), with the seasonal (sweet corn agnolotti, heirloom tomato salad, Santa Barbara spot prawns, vegetable ragout with asparagus velouté), and the formidable (veal chop, lamb rack, and a côte de bouef for two – each as good as any steakhouse’s). Sometimes there will be big eye tuna crudo, sometimes foie gras ice cream. Whatever specials your waiter recites, rest assured it will be worth the tariff.

(I’m just mad about saffron…risotto)

Mark Andelbradt, a Puck veteran, has been at the helm since the move to the new digs, and his facility with pasta is every bit as nimble as his command of roasted cauliflower. If his proteins are the equal of a beef emporium, his noodles match up nicely against any Italian. More than once I’ve done a side-by-side comparison of Spago’s house-made pastas with some celeb-chef versions around town, and every time Spago’s has come out on top. Andelbradt’s spicy lamb Bolognese cavatelli, squid ink garganelli, and those agnolotti are textbook examples of the genre, and when he’s doing saffron-seafood risotto, don’t miss it.

Image result for Spago Las Vegas cookie platter

When you’re done with the savories, the sweets are there, just waiting to destroy your willpower. The spiked lemon with yuzu cream, chiffon cake and citrus mousse (above) has been on the menu so long, it’s almost iconic as those pizzas. The chocolate chip cookies are worth a trip by themselves, but as memorable as those are, the thing to get is Wolfgang’s Kaiserschmarren — a showstopping souffléd pancake (for two) that actually feeds four…but which will probably be wolfed down by the first one lucky enough to get to it.

The wine list holds few surprises. (It was pretty boring at the old location, too.) There are plenty of overpriced bottles from the usual MGM-Bellagio offerings. (Yes, they standardize the wine selections throughout the MGM family of hotels these days. Because accountants.) Stick with the by-the-glass selections if you don’t want to feel like you’ve been asked to bend over and grab your ankles.

You don’t go to Spago looking for culinary adventure anymore than you go to Pierre Gagnaire’s Twist in search of a pork chop. What Spago is selling, what Spago has always sold, is a Cal-Ital blend of Europe technique with American panache — a hybrid cuisine that’s as fresh today as it was 35 years ago; a cuisine as elemental as a pizza and refined as caviar.

All of America owes a debt to Spago for the way we eat nowadays — combining finely-tuned, gutsy food with just the right sophisticated spin without pretense. Open kitchens, upgraded pizzas, casual dining with killer food — all of these started with Spago. In a way, every gastropub from Portland, Maine to Portland, Oregon is an homage to the type of cooking first popularized by Wolfgang Puck. But he did it first, and in many ways, Spago still does it best.

I’ve eaten at Spago so many times I’ve lost count. This new incarnation I’ve been to five times. They never comp me, but a few freebies always show up. Dinner for two will run around $150-$200, including a shared dessert and a couple of drinks each. Service is uniformly excellent whether they know you or not.

Get this: Artisanal salumi pizza; smoked salmon pizza; spicy shrimp pizza; spicy tuna tartare; foie gras ice cream; Gulf shrimp cocktail; prime beef burger; field mushroom soup; roasted cauliflower; Anson Mills grits; veal wiener schnitzel; steamed cod “Hong Kong” style; branzino; all pastas; seafood-saffron risotto; Santa Barbara spot prawns; vegetable ragout; veal chop; lamb rack; côte de boeuf rib eye steak for two; cookie platter; spiked lemon with yuzu cream; Wolfgang’s Kaiserschmarren.

SPAGO

Bellagio Hotel and Casino

3600 Las Vegas Blvd. South

Las Vegas, NV 89109

702.693.8181

Strip Restaurant of the Year – MICHAEL MINA

Ed. note: This year’s Desert Companion award for Strip Restaurant of the Year goes to an old reliable with a new format.  No matter how it’s presented, the seafood is always impeccably fresh, while the 20 year old restaurant itself has aged like a fine wine. As usual, click here to read about this award in its original format. Bon appetit!

Restaurants grow old in one of two ways: They either stick with a formula that works or they reinvent themselves. Somehow, the new Michael Mina has managed to do both. It is a testament to Mina as a chef, and his team, that it’s been able to do so both seamlessly and swimmingly. In doing so, Michael Mina the chef has returned to his roots, and his restaurant has re-announced itself as our finest seafood emporium.

At first glance, you can be excused for thinking not a lot has changed. It’s always been one of the prettiest restaurants in Las Vegas (thank designer Tony Chi for that) with lighting that flatters both the customers and the food. Mina made his name by treating big hunks of pristine fish like land-locked proteins. He popularized pairing pinot noir wine sauce with salmon, and marrying tuna and foie gras.

These sorts of land-sea fusions are everywhere these days, but they were a very big deal in the 1990s, and Mina’s Aqua (first in San Francisco, then in Bellagio) was an early trendsetter. Even now, he and his crew see marine proteins as umami-rich sea meat, rather than as delicate swimmers barely to be trifled with. Where the Italians and Greeks dress their seafood with little more than a squeeze of lemon, and the French subtly nap theirs with wine and butter, Mina looks at a fish as something to be celebrated with sauces and spices.

The new Michael Mina has gone large-format, and it’s a sight to behold. Every night, six to eight whole fish are displayed before you, each begging to be grilled over applewood, broiled and draped with black beans, or deep-fried and adorned with coconut-green curry. The lighter-fleshed varieties (snapper, sea bass, and striped bass) do well with this spicy coating, while fresh-off-the-boat John Dory and kampachi get dressed in more intense ways.

(Smoked trout with caviar cream)

In keeping with the times, things have lightened up a bit — the only French sauce offered is the mustard beurre blanc (with the phyllo-crusted sole), but Mina can’t resist coating a strongly-smoked trout with a river of Meyer lemon-caviar cream (above). If those aren’t filling enough, his old-school (and justifiably famous) lobster pot pie awaits, bathed in a truffled brandy cream sauce.

(Caviar parfait)

The only problem is there may now be too many great choices on this menu. Executive Chef Nicholas Sharpe and General Manager Jorge Pagani (who’s been with the operation for 17 years) suggest toggling back and forth between Mina’s famous dishes and these new fresh fish offerings to build your best meal. Pagani says there would be a revolt among his legions of regulars if certain standards (e.g., the tuna tartare, caviar parfait (pictured above), that pot pie, or phyllo-wrapped sole) were taken off the menu. And why should they be? They are classics for a reason, and just like this superbly re-imagined restaurant, they will never go out of style.