MICHAEL MINA Returns to the Sea

I almost sued Michael Mina once. More accurately, Michael Mina’s partners tried to hire me to sue him.

My law firm wanted me to take the case, but I demurred because….well….simply because I liked his restaurant so much.

The underpinnings of that suit had to do with the divorce that was then underway between the Bellagio and the Aqua Group — the company (and restaurant) that launched Mina’s career in San Francisco in the mid-1990s. By 1997, Aqua had become Frisco’s most famous seafood restaurant, and Steve Wynn (who had already lured Julian Serrano here from there), needed a seafood star to complete his murderer’s row of chefs at the Bellagio.

Aqua Las Vegas opened to great acclaim in 1998 (as did all of Bellagio’s stars), and for 7 years it was the unchallenged cooking champion of all things from the sea. As its eighth birthday approached, deals were coming to an end and leases needed re-negotiating. Mina apparently wasn’t in step with whatever his partners wanted, and that’s when both sides started lawyering up and I got the call.

I don’t know anything else about the dispute except that within a matter of months, Aqua was out and Michael Mina (the chef and the restaurant) was in.

Smartest move me and the Bellagio ever made.

Aside from a drift away from the seafood that made him famous, not a lot has changed at Michael Mina over the years. It’s always been one of the prettiest restaurants in Vegas (you can thank designer Tony Chi for that) with lighting that flatters both the customers and the food. The one design flaw was the bar to the left as you enter. Originally designed as a sushi bar, it was small and awkward and not conducive to cocktails (or a pre-prandial glass of vino) — with the drinks (formerly) being handed down over a high ledge in front of the seats. As you can see above, this is no longer a problem.

Neither is the menu re-vamp, which returns Michael Mina (the restaurant) to its roots. With this re-boot, the fish-friendly MM of yore is now alive and swimming in the Bellagio Conservatory. Taking a clue from Estiatorio Milos, a seafood display tempts as you are led past the bar, and if looking at whole branzino, John Dory, striped bass, Hawaiian kampachi and Arctic char doesn’t put you in the mood for a fish fry, nothing will.

Mina made his name as a seafood chef. His early fame came from treating big hunks of pristine fish like land-locked proteins. He popularized pairing pinot noir wine sauce with salmon, and pairing tuna with foie gras. Even now, he and his crew see marine proteins as umami-rich sea meat, rather than delicate flowers to be barely trifled with.  Where the Italians and Greeks barely dress their seafood with anything more than a squeeze of lemon, and the French nap theirs with the barest of butter, Mina looks at a fish as something to be assaulted (in a good way) with sauces. Thus does lobster come bathed in brandy and cream (in his ethereal pot pie), while fresh-off-the-boat John Dory gets a dressing of intense, fermented black beans and bok choy. In keeping with the times, things have lightened up a bit — the only French sauce offered is the mustard beurre blanc with the phyllow-crusted sole, but he can’t resisted coating a strongly-smoked trout with a river of Meyer lemon-caviar cream,  His chefs will grill one those whole fish (or a half for 1-2 diners) and adorn it with grilled peppers and preserved oranges, or accent it with Thai green-coconut curry after deep-frying it Asian-style.

When it comes to fish, yours truly is something of a seafood snob (imagine that?). My rules of thumb when ordering a whole fish are simple:

Rule #1: If John Dory (aka San Pierre, aka San Pietro) is on the menu, get it.

https://upload.wikimedia.org/wikipedia/commons/3/35/MacGillivray%2C_William_John_Dory.jpg

The John Dory is an exquisite fish – thick and meaty, but also delicate, not-too fatty and finely-grained. There is a firmness to the meat which will stand up to all sorts of preparations, but a soft sweetness to it that demands a careful hand. It goes well with a variety of sauces, and will stand up to strong accents — like the scallions, Serrano peppers and fermented black bean treatment it gets here. When properly cooked, it takes a rightful place in my pantheon of perfect pisces, along with wild turbot, fresh-caught Pomapno, and true Dover sole.

Rule #2 is: Only eat fish in a fish restaurant.

Rule #3: In a fish restaurant as good as this one, either close your eyes, point and pick, or ask the knowledgeable staff about the variations in species and how they are complimented by the cooking styles.

That last one is crucial, because on any given night, 6-8 whole fish are laid out before you, each begging to be grilled/smoked over applewood, broiled and beaned, or deep-fried with coconut-green curry. The lighter-fleshed fish (snapper, sea and striped bass) do well with this spicy coating and sauce, while the denser Dory, kampachi and char demand to be basically broiled.

Before you get to them, however, you’ll have to navigate the shellfish waters, which are teeming with terrific options. Executive Chef Nicholas Sharpe pointed us to the “petite charcoal-grilled platter” ($130) which is more than enough for four. Nothing against the brisk and briny oysters and cold lobster you find all over town, but this time of year calls for warmth, and grilling the scallops, oysters and Maine lobster with a miso-garlic-yuzu glaze is just the ticket on a brisk fall evening:

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The only problem with the new menu is there are too many great choices. Sharpe and g.m. Jorge Pagani (who’s been with the operation for 17 years) suggest toggling back and forth between the Mina classics (caviar parfait, tuna tartare, hamachi crudo), with these new (“Market Light”) items to build your best meal, and that sounded like a sound plan to me.

Speaking of classics, most of them are still there. (Pagani told me there’d be a revolt among some regular customers if the tartare, parfait, pot pie, or phyllo-wrapped sole were taken off the menu.) And why should they be? They’re classics for a reason. There may be no better starting course on earth than Mina’s caviar parfait:

….and even his steak Rossini is justifiably famous,. But for my money, the real show-stopper (a blend of Mina’s oeuvre, old and new) is his seared tuna and foie gras starter:

Mina has always known fatty liver like a Korean knows cabbage, and three forkfuls will prove it to you. Take a bite of the tuna, then take a bite of the foie, then take a bite of them both together. No meat-meets-fish dish ever became greater than the sum of its two (magnificent) parts than this beauty. It’s expensive ($57), but it’s more than enough for two and almost a complete meal in itself for one.

If you have room after all that seafood-y goodness, don’t miss the classic chocolate bar with salted caramel mousse, or the Egyptian rice pudding (almost as good as Greek!), or the pineapple granita with vanilla panna cotta and Sicilian pistachios (below). Desserts here have been wonderful for as long as I can remember (which is all the way back to 1998), and as with the fish, whatever you point to will be worth it.

A word about wine. No one goes to the Bellagio looking for wine bargains, but this list is well-chosen with lots of white wines at (for the Strip at least) reasonable prices that match well with the food. My sweet spot when looking at Strip wine lists is the $60-$120 range, and if you root around, you’ll find a few German Rieslings that fit the bill — like Müller-Catoir Kabinett for $80. The bright acidity of drier German whites compliments Mina’s love of bold, rich flavors, as do the more mineral-rich Chablis and less-complex (read: cheaper) white Burgundies — which you’ll find more than a few bottles of that don’t break the bank. Anyone who orders a Cali cab with this food ought to be taken out and shot (figuratively speaking).

The half-fish here run around $60-$75, which is a (relative) bargain. Most of the whole fish (that easily feed four) are double that. If you split some appetizers and go this route, you can get out of here for around $100/pp. Tasting menus are $138 and $188, respectively, and are more than worth it if you’re the “go big or go home” type. The last time I paid for a meal at MM, Bill Clinton was president.

MICHAEL MINA

Bellagio Hotel and Casino

3600 Las Vegas Blvd. South

Las Vegas, NV 89109

866.259.7111

https://www.bellagio.com/en/restaurants/michael-mina.h

PARTAGE

(The Three Musketeers)

A Francophile’s dream come true. The chefs are French, the decor is French, the bartenders are French and the food is as French as Bastille Day. And the whole enchilada is in Chinatown. Go figure.

When Vincent Pellerin, Nicolas Kalpokdjian, and Yuri Szarzewski (above) came to the United States in 2015, they had a dream — they wanted to bring healthy French food to Las Vegas. Anyone with a brain would’ve told them the idea had as much chance for success as a Mormon nightclub, but arrive and succeed they did, first with their casual EATT Gourmet Bistro on West Sahara, and now with a more upscale (but still very laid back) place in a shopping center more at home with massage parlors and noodle shops than croque monsieurs and Pays Nantes.

Because it’s in Chinatown (in the old Chada Street space) the curb appeal is practically nil….and so is the parking. (At busy times you may have to inch your way around the lot once or twice to find a space. If ever there was an off-Strip property begging you to take a LYFT to it, this is it.)

The signage is as simple as the storefront and gives not a clue as to the wonders behind the long glass facade. But as soon as you step through the doors, you can sense that magic is about to happen. Seating are plush but not too so. Cozy booths line one side of the room and a long L-shaped bar dominates the other. The lighting is dim (but not too dim) and flattering, and even at peak occupancy, you can still hear yourself think and talk.

Towards the back you’ll see a large window behind which the chefs operate, and a glass wine room holding the all-French, all-nicely-priced selections. While the list isn’t long, it’s broken down by region (Alsace, Burgundy, Bordeaux, etc.) and the bottles are marked up 100% over retail, rather than 2-300% gouges you’ll find a mile to the east. Another thing I love are the easy to read prices ($65 for a Gigondas; $120 for Dom Ruinart, etc.) with none of that $59 v. $63 nonsense you see at the big hotels. (I’d love for some wine director to edify me sometime on why one Cali cab is priced at $118, while another fetches $121. Is it because there’s a 2.8% difference in quality between the two bottles? Ridiculous.)

Partage means “to share” and the menu encourages you to do just that. 20 small plate options are offered, each amounting to no more than 2-3 bites of headliners like halibut ceviche (disguised to look like dragon fruit):

….or a single lobster ravioli in a small cup of bisque, or perfect, meaty scallop swimming in a dashi broth with seaweed chutney and steamed leeks. Everyone seems to feature trilogies of oysters these days (whassup with that?), but the version here is top drawer, with the yuzu hollandaise being the one you’ll remember. As good as they are, the real stars of the show are the salmon croquettes (almost Japanese in their deep-fired, ultra-light crispiness):

 

…and the squid “risotto” — the risotto in this case being finely diced pieces of squid bound together by a barely-there pesto, filled with flavor but not filling you up.

If you’re looking for richness, Szarzewski has you covered. His sweetbreads are a godsend for lovers of all things thymus — accented by lotus root and a smooth tonka bean cream — the tight little sauteed gland giving not a hint of how dense and filling this offal can be. For pure decadence though, nothing beats his oxtail croque monsieur — long simmered meat, slicked with bone marrow,  served between three batons of the world’s most luxurious toast:

If hunger still lingers after these (doubtful), tuck into a quail leg garnished with umeboshi and foie gras, or a few nibbles of good Spanish pata negra served with a small puck of olive oil cake and fennel sorbet:

Jamon platters are everywhere, but this little one may be the cutest of the bunch.

The anti-ham crowd will enjoy digging into things like ratatouille-stuff squash blossoms, burrata Caprese salad, a melange of root veggies, and the best damn pea soup you’ve ever slurped — this one given a kick by lemon-basil sorbet and finger limes.

About the only dish I can’t recommend is the king crab coated with black garlic. It tastes of pure, sweet crustacean slicked with the tamarind-like essence of aged allium, but it looks like something the cat left behind. If there’s an award for the best tasting, least attractive dish in town, this would litter-ally win by a landslide:

(Honey! The cat’s been at it again!)

Large groups will want to go large format with big cuts of 18 ounce rib eye, or a 32 ounce tomahawk steak — smoked with either hickory, applewood or hay (your choice!). Two pound lobsters and whole duckling breasts served on the bone, and sea bass baked in salt crust is also offered for the whole table to swoon over. In keeping with the “healthy French” thing, sauces are kept to a minimum. Not to my taste, exactly — the duck, pork and bass suffer from the lack of liquids — but the presentations are in keeping with how modern French food is done these days.

 

Desserts are a dream, and Pellerin’s rolling cart (above) is not to be missed. Whether he’s doing a baba au rhum (injected at table with some high proof spirit), a caramel candy bar, or a flaming baked Alaska (below), you can be assured no one, in any neighborhood in Vegas, is eating a dessert as good as the one you’re getting. Pastry chefs are an endangered species these days, and having one as accomplished as Pellerin working in the ‘burbs is quite a statement for a local joint.  His macarons (when available) should be ordered by the dozen.
(Like this baked Alaska, Chinatown is en fuego!)

Las Vegas came of age as a restaurant town in 2018, and exhibits 1-4 are Sparrow & Wolf, Mordeo Wine Bar, EDO Tapas, and Partage. By recognizing the true foodie potential of Chinatown, these venues have broadened its horizons and done the same for serious gourmands — local and tourist alike. Partage may not be for everyone (the food might be a little too precious for the meat and potatoes crowd) but it’s given a boost to our dining scene in all the right ways. Vive la France!

PARTAGE

3839 Spring Mountain Road

Las Vegas, NV 89102

702.582.5852

https://partage.vegas/

ESTHER’S KITCHEN

Ground Zero for downtown’s dining renaissance. So crowded, as Yogi Berra said, no one goes there anymore. So popular, a seat at the bar (any night of the week) is harder to find than a Mario Batali fan.  This doesn’t mean you shouldn’t plan a meal here….only that when you do, you’d better plan ahead, before the downtown denizens descend.

What began with Carson Kitchen four years ago took a giant leap forward in 2018 with the opening of this intimate space just off Main Street in the Arts District. But where CK is all gastropub-y with it’s burgers, salads, wings and such, here chef/owner James Trees goes full Italian, bombarding you with antipasti, verduras, pastas and pizzas straight from a Roman’s playbook. He even throws in a fish of the day (always worth it), brick chicken (a crowd favorite), and porchetta (never as good as I want it to be). Nothing wrong with a giant loaf of rolled pork, mind you, I’ve just never been impressed by the dish, in or out of Italy.

Another thing CK and EK have in common is ear-splitting, military jet afterburner noise levels. Be forewarned: this is not a place for intimate (or even business) discussions. If anything, it perfectly captures the zeitgeist of modern urban dining — an atmosphere where people come for the food and “to party” (as Trees puts it), not for contemplation or conversation. My solution is to come either for a late lunch or an early dinner, or, weather permitting, sit outside. Another minor criticism is the way you order and pay at the counter at lunch, grab a number, and wait for your food to be delivered. None of this affect the exquisite food coming out of the open kitchen, but it does give the place a fast-casual feel that detracts from the foodie vibe. On the plus side, once you’re done eating, there’s no waiting for a check, you just get up and go.

Picky picky picky, you’re probably saying to yourself right now (especially if you’re under 40), but like I said, none of this affects the food, almost all of which is drop-your-fork gorgeous.

Begin with the bread, because it’s baked in-house and out of this world. Then proceed to the meat and cheese platter — one of the prettiest in Vegas. From there, dive into the verduras (veggies): cauliflower with anchovy, chili, garlic, and capers, mushrooms with house-ground polenta, an above-average Caesar, and a chopped salad so enticing everyone at your table will grab a forkful. At lunch you’ll love most of the sandwiches, with the grilled truffle cheese with mushroom, on house bread crusted with fontina cheese, attaining second level status in the pantheon of grilled fromage. The garlic poached tuna “Niçoise Things” is too healthy for us (and occasionally under dressed), but the “Spicy Greens” with candied pecans, pickled (and we mean pickled) plums, brie and prosciutto, hits just the right balance between produce, spicy and sweet.

As good as the left side of the menu is, the pastas and pizzas are where the kitchen really shines. Trees is a veteran of the Los Angeles restaurant wars and he knows a thing or two about how to grab a diner’s attention. The spaghetti pomodoro, chiatarra cacio e pepe (with pecorino cheese and black pepper), bucatini all’amatriciana, and rigatoni carbonara are handmade, portioned for two and presented to elicit oohs and aahs for their perfection of pasta porn.

Where you’ll really gasp, though, is when you see his radiatorre with black garlic, lemon and cream, a palate-coating belly bomb of the best kind:

Nothing is run of the mill about these noodlelicious dishes — they use top shelf groceries, rotate the recipes seasonally, and unlike so many other restaurants, aren’t afraid to get in your face with flavor. When Trees says “amatriciana” he means it. The spice will be there as surely as the pepper in the cacio e pepe will light you up.

Pizzas are far from standard issue, either, with beautiful, charred cornicione (above), good cheese, and always a surprise or two in the topping department — like salty bacon with caramelized onion, or Greek sausage and fennel.

All of it amounts to updated Italian comfort food for the 21st Century.  It may not be like any Roman trattoria I’ve ever been in, but with a significant cocktail program, amazing amaros, and a wine list where everything is $40 (by the bottle, not glass), it is most assuredly a modern American version that seeks to do the same thing: feed its customers (and quench their thirsts) in a way that will have them returning again and again.

(Lunch for two should run around $40, with dinner about double that, exclusive of drinks, which shouldn’t be excluded, ever. There’s a reserve wine list in addition to the $40/btl  one, and it’s a lot pricier, if no less exciting.)

ESTHER’S KITCHEN

1130 S. Casino Center Blvd.

Las Vegas, NV 89104

702.570.7864

https://www.estherslv.com/