Major Awards – 2022

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2022 was the year that wasn’t.

Everything was supposed to come together this year, remember? The Covid insanity had passed, the economy was starting to boom again, demand was pent up and the party-as-a-verb crowd was raring to go.

Instead we had inflation, supply chain teeth-gnashing, water woes and travel nightmares.

We started the year in Paris and ended it in London. In between two tasty bookends there was grief aplenty, health issues and the gnawing sense that the town and body we live in both have their best days behind them. A dear friend (original Proper Lunch Buncher Bruce Bloch), and local food writer (Greg Thilmont) — both left us far too soon — leaving us reeling from too much sadness compressed into one twelve month period. It is one thing when folks older than you kick the bucket, quite another when your juniors start checking out without warning. If 2022 will be remembered for anything, it will be recalled as the year of serious reassessment — the time when the preciousness of time and life was brought to the fore.

On the bright side, deaths tend to bring people closer together (“Even if we’re just whistling past the graveyard,” as my mom put it), so we saw more of our relatives (and children) than we have in any year in recent memory; we lost a little weight (TRUE!); regained our golf swing, and kept our hearing and our hair, so there’s that.

Another year-end bonus was a very successful Desert Companion Restaurant Awards fête, which had me tearing up with pride at how far these awards have come.

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From very modest beginnings, these magazine awards have endured and flourished over 25 years. In the early days (1997-2005) I was a committee of one, and for years, I paid for the tiny plaques and awards myself, and drove all over town delivering them to a recipients. (You can still see one near the front door at Sen of Japan.) Now, under the stewardship on Nevada Public Radio, there’s a yearly banquet, with all the trimmings, and they’ve grown into something meaningful to our culinary community, instead of a solo poofter bestowing them like some imperious potentate bellowing into the wind.

Which means there’s a fair amount of pomp and circumstances accompanying them…not to mention a tremendous lunch. The banquet was a big success; glasses were raised and speeches given, but not before the crowd was acknowledged as we usually do to begin the proceedings:

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2022 will also go down as the year where your majesty truly lost a bit of his appetite…but not so much that he cannot bestow credit where credit is due, one last time, for the myriad of marvelous meals he enjoyed.

So here goes….first with the actual, important awards (decided by a committee of Desert Companion food writers), then the Major Awards you’ve been waiting for….with commentary, of course.

Desert Companion

 

Neighborhood Restaurant(s) of the Year (tie):

Khoury’s Mediterranean Restaurant:

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Rosa Ristorante:

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Asian Restaurant of the Year: Trattoria Nakamura-Ya:

Trattoria NAKAMURA-YA | Tokyo Style Italian Restaurant Las Vegas

Restaurateur of the Year: John Arena

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– the godfather of the Las Vegas food scene, and a force of nature in the world of pizza, Arena should’ve gotten this award years ago. (My bad.)

Hall of Fame (tie):

Piero’s Italian Cuisine – which didn’t care enough to show up for the awards (or even acknowledge them), so we won’t do more than give them a mere mention here (even though it was some of my best prose in the ‘zine).

Peppermill Restaurant and Fireside Lounge – which was my father’s favorite restaurant, right down to the indelible fruit platter brimming with melon (at varying degrees of ripeness) and cottage cheese. No matter what you think of the Miami Vice lighting or gargantuan portions, there’s no denying its place in the firmament of iconic Vegas eats.

Rising Star of the Year: Eric Prato, Garagiste Wine Bar:

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 – to quote the deathless prose of the wordsmith-in-residence:

Prato’s mission is educating customers to try something new, and if the steady stream of younger, adventuresome wine lovers at the bar is any indication (along with his burgeoning online sales), he is succeeding by tapping into (or helping create) a market no one in Las Vegas knew existed.

Chef of the Year: Nicole Brisson:

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 – Never was there a more deserving recipient. Can I pick ’em or can I pick ’em?

Strip Restaurant of the Year: Brezza – A hit right out of the gate, Brezza scored the daily double with this award and the kudos to its chef. As Heidi Knapp Rinella put it in DC:

Brezza is the Italian word for “breeze” — an apt name, as executive chef Nicole Brisson and business partner Jason Rocheleau have imbued their Resorts World restaurant with a freshness that seems to drift from the Amalfi Coast.

New Restaurant of the Year: Scotch 80 Prime – the name might not be new (this is its second incarnation), but the steakhouse that now occupies a corner of the Palms is a whole different beast that the previous tenant. Chef Marty Red DeLeon Lopez has this joint firing on all cylinders with an arresting menu of seared cow classics mixed with creative apps and killer sides. A unique addition to our thundering herd of steer emporiums. Jim Begley:

…it can be difficult to differentiate one [steakhouse] from another. But Lopez manages do so in the details. He highlights his heritage in his tiradito with the inclusion of traditional Filipino ingredients such as jackfruit, pickled papaya, and taro chips. His kitchen takes risks with burrata topped with uni and Osetra caviar, pairing seafood with cheese, and the sweet sea urchin assuming a role normally reserved for fruit. 

Restaurant of the Year: Anima by EDO – When it came time to debate ROTY the discussion was short, obvious and unanimous. No other restaurant in Las Vegas made the splash that Anima did this year.

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With the prestigious awards out of the way, let us further flounce some flummery, and focus on the fatuous. Here they are food fans, our favorites follies of feast and misfortune in 2022:

THE PANS

Worst Meal of the Year – Lago

Runner-Up – whatever this was (at The Pepper Club):

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So Not Worth It Meal of the Year – Wakuda:

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Cry Me a River Award – every chef or owner who bent my ear in the last year over staffing woes, supply-chain issues, and money problems, and then was spotted cavorting through Tokyo, slurping up Tuscany, or making whoopee at a Mallorcan fish market.

Saddest Closing – Saga Pastry + Sandwich

You Tell Me and We’ll Both Know Award – the inexplicable appeal of Asian hotpot…….the only meal on earth where no matter what you order, everything always ends up tasting the same:

Image(…and we’ll have the A-5 wagyu that tastes just like the U/15 shrimp…)

Schadenfreude AwardDavid Chang’s overblown, overrated, overpriced Majordomo fiasco at The Palazzo. It takes real talent to screw up a steakhouse in Vegas, but Mr. Bao Bun figured out how.

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We’re So Over It

caviar

QR codes

orange wine

natural wine

any beer it takes more than two words to describe

celebrity chefs

cronuts

food competitions

pizza fetishization

gooey food videos

impossible to get into restaurants

smoked cocktails

smoked everything

smoked anything but smoked meat

communal seating

micro-greens

tweezer food

“vegan” butchers

“vegan” cheese

let’s face it: vegan anything

Japanese beef

tequila bars

Martha F**cking Stewart

Tits on a Bull Award – I’m rooting hard for you, Eater Vegas, because you could be such a force for good on the Vegas food scene. But the reliance on p.r. fluff and listicle after listicle needs some seasoning with actual opinion. On the plus side, at least Bradley Martin is nowhere to be found. ;-)

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THE PICKS

Best Restaurant That’s Closest to My House (toss-up) – Main Street Provisions and Esther’s Kitchen

Favorite Watering HoleGaragiste

Steak of the YearSparrow + Wolf:

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Runner-UpCUT:

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Sushi of the YearSushi Hiro:

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Runner-UpYUI Edomae Sushi

Most Anticipated Opening of the YearLotus of Siam at Red Rock

Italians of the Year – these guys:

Image(Vetri & Trees sounds like a haberdashery)

Lunch(s) of the YearCipriani

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Lunch of the Year (European Division)La Tour D’Argent Paris (France, not Kentucky)

Brunch of the YearAl Solito Posto

French Meal of the YearGuy Savoy (Paris)

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Runner-UpGuy Savoy (Las Vegas)

Japanese Meal of the YearRaku:

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Runner(s)-UpSanga, Kaiseki Yuzu

Chinese Meal of the YearGenting Palace (Resorts World)

Runner-UpRainbow Kitchen

Korean Meal of the YearSoyo Barstaurant

Tacos of the Year (toss-up)Sin Fronteras Tacos and Letty’s

Image(Quesotacos FTW)

Favorite Meat-festRincon de Buenos Aires

Runner-Up8oz Korean Steakhouse

Burger of the YearMain Street Provisions

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Runner-Up BOTYNusr-Et:

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Slider of the Year – this mini-filet on a hot-buttered bun at Jamon Jamon Tapas:

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Brisket of the Year – this beauty from Tamez BBQ (a speck of a roadside stand) in Athens, Georgia:
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Hot Dog of the YearWindy City Beef N Dogs:
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Salad of the Year (because The Food Gal® insists we have some green on this page) – the Caesar at Esther’s Kitchen:

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Pleasant Surprise of the YearBalla

Runner-Up PSOTY: Amalfi by Bobby Flay

Most Expensive Meal of the Year – a $400 fagri (red porgy) at Milos:

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Image(It says right here: I owe $14.72 because you had the salad with the dressing on the side)

Most Fun Food Event Not Connected with Any Awards or Eating: Las Vegas Book Festival:

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Butcher of the YearFeatherblade English Craft Butchery

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Podcast of the YearEat.Talk.Repeat. – Have you been living under a rock or something?

Hole-in-the-Wall of the YearThe Daily Bread

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Most Visited Hotel Because It Has the Most Good Restaurants in the Most Accessible SpaceResorts World

Restaurant We’re Rooting Hardest ForMariscos El Frescos:

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Cappucino AwardMothership Coffee Roasters

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Runner-UpPublicUs

Crabcake of the Year – this concupiscent crabby concoction at Vic & Anthony’s:

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We Wish We Had Eaten Here More AwardKaiseki Yuzu:

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Food Writer to Watch of the Year Brent Holmes

Vlogger of the YearSo-Chan! (Even if you don’t speak Japanese, his videos are informative, well-produced, and ton of fun….and mercifully short.)

Lifesaver Awards – to those places we repaired again and again when our favorites were busier than a whisky concession at an Irish wedding:

Noodlehead – Szechuan noodles in a pinch

Izakaya Go – all-purpose Japanese fills the bill:

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Mt. Everest – friendly and fast Indian

Matteo’s – always underrated; always excellent

Delmonico – great steaks; fabulous Friday lunch

Yu-Or-Mi Sushi – so much better than The Pepper Club

Carversteak – just edged out for steak of the year by two heavyweights

Wally’s – best wine selection and prices on the Strip

Ed. note: In case you’re wondering, we didn’t include any meals/restaurants from our recent London trip to any of these categories, it’s because we are just days back from the trip and want to share our British musings with you in a separate post early next year.

Merry Christmas, Happy Holidays and Happy New Year to all!

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The Best Restaurant(s) in the World

Image(Restaurant Guy Savoy, Paris)
If you take it as a given that French restaurants are the best in the world, it only stands to reason that the best restaurant in the world will be in France.
Don’t get your panties in a bunch, I’m not here to dismiss the cuisines of entire countries — only to point out that, like sushi, Mexican street food, and pasta, the places where some food was invented are generally where you will find the highest elevation of the art. And Paris, in case you’ve forgotten, is where the modern restaurant was born in the latter half of the 18th Century.

Of course, the “best” of anything is a conceit and highly subjective. Measuring a “winner” or “the best” of anything — from wine to women — is a nice parlor game, but ultimately a waste of time unless there’s a stopwatch involved.

Whoever wins these accolades usually comes down to who got fawned over the most in a few influential publications — not who objectively gives diners the best food, drink, and experience. Anyone who thinks the several hundred voters who weigh in on these awards have actually eaten at the places they vote for as “the best restaurant in the world” (as opposed to forming their opinions based upon reading accounts of the few who have), has rocks in their head.

“Awards” of this sort are simply a way to give a deceptively false measuring stick to those who don’t know much about a subject. Subjectivity disguised as objectivity, all in the name of marketing to the wealthy with more money than taste. Same as with wine scores and Oscar nominations. The rich need these adjudications to convince themselves they’re doing the right thing, and “The “World’s 50 Best Restaurants” is there for them. As Hemingway puts it in “A Moveable Feast”:

The rich came led by the pilot fish. A year earlier they never would have come. There was no certainty then.

Back when El Bulli was garnering these awards (and I was voting on them), I heard from several colleagues who ate there, and what they described was more of a soul-deadening food slog (an edible marathon, if you will) than an actual pleasant experience.

A close friend (who also happens to be a chef) told me he stopped counting after 40(?) courses of (often) indecipherable eats, and was looking for the door two hours before the ordeal ended. (The trouble was, he said, there was literally no place to go — El Bulli being, literally, in the middle of nowhere.)

But Feran Adrià (like Thomas Keller before him and Grant Achatz and René Redzepi after), was anointed because, as in Hollywood, a few influential folks decided they were to be christened the au courant  bucket list-of-the-moment, and woe be to anyone in the hustings to question these lordly judgments. In the cosseted world of gastronomic beneficence (and the slaves to food fashion who follow them) this would be akin to a local seamstress suggesting Anna Wintour adjust her hemline.

Because of this nonsense, we’ve been saddled with the tyranny of the tasting menu for twenty-five years (Keller, Achatz, et al), disguised foods and tasteless foams (Adria), and edible vegetation (Redzepi) designed more for ground cover than actual eating.

As far as I can tell, neither molecular cuisine nor eating tree bark and live ants has caught on in  the real world — beyond trophy-hunting gastronauts, who swoon for the “next big thing” the way the fashion press promotes outlandish threads to grab attention.

Which brings us back to France. More particularly, French restaurants and what makes them so special. Let’s begin with food that looks like real food:

Image(Surf & Turf: Langoustines au Truffes La Tour D’Argent)

….not someone’s idea of playing with their food, or trying to turn it into something it isn’t. This cooking philosophy alone separates fine French cuisine from the pretenders, and gives it a confidence few restaurants in the world ever approach.

For one, there’s a naturalness to restaurants in France that comes from the French having invented the game. Unlike many who play for the “world’s best” stakes, nothing about them ever feels forced, least of all the cooking.  With four-hundred years to get it right, and French restaurants display everything from the napery to the stemware with an insouciant aplomb that is the gold standard.

You don’t have to instruct the French how to run a restaurant any more than you have to teach a fish how to swim. Or at least that’s how it appears when you’re in the midst of one of these unforgettable meals, because, to repeat, they’ve been perfecting things for four hundred years. Everything from the amuse bouche to the petit fours have been carefully honed to put you at ease with with being your best self at the table.

Image(Gruyère gougeres have been around longer than America)

Having been at this gig for a while, I’m perfectly aware that the death of fine French dining, and intensive care service accompanying it, has been announced about every third year for the past thirty.

I’m not buying any of it. When you go to France (be it Paris or out in the provinces), the food is just as glorified, the service rituals just as precise, and the pomp and circumstance just as beautifully choreographed as it was fifty years ago. The fact that younger diners/writers see this form of civilized dining as a hidebound, time-warp does not detract from its prominence in the country that invented it.

Whether you’re in Tokyo or Copenhagen, the style and performative aspects of big deal meals still takes their cues from the French. Only elaborate Mandarin banquets or the hyper-seasonality of a kaiseki dinner  match the formality and structure of haute cuisine.

These forms of highly stylized dining follow a path straight up the food chain. There are rules and they are there for a reason, usually having to do with how you will taste and digest what is placed before you. Light before heavy; raw before cooked; simple before complex — you get the picture
You usually begin with something fished directly from the sea. Oysters and other shellfish are a natural match, as is a shrimp cocktail. (A good old-fashioned American steakhouse has more in common, with high falutin’ French than people realize.)  Their natural salinity stimulates the appetite without weighing you down.
Man’s evolution into a more cultivated forms of eating is represented by bread, as is the domestication of animals by the butter slathered upon it. (If you want to stretch the symbolism even further, look at olive oil and the fermentation of wine and beer as representing mankind’s earliest bending of agriculture to his edible wants and needs.)
Image(Early man struggled with the whole pommes soufflé-thing)
From there things get more elaborate, depending on whether you want to go the seafood, wild game, or domesticated fowl route. Vegetables get their intermezzo by using salad greens as a scrub for the stomach to help digest everything that precedes them. (The French think eating a salad at the start of a meal is stupid, and it is.) You finish of course with cheese (“milk’s leap toward immortality” – Clifton Fadiman), and then with the most refined of all foods: sugar and flour and all the wonderful things that can be done with them. A great French meal is thus every bit the homage to nature as Japanese kaiseki, albeit with a lot more wine and creme brûlée.
As I’ve written before, French food is about the extraction and intensification of flavor. Unlike Italians and Japanese, a French cook looks at an ingredient (be it asparagus, seafood, or meat) and asks himself: “Self, how can I make this thing taste more like itself.” All the simmering, searing, pressing, and sieving in a French kitchen is as far a cry from leaving nature well enough alone as an opera is from the warble of a songbird.

With this in mind, we set our sights on two iconic Parisian restaurants: one, as old-fashioned as you can get, and the other a more modern take on the cuisine, by one of its most celebrated chefs. Together, they represent the apotheosis of the restaurant arts. They also signify why, no matter what some critics say, the French still rule the roost. Blessedly, there is no chance of encountering Finnish reindeer moss at either of them.

LA TOUR D’ARGENT

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If experience is any measure of perfection, then The Tower of Money should win “best restaurant in the world” every year, because no one has been serving food this fine, for this long, in this grand a setting.

A restaurant in one form or another has been going on at this location since before the Three Musketeers were swashing their buckles. What began as an elegant inn near the wine docks of Paris in 1582 soon enough was playing host to everyone from royalty to Cardinal Richelieu. It is claimed that the use of the fork in France began in the late 1500s at an early incarnation of “The Tower of Silver”, with Henry IV adopting the utensil to keep his cuffs clean.

Apocryphal or not,  what is certainly true is that Good King Hank (1553-1610) bestowed upon the La Tour its crest which still symbolizes it today:

History, of course, provides the foundation, and the setting continues to provides a “wow” factor unmatched by all but a handful of restaurants in the world. No place but here can you dine with the ghosts of Louis XIV, Winston Churchill and Sarah Bernhardt, all while seeming to float above Paris on this open door to the city’s past — all of it available to anyone with the argent to book a table.
But the proof is in the cooking — that has been, on our last two visits, as awesome as the view. It’s no secret that the glory had started to fade twenty years ago, and that Michelin — the arbiter of all things important in the French food world — had taken notice, and not in a good way.
A reboot of sorts was announced over five years ago, and by the time we visited in 2019, the kitchen was performing at a Michelin two-star level at the very least. Independent of the view, the service, and the iconic wine program, the cooking (and presentation) was well-nigh perfect. It was all you want from this cuisine: focused, intense flavors put together with impeccable technique and an almost scientific attention to detail.
When we returned this past winter, things seemed be have gotten even better. This time we showed up with a party of six. It was a busy lunch, filled with local gourmets and some obvious big business types, but also a smattering of tourists who (like us) had to keep picking their jaws up off the table as spectacle of Paris and its finest French food was spread before them.
I have never been to La Tour at night, but for my money, lunch is the way to go. The food is unchanged (lunch specials are offered, but you can order off the dinner menu and we did), and the sight of the Seine River stretching beneath you and Notre Dame and the Ile de la Cite in the distance are worth the admission all by themselves.
I suppose the ideal time to dine here would be arranging for a table at dusk, so you could see the lights of Paris come alive in all their blazing glory. But as I’ve argued before, lunch has always been the ticket for us when we want to eat and drink ourselves silly in a fine French restaurant.
There’s nothing silly, of course, about the food. This is serious stuff, but there’s nothing stuffy about it, despite its pedigree — French service having retired the snootiness thing decades ago. Meaning: if you show up and are well-behaved, they are friendly to a fault.
(Canard au sang with a side of burns, coming right up)
Credit for that has to lie with owner André Terrail, the third generation of the family to be at the helm. (The Terrails have owned the restaurant since 1911.) Since taking over a few years before his father Claude’s death in ‘o6, Terrail has kept all the historical provenance of his venerated birthright intact — upgrading the cuisine while still managing to keep the whole operation true to its roots. No easy feat that. We don’t know what the problems were twenty years ago, but on our last two visits, we didn’t see any missteps, either on the plate or in the service. And what appeared before us was every bit as stunning as any Michelin 3-starr meal we’ve had…in Paris or elsewhere.
You take good bread for granted in Paris, but even by those lofty standards, this small baguette was a stunner:

Image(Face it: you knead this)

Perfect in every respect: a twisted baguette of indelible yeastiness — perfumed with evidence of deep fermentation — the outer crunch giving way to ivory-pale, naturally sweet dough within that  fought back with just the perfect amount of chew. It (and the butter) were show-stoppers in their own right, and for a brief minute, they competed with the view for our attention. We could’ve eaten four of them (and they were offered throughout the meal), but resisted temptation in light of the feast that lay ahead.

Soon thereafter, these scoops of truffle-studded foie gras appeared, deserving of another ovation:

Image(Home cooking this is not)

From there on, the hits just kept on coming: a classic quenelles de brochet (good luck finding them anywhere but France these days), Then, a slim, firm rectangle of turbot in a syrupy beurre blanc, or the more elaborate sole Cardinale:

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….followed by a cheese cart commensurate with this country’s reputation.

The star of the show has been, since the 1890s, the world-famous pressed duck (Caneton Challandais) — served in two courses, the first of which (below) had the deepest-colored Bèarnaise we’ve ever seen; the second helping bathed in the richest, midnight-brown, duck blood-wine blanket imaginable. Neither sauce did anything to mitigate the richness of the fowl, which is, of course, gilding the lily and the whole point.

Image(You can never be too rich or have too much Béarnaise)

We could go on and on about how fabulous our meal was, but our raves would only serve to make you ravenous for something you cannot have, not for the next ten months, anyway.

Yes, the bad news is the restaurant will be closing today, April 30, 2022 for almost a year — until February 2023 — for renovations. This saddens us, but not too much, since we don’t have plans to return until about that time next year. In the meantime, the entry foyer probably could use some sprucing up (since it looks like it hasn’t been touched since 1953), and we have confidence Terrail won’t monkey with the sixth floor view, or this skinny little pamphlet he keeps on hand for the casual wine drinker:

Image(Not found: 2-Buck Chuck)

If the measure of a great restaurant is how much it makes you want to return, then La Tour D’Argent has ruled the roost for two hundred years. (Only a masochist ever left El Bulli saying to himself, “I sure can’t wait to get back here!”) Some things never go out of style and La Tour is one of them. We expect it to stay that way for another century.

À Bientôt!

RESTAURANT GUY SAVOY

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If La Tour represents the old guard of Parisian dining at its finest, then Guy Savoy — both the man and his restaurant — provides the connective tissue between haute cuisine’s past, present, and a future where new chefs will take up this mantle and teach the world what elegant dining is about.

The Adam Platts of the world may decry the “irrelevance” of the “old gourmet model”, but I stand with Steve Cuozzo in maintaining that the call for luxury and refinement in how we eat (admittedly at rarefied levels of expense), will never go completely out of fashion. Quoting our friend Alan Richman, Cuozzo writes:

As critic Alan Richman eloquently expressed it in the Robb Report a few years ago, fine dining is more than “a demonstration of wealth and privilege . . . It is an expression of culture, the most enlightened and elegant form of nourishment ever devised. Without it we will slowly regress into the dining habits of cave people, squatting before a campfire, gnawing on the haunch of a bar.”

All I can say to the Adam Platts of the world (and younger food writers who echo the same sentiments) is: If you think “the old gourmet model” is dead or dying, plan a trip to France, where formal restaurants are poised to come roaring back, indeed if they haven’t already done so.

Put another way: get your goddamned head out of that bowl of ramen or whatever Nigerian/Uzbekistani food truck you’re fond of these days and wake up and smell the Sauvignon Blanc.

Or just go to Guy Savoy.

(Savoy at his stoves)

If the world’s best restaurant can’t change your mind, nothing will. Before you accuse me of bandwagon-ing, let me remind you that I’ve been singing the praises of Savoy’s cuisine since 2006, and have even gone so far as to travel between Vegas and Paris to compare his American outpost with the original. Back then (2009), the flagship got the nod, but not by much.

Since its move to the Monnaie de Paris (the old Parisian Mint) in 2015, Savoy’s cuisine and reputation have attained a new level of preeminence (which is all the more incredible when you consider he has held three Michelin stars since 1980).

With mentors like Joël Robuchon and Paul Bocuse having departed to that great stock pot in the sky, and Alain Ducasse having spread himself thinner than a sheet of mille-feuille, Savoy now rules the French gastronomic firmament as a revered elder statesman. The difference being that he and his restaurants haven’t rested on their laurels, but are every bit as harmonious with the times as they were thirty years ago. To eat at Guy Savoy overlooking the banks of the Seine from a former bank window, is to experience the best French cooking from the best French chefs performing at the top of their game. There is something both elemental and exciting about his cooking that keeps it as current as he was as the new kid on the Michelin block back in the 80s.

Dining in the dead of winter can have its challenges. Greenery is months  away, so chefs go all-in on all things rooted in the soil. The good news is black truffles are in abundance; the bad news is you better like beets.

The great news is: in the hands of Savoy and his cooks, even jellied beets achieve an elegance unheard of from this usually humble taproot:

Image(Savoy heard we hated beets, so he tried to hide them from us)

As mentioned earlier, a French chef respects an ingredient by looking at it as a blank canvas to be improved upon. Look no further than this beet hash (Truffes et oefus de caille, la terre autour) lying beneath a quail egg and a shower of tuber melanosporum, both shaved and minced:

Image(Beet-i-ful)

Neither of these would I choose for my last meal on earth. Both gave me new respect for how the French can turn the prosaic into the ethereal –food transcending itself into something beautiful.

Which, of course, is what Savoy did with the lowly artichoke so many years ago, when he combined it with Parmesan cheese and black truffles and turned it into the world’s most famous soup.

There’s no escaping this soup at Guy Savoy, nor should you want to. Regardless of season, it encapsulates everything about the Savoy oeuvre: penetrating flavor from a surprisingly light dish, by turns both classic and contemporary:

Image(Nobody knows the truffles I’ve seen)

We may have come for the truffles, but we stayed for the filet of veal en croute (below), once again lined with, you guessed it, more black truffles.

Image(Filet de veau et truffes cuits en croûte is French for: the most delicious meat dish in the history of the world)

From there we progressed through a salad of roasted potatoes and truffles, a bouillon of truffles served like coffee in a French press, then a melted cheese fondue over a whole truffle:

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…and even something that looked like a huge black truffle but which, upon being nudged with a fork, revealed itself to be a chocolate mousse. All of it served by a staff that looked like teenagers and acted like twenty-year veterans.

Suffice it to say the wine pairings were as outstanding as the food, all of it meshing into a seamless meld of appetite and pleasure — the pinnacle of epicurean bliss — high amplitude cooking where every element converges into a single gestalt.

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We then went nuts with multiple desserts, including a clafoutis (above) and the petit fours carte (like we always do), and rolled away thinking we wouldn’t be eating again for two days. This being Paris, we were at it again later that night, taking down some steak frites at Willi’s Wine Bar

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I write these words not to convince you that Guy Savoy is the greatest restaurant in the world, or even that such a thing exists, but rather to persuade you of the transcendent gustatory experiences you can have at places like it. Until I’ve been to every restaurant in the world, I won’t be able to proclaim one of them “the best.” Even then, the best would only be what best fit my mood, my likes and my expectations at the very moment I was there.

Adam Platt was right about one thing: “the best restaurant in the world” doesn’t have to be fancy. The best restaurant in the world can be something as simple as a plat du jour of boeuf bourguignon , studded with lardons and button mushrooms in a run-down bistro smelling of wine sauces and culinary history. It can be at a tiny trattoria on the Amalfi Coast or a local diner where everyone knows your name, or that little joint where you first discovered a dish, a wine, or someone to love. But your favorite restaurant, no matter where or what it is, owes an homage to the place where it all started.

Emile Zola’s “The Belly of Paris” describes the markets of Les Halles as “…some huge central organ pumping blood into every vein of the city.” Those markets may be gone, but their soul lives on in the form of Parisian restaurants, which remain, one hundred a fifty years later, its beating heart. To eat in the great restaurants of Paris is to be inside the lifeblood of a great city, communing with something far bigger than yourself. To be in them is to be at the epicenter of the culinary universe and the evolution of human gastronomy — where the sights and smells of the food, and the way it is served, reflect the entire history of modern dining.

Desert Companion Restaurant Awards 2021

DESERT COMPANION AWARDS 2021

Ed. Note: The Desert Companion Restaurant Awards came out a couple of weeks ago, citing our most worthy eateries for their contributions to our dining out scene in the past year. As there were no awards in 2020, they are slightly expanded this year, with multiple winners in a few categories. Click on this link to read about them in their entirety, or scroll below for the ones yours truly wrote (for the 25th year in a row). Bon appetit and congrats to all the winners!

RESTAURATEUR OF THE YEAR

Gino Ferraro

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You don’t know the truffles Gino has seen

To be a great restaurateur, one must be perpetually in a bad mood, or at least a world class worrywart. Gino Ferraro certainly fits the latter bill, and one suspects he is always seconds away from the former – continually bracing himself against some imminent operatic tragedy about to befall his restaurant, be it a service misstep, or anything he doesn’t think is up to snuff. This is not to say he is never happy. To see him touching every table, decanting an aged Barolo, or advising customers what to order, is to see a professional at the top of his game, albeit one who knows how vigilant he must be to stay there.

Like all Italians, his passion for food and wine runs deep. What began as a wholesale/importing business in Las Vegas in the early 1980s, quickly became a tiny trattoria/retail store on West Sahara, then a full-blown Italian ristorante, replete with wine and piano bars, then to its current digs on Paradise Road, where he and his family have flourished since 2009. Three versions of the same restaurant in thirty-five years, each one bigger and better than the last, is a feat almost unheard of in this industry. Ferraro’s has always been classic without being stuffy and old school without being hidebound, with a formula based upon hospitality first, and a menu of old favorites (a legendary osso buco) and Italian standards (a simply perfect spaghetti alio e olio), along with lighter fare (a gorgeous Caprese salad), guaranteed to satisfy the old guard and adventuresome gastronomes alike.

To pull off this feat for a decade takes the soul of an entrepreneur, the stamina of a bricklayer and the discipline of a drill sergeant. That Gino and his family – aided by wife Rosalba and chef/son Mimmo – have kept Ferraro’s at this level of excellence, never losing a step, and surviving the rigors of Covid, is a feat as impressive as his world-beating wine list. Come any night and you’ll see Gino on the prowl, eagle-eyed, surveying his guests like a paterfamilias looking after his flock. Look a little closer and you’ll see a twinkle in those worried eyes – a sense of satisfaction from knowing he and his staff have done all they can, since 1985, to ensure your happiness.

HIDDEN GEM OF THE YEAR

Saga Pastries + Sandwich

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Scandinavia and Las Vegas have as much in common as pickled herring and high-stakes poker. To be blunt: the words “eat like a Viking,” do not exactly roll tripping-ly off the tongue when it’s 110 degrees outside.  But there are enough Norsemen in town (and lovers of all things Nordic) to keep  this sleek and gleaming breakfast/lunch spot on Eastern Avenue humming with a steady stream of regulars — folks who lust for Swedish waffles, insanely good “Danish Dogs” (Denmark’s unique contribution to the tube steak ouevre), and what may be the most unique sandwiches in Vegas.

Those waffles come either flat or folded, stuffed with savory fillings, or dripping with berries and sour cream. One bite and you’ll see why chef/owner Gert Kvalsund proudly displays his “best waffle” accolades, and has pretty much retired the award. He also does classic pancakes, various pastries, and good Lavazza coffee, but what keeps us returning are his Saga Smørbrød: open-faced sandwiches overflowing with your choice of lightly-cured ham, salmon and/or the sweetest Arctic shrimp you’ll ever taste. (First timers should try all three.) No matter the season, they’ll fuel you for whatever conquering and pillaging comes to mind.

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Shrimply delicious

NEIGHBORHOOD RESTAURANT OF THE YEAR

Elia Authentic Greek Taverna

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Like Italy and Mexico, the cuisine of Greece is a victim of its own cliches. If you ask most Americans to define a Greek restaurant, they will describe a sea blue and white room, reeking of garlic and bouzouki music (including “Never on Sunday” played at least four times an hour), along with boring gyros, wet cardboard souvlaki, and baklava so dense it could be used as a doorstop. Elia challenged all those tired tropes when it opened a few years ago, and in doing so, immediately became our best Greek restaurant,  right down to the indecipherable Greek lettering and unpronounceable names on the menu. (Not to worry – translations are provided.)

The aim is to make you feel like you’re on a side street in Athens, sipping Retsina and eating at a local taverna, and boy did it hit its mark. Right from the jump, customers responded to the straightforward cooking, even as it was served in a modest, tiny space on south Durango. Then, when everyone else was simply trying to survive 2020, owners Savvas Georgiadis, Alexadros Gkikas, and Keti Haliasos made a bold move to a larger location, tucked into a corner of west Sahara, and never missed a beat. If anything, the new digs, complete with bar and outdoor patio, have given their cooking a larger stage — serving fresh roasted lamb, salt-baked fish, fried zucchini chips, and spicy tyrokafteri (cheese dip) to fellow Greek-Americans, and others eager to learn what a proper mezze platter and galatoboureko taste like.

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Go Greek and go fish

Thus has Elia become a taverna to call our own (and practically a club for the local Greek-American community), but also an education in how real Greeks eat (more fish and veggies, less pita bread and chickpeas). Las Vegas has taken to these lessons like an octopus to sea water. There is nothing by-the-numbers here; it is cooking from the heart, by Greeks eager to share their country’s food and wine. “Authentic” may be an overused (or frowned upon) word in some food circles these days, but this is the real Greek deal, and Elia wears its name like a point of Hellenic pride.

PASTRY CHEF OF THE YEAR

Florent Cheveau, Burgundy French Bakery Café 

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A chef you knead to know

You might be sensing a theme with many of these awards: people who have survived and thrived through the worst economy for restaurants in over a decade. If necessity is the mother of invention, then this pandemic has surely been the genesis of revolution — specifically a gastronomic uprising — affording major kitchen talent a chance to strut their stuff in the suburbs. Lovers of French pastries could not have been happier when seemingly out of nowhere,  Florent Cheveau (former MGM executive pastry chef and World Chocolate Master), opened the Burgundy French Bakery Cafe on West Sahara early this year, at a time when the prospects for success looked as sunken as a fallen souffle.

Taking over a fast food smoothie space across from the Village Theaters, his timing turned out to be as perfect as his croissants. People were hungry for handmade food, and anyone who bit into one of his macarons or cinnamon roll knew they were in the presence of something special. These were baked goods on par with the best restaurants in the toniest hotels, and here they were, for taking home or eating in, seven days a week. His savory quiches, croque Monsieur, and sandwiches are just as compelling as his sweets, but what keeps us coming back is a mille-feuille (“thousand layers”) of incomparable buttery-lightness, woven into breakfast pastries that take us straight back to Paris


STRIP RESTAURANT OF THE YEAR

Bazaar Meat by José Andrés

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You can’t beat this meat

When he isn’t out saving the world, José Andrés oversees a galaxy of restaurants that are the envy of every chef in America. He is more of a philanthropist than a working chef these days, but his ThinkFood Group has been running four gorgeous eateries in Las Vegas for over a decade, and their excellence continues to impress, from the molecular (‘e’ by Jose Andres), to tapas (Jaleo), to the Mexican-Chinese mashup that is China Poblano.

As good as each of these are, the one restaurant that is sui generis and without peer is Bazaar Meat. It is all about meat, of course, but also a tour de force of Iberian cuisine — from the wacky (foie gras cotton candy) to the sassy (chicken croquetas served in a shoe) to the substantial (haunches of some of the best beef on the planet). Calling it a steak house doesn’t do it justice, since you can compose a meal here any number of ways — from completely vegetarian to nothing but raw fish — and it is the go-to place in Vegas for all those iterations of Spanish pork.

Spaniards know ham like a Korean knows cabbage, and here you can indulge all your cured meat fantasies like nowhere else. Covid put a crimp in this restaurant’s style as it did all up and down the Strip, but Bazaar’s bounce-back has been impressive. Even when lay-offs were everywhere and everyone was struggling with seating restrictions, José’s showplace soldiered on and thrived in its back corner of the Sahara hotel, enduring more hardship than any gastronomic restaurant deserves, much less one that is easily one of the top ten steakhouses in the country. (Who knows what records it could set if its constantly-in-flux hotel ever gets its act together.)

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Candace Ochoa is en fuego

But Bazaar Meat is more than a steakhouse: it is also a wine bar, a ham bar, and a raw bar all under one roof. It announces its brilliance from your first look at the meat locker (behind a wood-fired grill the size of a small truck), and keeps the magnificence going from one course after the next The menu is shorter than it was two years ago, and the wine list is now two pages long, not twenty, but the precise cooking (now headed by veteran executive chef Candace Ochoa), impeccable service and super-sharp management remain intact. Like the entire Strip, Bazaar Meat has weathered quite a storm, and still operates in choppy seas, but through it all, José has kept his Spanish flag flying high.

HALL OF FAME AWARD

Restaurant Guy Savoy

Guy Savoy Fine Dining Las Vegas
Haute dining on a whole different level

Since opening in May, 2006, Guy Savoy’s straight-from-Paris masterpiece, has loomed like a chapel of fine dining over the Las Vegas Strip. Its splendor announces itself from the huge double doors that greet you at the entrance, leading to a dining room with a ceiling reaching even higher, resulting in muted conversations and hushed tones meant to show proper respect to the surroundings and not give offense to the food. The cathedral metaphor is apt since the French treat their cuisine as a religion, and their greatest restaurants (even in offshoot form) are temples of the culinary arts. There are only a handful of restaurants in America where reverential attention is paid to what’s on the plate, and Restaurant Guy Savoy, in Caesars Palace, is one of them.

What Guy Savoy meant to our dining scene cannot be overstated: When he arrived with his brigade de cuisine fifteen years ago, it confirmed Las Vegas stature as a world-class dining destination, one that even the supercilious French had brought to their bosom. In planting his flag here, he, along with compatriots Joël Robuchon, and Pierre Gagnaire (two other titans of gastronomy), recognized our tourist industry as an eager market for their impeccable cooking, with a restaurant scene (and talent) on par with much larger cities with much deeper culinary traditions. Even if you have never eaten here or can’t imagine doing so, having the world’s best in our own backyard created a climate of excellence that raised everyone’s eyebrows and standards.

The significance of their arrival was felt for over a decade. International acclaim, national media, food festivals, awards, and other world-renowned chefs followed. Suddenly, people from all over the world were coming here just to eat, and our very own French Revolution from 2005-2009 was the reason for it. Savoy’s influence has been unmistakable, but what garners him Hall of Fame status is doing it so well for so long. Through the Great Recession and now a pandemic, this dining room has never faltered, turning out food very close to what you will find in France, albeit without the cost of a round-trip plane ticket. When everyone was still on their heels from shutdowns in mid-2020, Caesars Palace made the bold move to reopen this dining room, and was rewarded with an avalanche of reservations — pent-up demand for one of Las Vegas’s most expensive meals — cooking that sets a world standard, the ultimate haute cuisine experience, from one of the world’s greatest chefs — proving how important this restaurant has been, and will continue to be, to Las Vegas’s culinary reputation.

RESTAURANT OF THE YEAR

Cipriani

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Cipriani is neither new nor cutting edge nor unique to Las Vegas. Nevertheless, it represents something very special to our restaurant scene: an outpost of a luxury brand displaying a style of dining that seemed in danger of extinction just a few years ago. In an era overrun with casual gastropubs, a retro-chic restaurant trading in classic Venetian recipes might have seemed as out of place as Dolce & Gabbana at a beer bash. But open it did, in late 2018, appealing to locals and tourists alike looking for something more refined than formulaic Italian. Then Covid hit, and Cipriani (pronuounced CHEEP-ree-ah-nee), became more than just a restaurant — it was a lifeboat and a beacon to all seeking a good meal on the Strip —  a lunch and dinner stalwart, open every day, keeping hopes alive that Las Vegas might yet return to its former glory.

For a restaurant tracing its origins to 1931, the cuisine is remarkably timeless: simple, sophisticated northern fare with nary a garlic clove in sight. In place of tomato sauce and cheese you get refinement: top-shelf salumi, carpaccio (invented by founder Giuseppe Cipriani in 1933), spoon-tender baby artichokes, baked tagliolini with ham, and pastas in celebration of rich noodles, not in disguise of them. The unsung heroes of the menu are the meats (including the elusive fegato alla Veneziana – a liver dish so coveted by organ eaters it is almost mythical), pizzas (expensive but worth it), and vanilla gelato so good it ought to come with a warning label: “in case of addiction, don’t say we didn’t warn you.”

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Tiramisu

And then there is the service: snappy barkeeps (always ready with a Bellini), crackerjack waiters, and sharply-dressed managers, all at the top of their game. The staff does everything from cosseting celebrities (yes, that was Jay-Z and Beyoncé making an entrance) to boning fish, dividing up desserts, and speaking multiple languages (the Cipriani brand is huge with international gastronomes).  Here it all flows effortlessly — old school attentiveness, done with understated flair in synchronicity with the posh surroundings.

More than anything else, this ristorante signifies a return to a time when atmosphere and elegance went knife and fork with good food. When classic cooking was the rule, and meals were something to be celebrated with family and friends in high style. Everything old is new again, the saying goes, and Cipriani is taking us back to the future with the most stylish Italian in town.

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Vincenzo il Grande