High Steaks in Vegas

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Every restaurant in Las Vegas would be a steakhouse if it could be.EATING LAS VEGAS – The 52 Essential Restaurants

It’s hard not to have a soft spot for the American steakhouse. What began in the beer halls and speakeasies of New York City over a hundred years ago (e.g., Palm, Keen’s, Peter Luger, et al) has morphed into the most expensive of restaurant genres, where checks north of $150/pp are now as common as overpriced California cabernets.

Nothing sells here like steaks. Beef, it’s what’s for dinner, and as a class, Vegas steakhouses outperform other restaurants by whopping margins.  If the baseline for a successful Strip eatery is $1,000,000/month in sales, it’s a fair bet that most major meat emporiums exceed that by at least 50%.

So, it’s no wonder our post-Covid restaurant recovery is being led by steakhouses. Hunks o’ prime steer muscle and a formulaic menu are the surest way to fill your dining room, and packed they are…from Summerlin to Las Vegas Boulevard South. Even with the price of beef being through the roof, people are spending faster than drunken sailors on shore leave. Quite frankly, the crowds of free-spending carnivores cramming these places has flummoxed even an old restaurant pro like yours truly. “Where is all this pent-up passion for prime (not to mention cash) coming from?” he thinks to himself as he sees the bodies pressed four-deep at the hostess stand…on Tuesday nights!

Chefs will tell you profit margins on steaks are very low. But there’s something about the beefy vibe that encourages the copious ingestion of booze — from vodka martinis to trophy wines — and when people want to drink, the Vegas steakhouse is here for them.

The point is, the formula for all of these joints is as predictable as a rom-com plot. They all get the same groceries, so all that’s left is how well they tweak them.

These days, everyone features the same 9-10 steak cuts from similar purveyors, letter-box “wagyu” beef that is now about as special as tuna fish, and the same old-same old sauces and sides. (Robuchon potatoes? Check. Shellfish tower? Double your check. Roasted veggies anyone?)

None of this predictability deters anyone from flocking to these restaurants — which, this being America, may be the point.

With all this in mind, we thought we’d take a look at four major players (two newbies and two old souls) to give you a sense of what you’re up against these days.

HARLO STEAKHOUSE & BAR

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Harlo burst on the scene barely six months ago and immediately flipped the script on Andiron, its predecessor steakhouse in the space. The front door is now where the backdoor used to be, and what was once open, bright and airy (trying to mimic something swanky and Southhampton) is now dark, cozy and clubby.

The bar also shifted….in more ways than one.

Image(Inflation? What inflation?)

There is big real estate money behind this project; real pros in the kitchen; and the house is managed by long-time Strip front-man Ivo Angelov (whose loyal following probably accounts for a half of the customers).

Put it all together and you have the kind of out-of-the-gate hit of which most restaurateurs can only dream. It doesn’t hurt that it is the only decent steakhouse for ten-miles, and that Las Vegas’s toniest neighborhoods are all within a fifteen-minute drive. But Andiron had these same advantages and struggled to find its footing (even pre-Covid). Finding itself will not be a problem for Harlo; finding a seat on weekends will be.

Once you’re seated, you can expect the standard cuts and sides, here priced at or above similar fare on the Strip — and when we say, “at or above” we’re not kidding. Prices here have been set without apology and with the confidence (arrogance?) of someone who knows his audience won’t blink at $30 apps and $80 steaks. Fleming’s this is not.

We passed on the seafood tower, instead settling for some very good oysters ($26) served with a compelling yuzu-soy mignonette that made us forget about the excellent cocktail sauce beside it. (By way of price comparison, at Carversteak, thirteen miles east,  the shellfish extravaganza is $165; here it clocks in at $175. So much for the Strip being “too expensive.”)

Image(The salad is there to make you forget you’re eating the inside of an animal)

From there it was on to a smallish, blandish steak tartare ($20) — the only “meh” of the meal — and three Flintstonean shanks of marrow ($30) that would easily serve a table of four. So dense with flavor were the garnishes for the marrow — port wine onions and oxtail jam on toast —  they could constitute a meal all their own.

The Caesar ($15) had its charms (crunchy anchovy croutons, lots of grated Parm), as did the warm milk bread and butter. All were served at the right temperature, as was the excellent butter. (Frigid salad, less than impeccably fresh bread, and rock hard butter being unforgivable sins at this level, and the banes of our existence.)

As there were only two of us, the main event was slightly truncated…meaning only one protein and a couple of sides hit the table. At eighty-eight bucks, an aged rib eye better deliver the goods, and by and large this one (below) did. Impeccably trimmed and cooked, it was all that is loved about the marbled succulence of this cut.

Image(Holy cholesterol-fest!)

Not really sure what the two-week aging brought to the dance but the beefy flavor was there in spades, even if a certain mineral-rich tang was not. The blistered green beans ($10) and crispy ‘taters ($11) were all that and a bag of almond romesco– the snappy sauce adorning the Phasoleolus vulgaris.

Our biggest surprise of all, though, was reserved for the pasta:

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Gina Marinelli is the talent behind these creations, and her rotating cast of pastas will depend on whatever is seasonal the day you arrive. We sprang upon the Spring papardelle with English peas, morels, goat cheese and poppy seeds (above) to see if she was up to her old tricks, meaning: sometimes her pastas go an ingredient too far for our tastes. But this time everything had its place and there wasn’t a flavor wasted. Really spectacular stuff. Worth going for all by itself and enough to make you forget your inner carnivore.

Besides the tariff, Harlo has announced its big-league intentions by hiring a pastry chef — in this case, a young chap named Alberto Rodriguez, who does a panoply of worthy sweets, including a mean Grand Marnier soufflé:

https://twitter.com/i/status/1501736412307095557

They also do the bloated caviar service-thing here (caviar and truffles now running neck-and-neck with “exclusive” Japanese wagyu in the faux luxe sweepstakes), and no shortage of ostentatious spirits for those needing to impress themselves by stupidly combining Louis XIII cognac ($200/shot) with salty fish eggs — one of those things you do because having bad taste isn’t much fun unless you can show off about it.

The wine list is evolving and it isn’t exactly cardiac-inducing, but don’t expect any bargains either. Bottles under a hundy are sprinkled here and there, but the calculation has obviously been made that the landed gentry is now ready to cough up big bucks for bottles. By-the-glass options start at $12 and zoom quickly above $20, topping out at $45 and $65 for “reserve” Cali cabs. That’s sixty-five bucks for a glass. Of wine.

As you can see, Harlo is not for the faint of heart or pocketbook. It is a big-hitter steakhouse with the pedigree and prices to prove it.  Direct aim has been taken on a customer base who used to travel many miles for beef and cooking this good. They’re staying closer to home these days, and apparently spending like it’s 2019 again. Only time will tell if Harlo will succeed in out-stripping the Strip, but for the time being, Summerlin’s fat cats now have a steakhouse to call their own.

Our meal was comped and we left a $100 tip, augmented by our dining companion’s $100 tip.

CARVERSTEAK

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Waiter: How would you like your steak sir?

Me: Like winning an argument with my wife.

Waiter: Rare it is!

Steakhouse quality is so high across the board, searching for the preeminent purveyor of prime is a fools errand. Instead we look for the subtleties that distinguish them, and hope that something stands out. Often, beyond the differences in decor, it does not.

And none of this is by way of criticizing Carversteak. Only to point out how, to set themselves apart, chefs and owners strain mightily  to convince you they’re doing something unique, even when they are not. At Carversteak, occasionally they are.

Sometimes you just throw up your hands and admit you have no more shits to give as to whether Carversteak’s “yellowtail sashimi crudo with avocado , serrano chili, ginger-lime ponzu”:

Image(Toto, we’re not in Golden Corral anymore)

….is all that different from Harlo’s “hamachi crudo with ginger-soy vinaigrette, avocado puree and serrano chili.”

Or take the ubiquitous shrimp cocktail — one might dazzle you with Cajun remoulade (Harlo), while others —  Caversteak, Golden Steer, SW et al — stick strictly to the horseradish catechism.

The same thing occurs with side dishes:

Image(You cheddar believe, this is as gouda as it gets)

“Oh look honey! They have mac ‘n cheese with aged cheddar!” says you, feigning excitement.

“That’s much better than the mac ‘n cheese with smoked cheddar and gouda, isn’t it?” Said no one ever.

They’re all good, soothing, and cheesy, but basically only minor variations on a theme you’ll find in every steakhouse in Vegas, if not America.

Carversteak does a “baby iceberg wedge” ($19), garnished with an onion ring and a soft-boiled egg. Harlo throws pastrami into the ($16) mix, and tops its lettuce with lavash. (How very unleavened of them!)  The Golden Steer keeps it simple and pours on the blue cheese sprinkled with bacon and tomatoes ($10). Is one “better” than the other? Does an onion ring and an egg justify doubling the price? Or are you paying for real estate and decor? Or do you even care?

Where Harlo announces itself as ingredient-driven, here the menu emphasis is recipe-driven — in this case by restaurant vet Daniel Ontiveros — a dude who knows his way around premium proteins.

We didn’t have the “Lobster en Croute” , but at least it is something different. (Cream sauces are back!) Ditto the green goddess “Crudité” — which almost makes hummus wondrous:

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….and a chunky, mayonnaise-y steak tartare (below) that combines creaminess with a kick. Definitely one of the more unforgettable ones we’ve tried….and we’ve tried them all:

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Other items which kept our attention included the “Caviar Poppers” (gougères stuffed with lemon-chive crème fraiche), and the previously maligned yellowtail sashimi, that made up for in presentation what it lacked in innovation.

Finally, there were the proteins. Being a two-top our capacity was limited, but the 20 oz. Kansas City strip ($76) claimed to be aged for 28 days and tasted every bit of it.

Image(Best steak of the bunch)

We don’t want to go too far out on a limb here, but of all the boffo beef we’ve had during this two-week steak-out, this one had the deepest, most penetrating flavor. Both sauces (Bordelaise and Peppercorn) were textbook perfect, with the latter disappearing the fastest.

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The Food Gal® ordered the salmon (above left), even though doing so should be grounds for divorce anywhere but the Pacific Northwest. To our surprise, as much as we fished for flaws, our critic’s net came up empty. Fresh and firm, it was flawless, right down to the curry broth beneath it. All in all, a nice way to give this over-served, insipid (and often stale-tasting) species a little sass.

Big hitters will no doubt love the Brobdingnagian (42 oz.) Pat LaFrieda Tomahawk, which gets its hefty price tag ($260) from the branding of the beef (cf. Harlo where you get 2 ounces less Flannery Beef for eighty fewer bucks). These humongous cuts are all the rage these days, and make sense for large parties, even if the weight advertised includes the prodigious bone. Regardless, large parties of beefy men take to these things like a college boy to a kegger.

Cocktails are by über-booze maven Francesco LaFranconi, and the wine list won’t cause cardiac arrest.  How much better can a steakhouse get?

Our dinner a deux was comped and we left a $120 tip.

SW STEAKHOUSE

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We’ve run hot and cold about SW over the years. Two perfunctory wallet-bending meals in a row (over five years ago) had us writing it off forever, and it was only Mark LoRusso taking over the kitchen (after the shuttering of Costa di Mare) that brought us back.

It’s a huge (300+ seats) restaurant that can feel like Grand Central Station on busy nights — which is almost every night of the year. It shows itself best if you’re able to score a seat on the patio, but those fill up fast. As busy as it gets, the noise level remains remarkably conversation-friendly, and the lighting is soft, not-too-low — complimenting the aging Boomer crowd seeking to forget the ravages of time when their hair was dark, their thighs were firm, and they had less chins than a Chinese phone book.

If Harlo is ingredient-focused, and Carversteak full of surprising recipes, SW takes the steak as the cheffiest in the bunch, as LoRusso’s mosaic of raw tuna shows:

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If that doesn’t convince you, then perhaps this Snake River Farms carpaccio with balsamic “pearls” will:

Image(Nothing says “don’t try this at home” like balsamic pearls)

All of this is the domain of Mark LoRusso — unsung hero and former top toque of the shuttered Costa di Mare upstairs — who made the transition from Italian seafood to meat seamlessly. We’ve followed LoRusso’s career since the early 2000s, and everywhere he has moved he has made his mark without fanfare, but with the confidence of a real pro who elevates any kitchen he controls.

When they announced he was taking over SW last year we had no doubt it would up its game and it has, re-invigorating the (previously tired menu with Sardinian lobster gnocchi ($29), Alaskan King Crab ravioli ($24/$48), and a thick with lobster bisque that shows off LoRusso’s seafood chops:

Image(Is that the bisque you can do?)

At these prices, you expect the steaks to be perfect and they are. (See the strip pic at the top of the page.) The tone is set with the incredible/addictive Parker House “monkey bread” that kicks things off, and continues through impeccable wagyu skewers, a properly dressed Caesar ($24), and a marrow bone large enough to slay a few Philistines should the need arise:

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No one seems to mind that it has always had the shortest, least interesting menu, and (until recently) the highest prices of any steakhouse in Vegas. We’ve always had a tough time squaring these with the cattle call feel of the joint. Locating a bottle of red wine on the list beneath a Benjamin is tougher than finding a slot junkie with a dental plan.

Regardless, it appears to be a bullet-proof restaurant — packed through thick and thin — overflowing with customers and conventioneers who would line up for a table if Russian tanks and the Bubonic Plague were rolling down Las Vegas Boulevard.

With LoRusso at the helm (aided by Michael Outlaw’s superb desserts) the food is well nigh flawless, as is the service. Both are so good you’ll probably forget you just paid a hundred bucks for a filet.

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Our bill for a bone-in strip steak ($84, top of page), with several sides and a bunch of freebies (including a Brontosaurus-sized marrow bone) came to $213 and we left a $100 tip.

GOLDEN STEER

Image(Breaking up and making up since 1982)

The secret to running a successful restaurant is hiring people who give a shit. – Nectaly Mendoza (Herbs & Rye)

If the Golden Steer was a girlfriend, we’d have one of those “can’t live with ’em; can’t live without ’em” relationships. To say it’s been love-hate over forty years is an understatement…kinda like saying I might’ve had a teensy-weensy bit of an issue with the the whole “till death do us part” thing from 1973-1999.

Sometimes we’d go multiple times in a week; others would find us staying away after another spate of indifferent service from a fossilized crew, warm wine, and a menu as dated as the Rat Pack vibe the place was trading on.

“Never again!” we fumed six years ago after storming out. Tired, threadbare, shopworn…going through the motions…you name it, the adjectives came flowing forth. So over-the-hill did it seem, that we expected a death notice any month. Further cataloguing the failings and service insults no longer serves a purpose, so let’s just say it was obvious, around 2015, that no one gave a shit, and were content to milk the old cow(?) for all she was was worth until someone turned the place into a weed shop or Walgreen’s.

Now, amazingly, people give a shit and it shows. Covid forced the Steer into a reckoning (and new management), and it came out of that nightmare smelling like the apotheosis of prime. Amanda Signorelli (daughter of the owner) now runs the joint with her husband Nick McMillan, and they’ve managed to spruce the joint up and give it a subtle facelift, while retaining the 1958 vibe that gives the Steer its old school patina.

The Steer is cheapest steakhouse of this beefy bunch, except when it is not. The “Chateaubriand for Two” at SW is pegged at $160, while the one here will set you back 190 samolians.  Another exception: the Steer’s 12 oz. filet (“The Aristocrat of Tenderness) is priced two bucks more than Carversteak’s ($71 v. $69).

Generally though, the cuts here are a little less expensive, but not by a lot. For example, a classic one-pound New York strip is $65 here, $78 at SW, and $62 at Carversteak. Harlo’s clocks in at an eye-popping 96 buckeroonies. Yikes! (Swear to god, they must price these things by blindly throwing darts at a board.)

Over two recent visits, we sample just about every cut on the menu, and even the filet impressed us more than we expected. Our table loved them all, but this rib eye was the true show pony:

 

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….followed by a dictionary-thick slab of prime rib:

Image(Missing: gobs o’ horseradish sauce)

….which appeals to many more for its caveman appeal than general taste. (We’ve always considered prime rib more of a horseradish sauce-carrying vehicle than anything else.)

The new menu is substantially shorter than the multi-paged tome that used to confront you — which featured everything from broiled quail to veal saltimbocca. Thankfully, they kept the toasted ravioli ($14) and oysters Rockefeller ($17), although why they call the so-so escargot ($17) a “house specialty” is anyone’s guess.

And for the 563rd time I will criticize them for not using a wooden bowl for the Caesar salad (yes, it makes a difference), but otherwise tell you it is a beautiful rendition and worth every penny of your seventeen dollars. The wedge ($10) is a blessedly simple version, but doesn’t suffer for it:

Image(Salad, not Caesar)

Ooh and ahh over the bananas Foster. Skip the cherries Jubilee.

The Italian food is just as awful as it always was. Thankfully, there is now less of it.

The wine list is short, but well-chosen and well-priced. Lower your expectations and you’ll be well-served, even if the bottles are still too warm and the sommelier service nothing like what you get at more vino-centric steakhouses.

All in all, the Steer has made a dramatic comeback. Covid’s many losses were somehow its gain, and the newest crowd of avid steak eaters has taken to it like Dean Martin to a martini.

A decade ago, the iconic golden steer statue underneath the lettered sign had faded into a yellowish-tan, and was allowed to stay that way…for years. Her(?) name, BTW, is “Betsy”. This stood less as a metaphor for the Steer’s decline, and more as a direct signal advertising the fact. And it made us sad every time we drove by.

Now Betsy gleams bright and lustrous, trading on the past but looking to the future, a mere stone’s throw from the Las Vegas Strip, but competing with it just the same. Long may her golden hide shine.

Our last dinner for two came to $260, including tip. An earlier dinner (where we ate the entire menu) was covered by generous friends who have the pocketbooks to match their prodigious appetites.

Image(Vegas steakhouses are once again en fuego!)

2021 – By the Numbers

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Before we leave 2021 in the rear view mirror for good, a few words on what will be our last year of eating hugely.

As you can see above, we hit 390 restaurants last year — by our standards a light one, even though we were far busier than in 2020, when the world conspired to put food service permanently out of business and almost succeeded.

During our salad days of 1995-2015, 390 restaurant meals wouldn’t have broken a sweat. Back then, 500/year was the norm, as we hunted high and low for the best grub in Vegas. From 2010-2020, EATING LAS VEGAS – The 52 Essential Restaurants kept us in the game until everything ground to a halt.

Now, we write for ourselves and for fun and for the hundreds and hundreds of you who actually still care about such things as finding the best restaurants (high and low) in which to spend your hard-earned dollars. Our staff told us last week we now average about 1,000 unique views a month. Quite a drop from the “good internet” days of 2008-2014, when 100,000 folks would tune in. No matter, at this point we’ve downsized (voluntarily or not), and starting this year, that’s the way we’ll be eating.

With that said, here are some final thoughts on our weirdest restaurant year ever:

90 Asian meals! This should be no surprise to anyone who follows me on social media. Spring Mountain Road, along the new mini-Chinatown springing up on South Rainbow, is our default setting for eating out. When the question is, “Where should we go tonight?” and the The Food Gal sighs “I dunno,” we head to Chinatown without hesitation and dive in to whatever suits our fancy…BECAUSE its eazy-peazy, inexpensive, healthy, honest food, usually served by family-owned establishments who spend more time in the kitchen than on social media.

Of those 90, almost half were Japanese, with Chinese in second place, and Korean in third. Bringing up the rear were Thailand, Vietnam and (shudders) Malaysian — the charms of which continue to rank somewhere between canned chow mein and Panda Express.

How much Asian do I eat? I eat so much Asian my nickname is Woo-Is-He-Fat. I eat so much Asian my wife calls me a hopeless ramen-tic. I tell her she means so matcha to me, and I can’t stop thinking bao her, and she tells me I’m tofu-rific and she’s crazy pho me. (This causes things to get steamier than a Mongolian hot pot.) Our Chinese friends ask us, “Har Gows it?” while our Korean buddies always want to know, “Sochu wanna hang out?” We eat so much Asian The Food Gal’s favorite sex toy is a Japanese rice cooker. (Wait. What?) Yeah…we eat a lot o’ Asian. ;-)

80 Italians? Are you friggin’ kidding me? We knew it was a lot but had no idea until the totals were run. Of course our regular Friday Cipriani lunch was almost half the total, but even if you back those out, that’s a helluva lot of pasta, pizza, antipasti, primi, secondi and contorni. 80 Italian meals is too much….unless you live in Italy. So you’ll pardon us if we say we’re pretty much over Italian for the time being. The next time we eat this food….I hope to be in Italy, not suffering through another local, oversized/underseasoned version of cacio e pepe.

48 “Casual” meals — included everything from a bagel sandwich to coffee and croissants. Deli comprised almost half of that as we hit everything from PublicUs to Bagelmania to Saginaw’s to Life’s A Bagel with the enthusiasm only a non-Jew-wannabe-Jew like yours truly can have for this food. Our deli choices improved in 2021, consigning Bagel Cafe to an even lower-level of Jewish food suckitude than it already holds .

38 American Bistro — includes everyplace from Main Street Provisions to burger joints to the execrable Taverna Costera — the latter of which was so terrible it coulda/shoulda gotten our “Worst Meal of the Year” major award…but was so pathetic we didn’t deem it worthy of further insult. You could also call these places gastropubs: cozy, food-forward joints like 7th & Carson, Carson Kitchen, Ada’s Wine Bar, and Sparrow & Wolf. All have thrived despite the challenges of the past two years. Sometimes I wish some would dial things back a little more — adding to their menus by subtraction — but if you’re looking for good cooking in the ‘burbs, our home-grown bistros are where to start.

28 Mexicans means mas mucho macho grande burritos and tacos, muchacho. (We probably ate more tacos this year, here and in Los Angeles, than in the previous five journeys around the sun. 2021 also saw our last meal ever at the sad, straight-from-a-can Casa Don Juan. “Never again,” we muttered as we paid a $40 check for a lunch that wasn’t worth half that. Used to be charming service pulled this place through. That’s gone too. Walk down to Letty’s and get yourself a taco. You can muchas gracias me later.

Kinda funny we only hit 21 French meals, considering that it’s our favorite food in the world. Limited hours at many of our famous frog ponds are to blame (Robuchon, Guy Savoy, Le Cirque..), and the merry-go-round of chefs at Marche Bacchus put us off as well. (Side note: We’ve also lost several players — Gagnaire, Boulud, Hubert Keller — who brought Vegas some very serious French cache back in the early aughts.)

For the survivors, things are still not back to pre-pandemic normalcy, but are improving. MB has enlisted that old Gallic warhorse Andre Rochat to revamp its menu and turn it into what it should be: a serious French bistro. A bold move, long overdue, which we applaud, even if my relationship with Andre has sometimes resembled the Franco-Prussian War of 1870.

The home stretch…

We traveled back to the southeast four times in 2021, which explains our 21 BBQ meals.

The armada of Spanish (19) in town (EDO, Pamplona, Jamon Jamon, Jaleo, Bazaar Meat), accounts for our Iberian intake, and visiting a Steakhouse (19) about twice a month also feels about right…although we’ll readily admit that, as with Italian, we’re getting bored with all the by-the-numbers menus of wedge salads salmon, and identical steak cuts. CUT and Bazaar Meat are the only joints that break this mold. Long may their cholesterol flag fly.

Bringing up the rear we have Greek (8), almost entirely at either Milos or Elias Authentic Greek Taverna, and Fast Food (7) which generally consists of Shake Shack, In-N-Out or the (seriously underrated) Double-Del Burger from Del Taco.

Finally, there are Fancy-Schmancy Meals (6). What stuck out for us when we were making our final tally was not only how few there were, but that every one of the year’s most impressive meals was out of state. FWIW: nothing we ate in Vegas, in 2021, held a candle to to our dinner at Providence (L.A.), the precise cuisine of Gavin Kaysen at Spoon & Stable in Minneapolis, and the steaks and sides we had at Totoraku (L.A.) and Manny’s in Minneapolis.

True confession time. What the above meals drove home to me was something I’ve been holding back from saying for years: much of what Vegas’s top restaurants do may be good, but it still isn’t as good as the similar work being done in other cities, and you’re fooling yourself if you think otherwise. There are many reasons for this — from more demanding diners to access to agriculture — but the well-traveled palate can tell the difference. Our Mexicans aren’t in the same league as Southern California’s, our gastropubs aren’t as finely tuned as Washington D.C.’s, and our barbecue and pizza scenes (as improved as they are) still lag far behind those in bigger cities.

And our steakhouses, for all the money poured into them, still feel like food factories compared to America’s classic beef emporiums.

Have I been guilty (for years) of overpraising places in the name of provincial boosterism? Absolutely. But as I get older, and my time and calories become more precious, I want to spend my appetite in places where the cooking is more connected to something other than an Instagram page. It’s one of the reasons you find me in Chinatown so often, enjoying simple Asian fare over the more convoluted cooking being done by the cool kids.

Vegas has always been the sort of place where people stay just long enough to make enough money to leave, and too many of our local restaurateurs seem to be in it for the cash, not the passion. Quite frankly, I’m surprised so many young chefs have stuck around once they leave the Strip. But the play-it-safe-and-cash-in mentality remains strong (e.g. Harlo, Carversteak), and there’s not enough demand here for simple, sophisticated food. The Japanese and Spaniards get it right….but few others do.

So, that’s the final chapter on 2021. The direction this website takes in 2022 is anyone’s guess. When the muse hits me, I’ll write…because I love to write when she visits. In the meantime, we’re off to France for a couple of weeks to re-calibrate the palate, refresh the mind, and forget about America for awhile. Bon appetit to all and Happy New Year.

The Speech

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Speaking in public is as natural to me as polishing off a Poulet de Bresse en Cocotte avec Champignons Glacée et Truffes with a bottle of Clavoillon Puligny-Montrachet 2018.

Between my legal career, trial work, teaching gigs and second career as a semi-famous food critic, I suppose I’ve addressed crowds (ranging from a handful to hundreds) at least a thousand times in my life.

In that last capacity, I get asked occasionally to give talks to local groups who want to hear about my career as that food dude who has spent most of his adult life obsessing over restaurants.

About a month ago, I gave such a speech to a nice group of local Rotarians. Wonderful people; nice lunch (at the always-lovely Lawry’s).

It was a version of the same talk I’ve given many times over the years, charting the culinary history of Las Vegas, my food-writing origins, and the state of our gastronomic state….all of it spiced with recommendations and tales of my many tangles with celebrity chefs.

I was sober, not hung over, and plenty prepared (not always the case years ago). But still, I rambled and forgot a few things, and it’s been bugging me ever since.

My wife (the long-suffering Food Gal®) was in attendance and gave my speech a “it was fine, you were great” review in the same tone she uses to cheer me up after another mediocre performance in bed.

So….I’ve decided to actually write out the same speech I’ve been giving for 25 years and condense my thoughts into a single 20 minute script.

There may never be a next time. Perhaps my speech-making days are over. (As I told the Rotarians: I’m a dinosaur and I know it. I was Las Vegas’s first real restaurant critic, and I’m probably destined to be its last.)

But if there is another one, if I am asked to give one more, I’ll be prepared, for once.

Image(Thanks, Rotarians, for the bio and the sunburn!)

Intro

The three questions I get asked most often when someone hears I am a restaurant critic are: How did you become one? How many times a week do you eat out? And how do you stay so thin? (turn sideways) The answers are: It’s a long story; ten times a week; and I have the metabolism of a hummingbird.

As for my weight, well, to quote the late, great Los Angeles food critic Elmer Dills (remember him?): I’m not as fat as I could be nor as thin as I should be.

Being a restaurant critic is a lot like being a horse put out to stud: It sounds like a great idea until you have to do it on command, all the time.

Anyway, being a serious critic — one who writes for money about restaurants on a regular basis — you get a lot of dudes (it’s always guys) who’ll look at you and say, “I could do that; sounds like fun No big deal. I like to eat.” It’s the same shit they say when they meet  male porn starts: “Damn dude, that ain’t work. Sign me up!” Well, like a porn star, you look at these fools and say, “No, dude, you can’t. You couldn’t keep up with me for three days.”

Of course, as with sex, the tasting is the fun part; the work is in making it fun for others. But more on that in a minute.

First, let’s talk about how Las Vegas went from “The Town That Taste Forgot” to Gourmet Capital to Celebrity Chef Hell…

So….how DID we go from the Town That Taste Forgot to one of the gastronomic capitals of the world? People like to say it started with Wolfgang Puck at Spago in the Forum Shops in December, 1992, but in reality, it began a few years earlier with a chain steakhouse….and that steakhouse was…

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Ruth’s Chris! Yes, as the story goes, Ruth Ertel — the founder of Ruth’s Chris — loved to gamble in Vegas. Her favorite dealer at Caesars was a fellow named Marcel Taylor. Taylor was an ambitious sort, and sometime in the late 80s he persuaded Ertel (over the objections of her board of directors) to open an outlet in Las Vegas. The thinking then was: Why on earth would anyone ever leave a casino to eat? Every hotel in those times had four different eateries: a coffee shop, a buffet, a steakhouse, and a “gourmet room” serving “continental cuisine.” (From which continent they never really specified.)

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Keeping the customer captured was on every hotels’ mind back then. The thought that people would leave to peruse the dining options at another hotel was ridiculous. The idea they might venture a mile off the Strip to eat was unthinkable.

But in 1989 Ruth’s Chris opened on Paradise Road and within a year it was the best performing venue in the chain. Other prime chain steakhouses took notice, and within a couple of years, Morton’s and Palm (back when both were actually good) had opened outposts here.

The next big moment came in 1994/1995 when Gamal Aziz (a forgotten name but pivotal in birthing Vegas’s gastronomic renaissance), brought Emeril Lagasse, Charlie Trotter, and the Coyote Cafe’s Mark Miller to the MGM. Soon thereafter, a non-celeb chef joint at the MGM –Nob Hill — was the first restaurant in Las Vegas to spend more than $1 mil on its build-out. These days, $10+ mil is more the norm.)

Steve Wynn paid close attention to the the success of Spago, and the MGM. By 1998, when he opened the Bellagio, he was ready to dial things up to “11”. As I’ve said many times: when the Bellagio opened in Las Vegas, the gastronomic ground shook in the High Mojave Desert and the whole world felt the shudder.

People take it for granted now, but the Murderer’s Row in one hotel: Julian Serrano at Picasso, Jean-Georges Vongerichten’s Prime, Olives, Aqua, and the Maccioni family, with its double-magnum of of Big Apple excellence —  Le Cirque and Circo — was like nothing ever seen, in any hotel, anywhere in America…before or since.

By the turn of the century, every national food and wine magazine, not to mention most major newspapers (remember them?) were sending writers to cover our restaurants.

(If you’ll permit me a slight detour: then and now, the lack of attention paid by Las Vegas’s mainstream media to the culinary explosion going on on the Strip, has been an embarrassment to this town since 1995. And don’t get me started on the lame-ass lip service paid by our LVCVA to our food scene — even though our restaurant scene has been, for over twenty straight years, one of the most famous in the world. Our world class dining became a big deal in spite of our local media, not because of it.)

Thus it was written in The Book of Ruth’s Chris (any biblical scholars out there?) that one steakhouse begat another and the MGM begat the Bellagio and Bellagio begat Mandalay Bay which begat the Venetian, which begat Caesars upgrading its dining options, as well as begatting all sorts of bar raising for new hotels like Aria and the Cosmopolitan.

The early aughts were the halcyon days of the celebrity chef  — Ogden, Palladin, Palmer, Batali, Flay, English, Keller (both of them), Mina, Lagasse, Andrés — when casinos would throw money at anyone famous if they’d agree to slap their name on the door. This regrettably led to to the Giadas, Ramsays, Changs and Fieris showing up (who were not, let’s say, as dedicated to quality as the original pioneers), but as with any fad, you have to take the good with the bad.  On the whole, though, it was a net gain for all concerned, and going to Vegas just to eat (something else that was unthinkable in 1995), became a trend in its own right in the first ten years of this century.

A word or two about celebrity chefs: I’m of two minds about famous chefs: on the one hand, they made this town. On the other, most of their restaurants are a joke, the culinary equivalent of an Elton John picking up a fat paycheck for a show where others sing his songs for him. Without celebrity chefs we’d all still be swooning over the Circus Circus Steakhouse; now that they’ve made their mark (and their cash), most of them should slink back to whatever TV studio keeps them employed. Just the other day, I had a colleague ask me about Bobby Flay’s new Italian restaurant, because, he said, “My wife likes Bobby Flay.” (eye roll) Summoning all the tact I could muster, through clenched teeth I muttered: “Bobby Flay is to Italian food what Chef Boyardee was to noodles.”

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Famous chefs (most of them) are just brands. They don’t cook; they don’t even run businesses. They just sell their names for cash. Cash that you pay. For the privilege of them not cooking.

What started as the raising of the bar in a few huge hotels, got taken to the Stratosphere (the atmospheric one not the pathetic one), when the French Revolution took hold between 2005 and 2010. In short order, we saw three of the world’s greatest chefs — Joël Robuchon, Guy Savoy, and Pierre Gagnaire — plant their flags, directly from Paris, and our gastronomic revolution was complete. By 2010 even snooty New Yorkers and imperious Parisians were taking us seriously.

Now, let’s be honest here: did all this fame show up because of our wealth of natural resources? Our verdant food culture? Amber waves of grain and pristine seafood? Nope, they came because there was gold in them thar hills and every one wanted a nugget. 40 million mouths are a lot to feed, and unlike Orlando or Branson, MO, the Vegas tourist is flush with cash and ready to spend it on experiences they can’t get there or in Paducah. (I don’t know what people spend their disposable income on in Branson and Paducah, but I’m pretty sure it isn’t overpriced caviar and champagne.)

These fancy schmancy restaurants weren’t for everyone, but they represented an aspirational level of hospitality you couldn’t find anywhere but Vegas! Baby! And it was available to all! Unlike intimidating New York, snooty Paris, or self-impressed ‘Frisco.

And talk about the pendulum swinging: in about a decade (95-‘o5), we went from 99 cent shrimp cocktails and cheap buffets to being the most expensive high-end restaurant city in the country. Not to harp on the sex thing again (but it is fun isn’t it?), but some Vegas menus (and wine lists) should be served by a proctologist with a side of K-Y Jelly.

The trouble with reaching the top is, like the New England Patriots, you have nowhere to go but down….and that, ladies and gentlemen, is where we find ourselves today. To be sure, the rising tide has raised all boats, but staying afloat, will be harder and harder in the coming years. Big deal meals are not the big deals they used to be, and the quadruple whammy of aging Boomers (who fueled the 90s boom), fading celeb chefs, the Great Recession, and the past two pandemic years have made the future of fine Strip dining very uncertain…and that’s where our local dining scene has stepped up to the plate.

While the Strip may be in a slump, new things are constantly happening in Summerlin, Chinatown, and Downtown. And I’m happy to report there are now even good things to eat in Henderson, of all places (Saga, Rebellion Pizza). Where there used to be only a sprinkling of local spots and miles of franchises, now you have locally-owned, affordable, chef-driven restaurants making big splashes all over the ‘burbs.

Even if peak Vegas has passed, we still boast the best steakhouses in the world of any city that isn’t New York or Tokyo; our Chinatown is a bang-for-the-buck gem; and female chefs (like Jamie Tran, Gina Marinelli, and Nicole Brisson) are dynamos powering our local restaurant resurgence. And at the drop of a hat, I can start waxing poetic about our French bakeries, coffee scene, gastropubs, and pizzas galore.

And you can criticize Millennials, Gen-Xrs and the Instagram/Tik Tok generations all you want, but they’ve been raised to demand better ingredients and better eating and that genie ain’t going back in the bottle.

Becoming a Critic/Doing the Work

Okay, you’ve had your history lesson, but who’s this fellow giving it to you?

To answer the first question I posed at the top of my remarks, I’ve been covering the Las Vegas food and restaurant scene since 1995. When I started I was it: there were no others writing about food with any regularity or even the pretense of journalistic objectivity. I’ve never been especially prescient in anything (as my ex-wives can tell you), but one thing I did see coming down the pike was the sea change about to envelope our food and beverage industry.

As they say: In the land of the blind, the one-eyed man is king. So I started knocking on doors and asking media outlets if they were interesting in having someone cover/critique all these fabulous new eateries that were invading our humble burg…first in a trickle, and then in a tidal wave. No one was interested except Nevada Public Radio. I aced the audition (and already had a face made for radio), so I started my radio commentary years with a tongue-in-cheek admiration for Martha Stewart telling me what size tomatoes to buy.

 My first gig on KNPR radio was a sweet one for 15 years. From there I moved into segments on our local CBS and NBC affiliates, wrote for every publication in town except the Review Journal, and eventually ended up writing 8 editions of Eating Las Vegas – The 52 Essential Restaurants, which published its last edition in 2020.

Basically, I got into food writing because I wanted to be a consumer advocate. At their core, that’s what any critic is. When it comes to food, we want to guide you to where best to spend your hard-earned cash, and at our best, we teach you something while we’re doing it.

You may not like my advice on tuna tartare or tacos, but I share it from a storehouse of experience going back decades now, and from trips to Tokyo to Tuscany. To be a good food critic you need to eat a lot, read a lot, cook a lot and travel a lot. Thankfully, I’ve been able to do all four. (That hummingbird thing really helps). Comparison might be the root of all unhappiness, as Cicero said, but it’s also informs every good critic’s opinions.

Food writers are dinosaurs and we know it. Once people could take and access high quality pictures of potential meals on their phones, our goose was cooked. But we still bring something to the table. When you peruse social media for pretty pics or recommendations, all you get is crowd-sourced opinions based upon personal preferences. All taste is subjective, of course, but having done the work, traveled the globe and eaten everywhere (especially in Vegas), what I offer is the same thing Anton Ego did in the movie “Ratatouille”: perspective. An Instagrammer will only tell you if they liked something; a good critic will tell you why you do.

At this point I’m pretty much the professor emeritus of Vegas food writers, and I content myself being an influencer, occasionally writing blog posts at www.eatinglv.com (like this one!) and spreading the love for all the worthy eateries I can find.

I’ve been very lucky: I’ve had a front row seat for the biggest culinary revolution ever to happen to an American city. In spite of my prickly opinions and prejudices, I have enormous respect for people who work in restaurants. To be a good critic you have to be in love with your subject and I am. I have been in love with restaurants since I was eight years old and my passion has never waned.

I am in love with them and always will be because a good meal, shared with family and friends, is the loveliest expression of our common humanity that I know. As the great food writer Alan Richman once said: “Food is life itself, the rest is parsley.”

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