Dining Old School in the New London

Image(Werewolves of London)

The food in London is getting better, the British are always declaring. “Yeah,” a cynical friend texted us as we boarded our non-stop to Heathrow, “but people have been saying that for thirty years.”

Both statements are true. Londoners haven’t been hidebound by pub grub, bad mutton and boiled beef since the Seventies, but no one will ever mistake its culinary scene for Paris, Tokyo or New York’s. But progress can be tasted all over town, as two generations of ambitious chefs have succeeded in creating a gastronomic identity for the country — one based on the bounty of local produce and the melting pot of cultures visible on every corner. The city is now a world capital as much as a British one, with gustatory delights available from every far flung corner of the globe.

But this trip wasn’t about hidden gems, updated Indian (Gymkhana, BiBi, Ambassadors Clubhouse), Uyghur eats, or Senegalese soups. We were here to sight-see, shop, and nosh in the toniest part of town (Mayfair) and show a London newbie (my big sis) how the British upper crust breaks their bread. For this I got some good-natured ribbing from London scribe/pen-pal Marina O’Loughlin who thinks about Mayfair the way I do the Las Vegas Strip (lots of money, little imagination) and is right to implore me to explore the cutting-edge culinary corners of the “new” London. Maybe next time.

Image(You see ’em prowlin’ ’round the kitchen door, better not let’em in)

We did take her advice for our first meal of the trip, however, heading straight from Heathrow to Shepard Market, for a cozy, jet-lagged dinner at Noble Rot. Fighting through the London fog of our sleep-deprived brains, we were warmed by an extraordinary bread basket, Parmesan snow-capped gougères, rib-sticking boudin noir with pickled quince, and a wedge of Cornish brill (Dover sole’s heftier cousin) napped in a soothing cream sauce speckled with smoked caviar. Desserts are suitably British (straight-from-the-oven apple cake), Italian-inspired (buttermilk panna cotta), and French perfected (chocolate choux bun/cream puff stuffed with brandied prune and hazelnut sauce). The place is basically an English spin on Parisian bistronomy —  combining a laid-back vibe with serious cooking, aimed at a knowledgeable clientele eager to see what the chef is up to, and the service was as warm as that apple cake.

In keeping with the name, the wine list was an oenophile’s wet dream — compelling by-the-glass selections; page after page of  producers both famous and obscure; and prices for every budget — all of it a far cry from the wine gouging we put up with in America.

After our gastropub English-French fusion, we were eager to go old school, something which hearkened back to the days of the British Raj.  While my family concentrated on taking Harrod’s. Selfridge’s, and Fortnum by storm, I dreamt of garlic naan, butter chicken, and Malabar fish curry. London is justifiably famous for its Indian food (at all price points) and we wanted a taste of the granddaddy of them all: Veeraswamy — a bastion of sub-continent cooking since 1926. Located on s second floor overlooking tony Regent Street, it is colorful, elegant, and formal — the sort of Indian restaurant that does not exist on this side of the pond.

The refinement this cuisine achieves in England is also surprising to those of us raised on indifferent tandoori, perfunctory service, and steam-tabled stews so crusted over they should be labeled with an expiration date. Here, the food is as brilliant and vivid as the colors of the room, and it envelopes your palate with sensations both delicate and intense –everything being very, but not excessively, rich. No mean feat that.

Image(Indian Eggcellence)

You begin with papadum crisps so light they practically float off the table. With them are three chutneys of varying frutiness and heat, each a bracing palate-awakener. From there it’s all uncharted territory: tucking into exotica like Baghare Baingan (stewed eggplant curry), Grandma’s Spicy Egg Roast (served on a disc rice flour noodles, above), and beetroot croquettes with Stilton and green chili (below) — each dish as far a cry from the leaden, underspiced spicy food you might associate with this cuisine.

Image(No steam tables in sight)

This striking dissimilarity continued through the main courses. Butter chicken (murgh makhani) of astonishing amplitude, halibut in a Malabar coconut curry that respected the fish, and paneer tikka (roasted cubes of fresh cheese) which made you miss meat not at all.

Libations are as upscale as the surroundings Wines are well-matched to the food (this food creates thirst), and we zeroed in on a complex, off-dry German Riesling at 82 pounds/$90). Cocktails are surprisingly au courant for such a classic place.

The trouble with dining at Veeraswamy is it spoils you for a level of extravagance, ingenuity, and sumptuousness that is almost impossible to find in Indian restaurants over here. She may be pushing 100, but from where we were sitting (at the best table in the house overlooking Regent Street) there is plenty of life in the old girl yet.

(He’s looking through you, to the year 1498)

If there is one chef who embodies Britain’s gastronomic revolution, it would have to be the molecularly-obsessed Heston Blumenthal, whose Fat Duck in Bray has been the most famous restaurant in the country for most of this century. Not having the time or inclination to trek out of town for “bacon and egg ice cream”, instead we parked ourselves at a large round table at Dinner by Heston Blumenthal in the beyond-posh Mandarin Oriental Hotel to sample his avant-garde spin on traditional British dishes.

(Toto, we’re not in the Bellagio anymore)

One of the appeals of the place (besides his reputation, the gorgeous setting, inventive cooking, and spotless service) is the flexibility of ordering either a tasting menu or a la carte, depending on your level of interest or peckishness. Another pleasant surprise was letting you choose the degree of intensive care service you desire: three cards are offered for you to peruse and place one in the center of your table —  one asking for full explanations of the Blumenthal oeuvre with every dish, a middle option allows for identifying the dish and little else as it hits the table, and a third  requesting nothing but “here’s the plate and fare thee well” with every course. We put on our fanboy hat and asked for the Full Monty, and the staff indulged us with descriptions both pithy and informative, never taking more than a minute to describe the story behind every recipe.

Image(Pick your level of intrusion)

The cards are necessary because the entire historical catechism of British cookery is what informs this menu. Rather than modernizing old recipes, though, it’s more like Blumenthal uses them for inspiration to riff on the ingredients. Thus do you get Heston’s famous “meatfruit” (circa 1500) — a foie gras/liver parfait (encased in what looks like half a mandarin orange):

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Not to be stickler for details, but one doubts that the kitchens of Henry VII were having their agar-agar way with tangerine jelly.

The same could be said for “The Truffle” (a ping-pong ball of melanosporum butter disguised as a tuber) which also claims  an ancient birthright (c. 1500) on the menu . Regardless of genealogy, the results of both are so rich they should come with a tax return.

Image(Zero squabbles with this)

Main courses were lighter: a caramelized, roasted cauliflower with shiitake dressing, sea bass with a green sauce spiked with eucalyptus, and spiced squab, no doubt much less putrid  than the “hung” fowl of the 19th Century, but seasoned and sauced in a way Anthony Trollope might recognize.

We ended with a “Tipsy Cake” (a sugar-crusted sweet brioche, c. 1858), but I’m guessing the French claim it for a lot longer), and a platter of English cheeses at their peak, and left with the opinion that this kitchen, fourteen years on, hasn’t lost its fastball. You certainly don’t go to a Heston Blumenthal restaurant looking for bargains, but $1,000/4 US (about a third of that wine) for a dinner this inventive, precise, and polished, was a deal by American standards. The next time we’re in London, we can’t wait to see what edible historical artifact he is re-configuring next.

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If HB asks us to indulge his culinary flights of fancy, Saint Jacques, in the heart of St. James,  just steps from Berry Bros. & Rudd, requests nothing of its clientele other than a taste for well-rendered standards of la cuisine Française. Our meal tread no new ground, but a Beaufort cheese soufflé, veal kidneys in mustard sauce, an onglet frites of uncommon mineral-rich depth, and textbook creme brûlée were just what we needed to fortify ourselves for an afternoon of sightseeing in freezing weather. In keeping with the theme of the trip, the greeting and service couldn’t have been more cordial, even though we popped in without a reservation.

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A similar fate awaited us a few nights later at Scott’s. We arrived just as they opened, asked nicely, and were seated promptly. (Travel tip: if you don’t have a reservation go early, real early, as in, right-when-they-swing-the-door-open early. You’ll be surprised how often it works, except in hot new restaurants or rarefied-air gastronomic temples.) Scott’s is iconic for it’s seafood (since 1851), and we dove right into a dozen of the freshest oysters imaginable (served oddly with thumb-sized, chorizo-like sausage links), a shellfish bisque that tasted like an entire crustacean compressed into a bowl, and flawless fillets of seared sea bass and pan-fried Dover sole. Welsh rarebit (aka Welsh rabbit) — basically cheese toast with a higher education (below) — and piping hot madeleines completed things, and by the time we left, the restaurant was as full as we were.

Image(This rabbit made us very hoppy)

Despite the naysayers, there is much to recommend in gastronomic London. The seafood is nonpareil, chefs take great pride in their local ingredients, and the cooking palette has expanded to include ideas and techniques  from all over Europe. New school or old, the typical British reserve seems to have melted over the years, and the place is now so friendly, sometimes you’ll think you’re in Italy.

Take us home, Warren:

Forgive me, DELILAH, I just couldn’t take anymore…

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Ed. note: Alan Richman — the man who has won more James Beard journalism awards than anyone — once gave me a sage piece of advice: “When you have a bad experience, just report the facts.” So here they are….with commentary, of course:

Delilah. is, right now, the toughest meal ticket in town. It is located in the Wynn, in bi-level space which once housed the very formal ALEX — a restaurant which met its ignominious end when the Wynn decided to go all-in on bottle service-to-douchebag nightclubs. The year was 2010. The space has been vacant for more than a decade, but last summer this restaurant-cum-supper club opened to great acclaim. And by “great acclaim” we mean a lot of pay-to-play social media mavens raved about it for about two weeks. Now, the hubbub has died down and we decided to see for ourselves. A friend booked a table and lassoed me in for a recent meal. I tried to warn them but they wouldn’t listen.

You will first confront a pre-hostess stand that is outside the actual hostess stand .This pre-hostess stand is flanked with velvet ropes. The comely lass at this threshold signifies classiness (you can tell by her gown), exclusivity (you can tell by those ropes), and attitude. The latter comes in the form of an admonition that, “you will only have your table for two hours.”

Nothing puts us in a better mood for an expensive meal than being told how long we will have to eat.

Entering the inner sanctum, you arrive on the other side of double-doors to find a bar teaming with L.A. bros sporting the type of high-maintenance facial manicures you usually see on a mannequin. With them are young ladies whooping it up while they congratulate themselves for being there. All of them are dressed way better than you are used to seeing in Vegas restaurants, which means the dudes are wearing shirts with collars and their dates are in whatever some Kardashian told them to wear. (If smugness were a scent, the joint would reek of it.)

Along with the time-limit, you are also told (at the second hot hostess stand): “No pictures are allowed in the bar or dining room.” This admonition will be repeated to you once you hit your table. Of course we ignored it.

Your table is presumably a good one, and by “good one” we mean it is in the main dining room, in-between another lively bar, and a stage where a brassy gal is over-singing one song after another. (More on this later.)

Your table is a touch high (and the too-cushy, over-stuffed seats too low), so you feel like a little kid sitting with grown-ups. You look around and see people sitting at normal heights and normal looking tables and what look like regular chairs, but all you can do is look at them and sigh.

This is because Delilah is so full, every night, you pretty much have to sit where they tell you. It is also because any attempt to move might result in them giving you a Hobson’s Choice of sitting closer to all that over-singing, or out in Siberia (the rooms flanking the main one) where the people watching would be nil. (People watching being, you will soon discover, the only thing done easily here.)

Image(Foot fetish fodder provided by Deanna T.)

More on the table: It was a round and supported by a base of circular bars (above) which gave zero room for you to either cross your legs, or ankles or get comfortable. The only possible way to sit was to stretch your thighs around both sides of the column while you play footsies with your table-mates and your derriere continually sinks and slides into the flabby cushions which forces you backwards away from the table until you are roughly in the same position as woman in childbirth. Which is fine unless you’re trying to enjoy a $28 crab cake.

Image(Crabby, best eaten sitting up)

The wine list is presented and it is a good one. By Vegas standards you might even call it reasonable. Service is impressive and fast (they are also under a time limit and act like it, but good cheer prevails). You even forgive them bringing a red burgundy when you ordered a white one, having figured out they are more attuned to the Cali cab and cocktails crowd.

You’ll need a few big gulps of grape before you tackle the menu, as it is everything the wine list is not: by-the-numbers (steaks, salmon, chicken, etc.), risk-free and priced to deter the unwashed. Your eyebrows will be raised at the tariffs, but not so much you’ll want to head for the exits.

We’re talking $200 beef Wellington (for a 12 oz. filet); $72 for (supposedly Dover sole) “fish and chips”:

Image(72 bucks of sole and pommes soufflé)

…$25 for chicken fingers, and three, garlicky shrimp “de Jonghe” of no real consequence for twenty-seven bucks.

A roast chicken (“TV Dinner”) runs $42, while short ribs and a few scallops, (“surf and turf”) will set you back a cool $59.  — all of it calculated not to challenge or offend, and no doubt concocted by people thinking: “How can we overcharge for comfort food and make it seem ritzy in an ironic sort of way?” Smart.

The gooey butter cake ($16) was good, but not as good as the one at Mastro’s. There, I said it.

The chef behind the menu is the über-talented Josh Smith — a chef’s chef and former top toque at Bardot Brasserie.

But where BB was resolutely French, and thus aimed at a crowd who went there for his textbook-perfect renditions of classics, tweaked to keep the picky epicures happy (hello, escargot!), here the food is beside the point and it shows. Don’t get me wrong: pounding out 60 Wellingtons a night while satisfying 300 covers is a Herculean task, but methinks Smith was hired more for his brawn than his impeccable technique.

And then there is the music. You can’t avoid it. The whole “supper club” vibe depends on someone belting out songs for 30 minutes every hour. (We ain’t talking headliners here, folks. “Strictly a lounge act,” is how my dear old dad would’ve put them down.)

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The music is supposed to be jazz, presumably because jazz is more sophisticated, sexy and supper club-ish, but all I heard were slowed-down covers of Prince, Springsteen and other pop/rock stars. So easy-to-ignore were the tired tunes that by the end of our allotted time, I half expected our chanteuse to belt out “The Wreck of the Edmund Fitzgerald” as an encore. Jazzy indeed.

Amidst the cacophony, three exceedingly thin, tall, bored young women slink around doing some kind of interpretive slow-mo exercises to the music in long, sparkly dresses (see top of page).

Delilah demands you be into these things, even if you aren’t, and expects you to wowed by the food, even though you can barely hear yourself eat. Things get more civilized once the singing stops, but gird your loins, it won’t last, all of it ensuring idle chit chat will not be an issue intruding on your two hour countdown.

To be fair, Delilah is just not my thing. I have several foodie friends who are nuts about the place. They love the vibe, the music and the fact it signifies an elevation in our dining scene — a culture which has been racing to the cargo shorts bottom since 2010. Good on them, but once was enough for this curmudgeon.

Image(Design by Carnival Cruises)

Now we have three supper clubs all vying for this upscale crowd —  Mayfair (“so much more than dinner”) and Delilah each aim for a throwback, elegant feel (with eye-popping design setting the mood, see above), while Superfrico (“an Italian American Psychedelic restaurant”) appears to be targeting people who enjoy having dinner inside of a Cirque du Soleil fever dream. Classy.

If these three are a success (and early returns suggest they will be), expect a lot of copycats to follow suit as Vegas struggles mightily to capture Gen-X and Millennial dollars from people more accustomed to not speaking with each other than us aging Boomers.

In the meantime, remember the old axiom: music in restaurants ruins both the music and the food. I can’t speak to the former, but Delilah gets it at least half right.

Take us home, Tom…