The Best Restaurant(s) in the World

Image(Restaurant Guy Savoy, Paris)
If you take it as a given that French restaurants are the best in the world, it only stands to reason that the best restaurant in the world will be in France.
Don’t get your panties in a bunch, I’m not here to dismiss the cuisines of entire countries — only to point out that, like sushi, Mexican street food, and pasta, the places where some food was invented are generally where you will find the highest elevation of the art. And Paris, in case you’ve forgotten, is where the modern restaurant was born in the latter half of the 18th Century.

Of course, the “best” of anything is a conceit and highly subjective. Measuring a “winner” or “the best” of anything — from wine to women — is a nice parlor game, but ultimately a waste of time unless there’s a stopwatch involved.

Whoever wins these accolades usually comes down to who got fawned over the most in a few influential publications — not who objectively gives diners the best food, drink, and experience. Anyone who thinks the several hundred voters who weigh in on these awards have actually eaten at the places they vote for as “the best restaurant in the world” (as opposed to forming their opinions based upon reading accounts of the few who have), has rocks in their head.

“Awards” of this sort are simply a way to give a deceptively false measuring stick to those who don’t know much about a subject. Subjectivity disguised as objectivity, all in the name of marketing to the wealthy with more money than taste. Same as with wine scores and Oscar nominations. The rich need these adjudications to convince themselves they’re doing the right thing, and “The “World’s 50 Best Restaurants” is there for them. As Hemingway puts it in “A Moveable Feast”:

The rich came led by the pilot fish. A year earlier they never would have come. There was no certainty then.

Back when El Bulli was garnering these awards (and I was voting on them), I heard from several colleagues who ate there, and what they described was more of a soul-deadening food slog (an edible marathon, if you will) than an actual pleasant experience.

A close friend (who also happens to be a chef) told me he stopped counting after 40(?) courses of (often) indecipherable eats, and was looking for the door two hours before the ordeal ended. (The trouble was, he said, there was literally no place to go — El Bulli being, literally, in the middle of nowhere.)

But Feran Adrià (like Thomas Keller before him and Grant Achatz and René Redzepi after), was anointed because, as in Hollywood, a few influential folks decided they were to be christened the au courant  bucket list-of-the-moment, and woe be to anyone in the hustings to question these lordly judgments. In the cosseted world of gastronomic beneficence (and the slaves to food fashion who follow them) this would be akin to a local seamstress suggesting Anna Wintour adjust her hemline.

Because of this nonsense, we’ve been saddled with the tyranny of the tasting menu for twenty-five years (Keller, Achatz, et al), disguised foods and tasteless foams (Adria), and edible vegetation (Redzepi) designed more for ground cover than actual eating.

As far as I can tell, neither molecular cuisine nor eating tree bark and live ants has caught on in  the real world — beyond trophy-hunting gastronauts, who swoon for the “next big thing” the way the fashion press promotes outlandish threads to grab attention.

Which brings us back to France. More particularly, French restaurants and what makes them so special. Let’s begin with food that looks like real food:

Image(Surf & Turf: Langoustines au Truffes La Tour D’Argent)

….not someone’s idea of playing with their food, or trying to turn it into something it isn’t. This cooking philosophy alone separates fine French cuisine from the pretenders, and gives it a confidence few restaurants in the world ever approach.

For one, there’s a naturalness to restaurants in France that comes from the French having invented the game. Unlike many who play for the “world’s best” stakes, nothing about them ever feels forced, least of all the cooking.  With four-hundred years to get it right, and French restaurants display everything from the napery to the stemware with an insouciant aplomb that is the gold standard.

You don’t have to instruct the French how to run a restaurant any more than you have to teach a fish how to swim. Or at least that’s how it appears when you’re in the midst of one of these unforgettable meals, because, to repeat, they’ve been perfecting things for four hundred years. Everything from the amuse bouche to the petit fours have been carefully honed to put you at ease with with being your best self at the table.

Image(Gruyère gougeres have been around longer than America)

Having been at this gig for a while, I’m perfectly aware that the death of fine French dining, and intensive care service accompanying it, has been announced about every third year for the past thirty.

I’m not buying any of it. When you go to France (be it Paris or out in the provinces), the food is just as glorified, the service rituals just as precise, and the pomp and circumstance just as beautifully choreographed as it was fifty years ago. The fact that younger diners/writers see this form of civilized dining as a hidebound, time-warp does not detract from its prominence in the country that invented it.

Whether you’re in Tokyo or Copenhagen, the style and performative aspects of big deal meals still takes their cues from the French. Only elaborate Mandarin banquets or the hyper-seasonality of a kaiseki dinner  match the formality and structure of haute cuisine.

These forms of highly stylized dining follow a path straight up the food chain. There are rules and they are there for a reason, usually having to do with how you will taste and digest what is placed before you. Light before heavy; raw before cooked; simple before complex — you get the picture
You usually begin with something fished directly from the sea. Oysters and other shellfish are a natural match, as is a shrimp cocktail. (A good old-fashioned American steakhouse has more in common, with high falutin’ French than people realize.)  Their natural salinity stimulates the appetite without weighing you down.
Man’s evolution into a more cultivated forms of eating is represented by bread, as is the domestication of animals by the butter slathered upon it. (If you want to stretch the symbolism even further, look at olive oil and the fermentation of wine and beer as representing mankind’s earliest bending of agriculture to his edible wants and needs.)
Image(Early man struggled with the whole pommes soufflé-thing)
From there things get more elaborate, depending on whether you want to go the seafood, wild game, or domesticated fowl route. Vegetables get their intermezzo by using salad greens as a scrub for the stomach to help digest everything that precedes them. (The French think eating a salad at the start of a meal is stupid, and it is.) You finish of course with cheese (“milk’s leap toward immortality” – Clifton Fadiman), and then with the most refined of all foods: sugar and flour and all the wonderful things that can be done with them. A great French meal is thus every bit the homage to nature as Japanese kaiseki, albeit with a lot more wine and creme brûlée.
As I’ve written before, French food is about the extraction and intensification of flavor. Unlike Italians and Japanese, a French cook looks at an ingredient (be it asparagus, seafood, or meat) and asks himself: “Self, how can I make this thing taste more like itself.” All the simmering, searing, pressing, and sieving in a French kitchen is as far a cry from leaving nature well enough alone as an opera is from the warble of a songbird.

With this in mind, we set our sights on two iconic Parisian restaurants: one, as old-fashioned as you can get, and the other a more modern take on the cuisine, by one of its most celebrated chefs. Together, they represent the apotheosis of the restaurant arts. They also signify why, no matter what some critics say, the French still rule the roost. Blessedly, there is no chance of encountering Finnish reindeer moss at either of them.

LA TOUR D’ARGENT

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If experience is any measure of perfection, then The Tower of Money should win “best restaurant in the world” every year, because no one has been serving food this fine, for this long, in this grand a setting.

A restaurant in one form or another has been going on at this location since before the Three Musketeers were swashing their buckles. What began as an elegant inn near the wine docks of Paris in 1582 soon enough was playing host to everyone from royalty to Cardinal Richelieu. It is claimed that the use of the fork in France began in the late 1500s at an early incarnation of “The Tower of Silver”, with Henry IV adopting the utensil to keep his cuffs clean.

Apocryphal or not,  what is certainly true is that Good King Hank (1553-1610) bestowed upon the La Tour its crest which still symbolizes it today:

History, of course, provides the foundation, and the setting continues to provides a “wow” factor unmatched by all but a handful of restaurants in the world. No place but here can you dine with the ghosts of Louis XIV, Winston Churchill and Sarah Bernhardt, all while seeming to float above Paris on this open door to the city’s past — all of it available to anyone with the argent to book a table.
But the proof is in the cooking — that has been, on our last two visits, as awesome as the view. It’s no secret that the glory had started to fade twenty years ago, and that Michelin — the arbiter of all things important in the French food world — had taken notice, and not in a good way.
A reboot of sorts was announced over five years ago, and by the time we visited in 2019, the kitchen was performing at a Michelin two-star level at the very least. Independent of the view, the service, and the iconic wine program, the cooking (and presentation) was well-nigh perfect. It was all you want from this cuisine: focused, intense flavors put together with impeccable technique and an almost scientific attention to detail.
When we returned this past winter, things seemed be have gotten even better. This time we showed up with a party of six. It was a busy lunch, filled with local gourmets and some obvious big business types, but also a smattering of tourists who (like us) had to keep picking their jaws up off the table as spectacle of Paris and its finest French food was spread before them.
I have never been to La Tour at night, but for my money, lunch is the way to go. The food is unchanged (lunch specials are offered, but you can order off the dinner menu and we did), and the sight of the Seine River stretching beneath you and Notre Dame and the Ile de la Cite in the distance are worth the admission all by themselves.
I suppose the ideal time to dine here would be arranging for a table at dusk, so you could see the lights of Paris come alive in all their blazing glory. But as I’ve argued before, lunch has always been the ticket for us when we want to eat and drink ourselves silly in a fine French restaurant.
There’s nothing silly, of course, about the food. This is serious stuff, but there’s nothing stuffy about it, despite its pedigree — French service having retired the snootiness thing decades ago. Meaning: if you show up and are well-behaved, they are friendly to a fault.
(Canard au sang with a side of burns, coming right up)
Credit for that has to lie with owner André Terrail, the third generation of the family to be at the helm. (The Terrails have owned the restaurant since 1911.) Since taking over a few years before his father Claude’s death in ‘o6, Terrail has kept all the historical provenance of his venerated birthright intact — upgrading the cuisine while still managing to keep the whole operation true to its roots. No easy feat that. We don’t know what the problems were twenty years ago, but on our last two visits, we didn’t see any missteps, either on the plate or in the service. And what appeared before us was every bit as stunning as any Michelin 3-starr meal we’ve had…in Paris or elsewhere.
You take good bread for granted in Paris, but even by those lofty standards, this small baguette was a stunner:

Image(Face it: you knead this)

Perfect in every respect: a twisted baguette of indelible yeastiness — perfumed with evidence of deep fermentation — the outer crunch giving way to ivory-pale, naturally sweet dough within that  fought back with just the perfect amount of chew. It (and the butter) were show-stoppers in their own right, and for a brief minute, they competed with the view for our attention. We could’ve eaten four of them (and they were offered throughout the meal), but resisted temptation in light of the feast that lay ahead.

Soon thereafter, these scoops of truffle-studded foie gras appeared, deserving of another ovation:

Image(Home cooking this is not)

From there on, the hits just kept on coming: a classic quenelles de brochet (good luck finding them anywhere but France these days), Then, a slim, firm rectangle of turbot in a syrupy beurre blanc, or the more elaborate sole Cardinale:

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….followed by a cheese cart commensurate with this country’s reputation.

The star of the show has been, since the 1890s, the world-famous pressed duck (Caneton Challandais) — served in two courses, the first of which (below) had the deepest-colored Bèarnaise we’ve ever seen; the second helping bathed in the richest, midnight-brown, duck blood-wine blanket imaginable. Neither sauce did anything to mitigate the richness of the fowl, which is, of course, gilding the lily and the whole point.

Image(You can never be too rich or have too much Béarnaise)

We could go on and on about how fabulous our meal was, but our raves would only serve to make you ravenous for something you cannot have, not for the next ten months, anyway.

Yes, the bad news is the restaurant will be closing today, April 30, 2022 for almost a year — until February 2023 — for renovations. This saddens us, but not too much, since we don’t have plans to return until about that time next year. In the meantime, the entry foyer probably could use some sprucing up (since it looks like it hasn’t been touched since 1953), and we have confidence Terrail won’t monkey with the sixth floor view, or this skinny little pamphlet he keeps on hand for the casual wine drinker:

Image(Not found: 2-Buck Chuck)

If the measure of a great restaurant is how much it makes you want to return, then La Tour D’Argent has ruled the roost for two hundred years. (Only a masochist ever left El Bulli saying to himself, “I sure can’t wait to get back here!”) Some things never go out of style and La Tour is one of them. We expect it to stay that way for another century.

À Bientôt!

RESTAURANT GUY SAVOY

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If La Tour represents the old guard of Parisian dining at its finest, then Guy Savoy — both the man and his restaurant — provides the connective tissue between haute cuisine’s past, present, and a future where new chefs will take up this mantle and teach the world what elegant dining is about.

The Adam Platts of the world may decry the “irrelevance” of the “old gourmet model”, but I stand with Steve Cuozzo in maintaining that the call for luxury and refinement in how we eat (admittedly at rarefied levels of expense), will never go completely out of fashion. Quoting our friend Alan Richman, Cuozzo writes:

As critic Alan Richman eloquently expressed it in the Robb Report a few years ago, fine dining is more than “a demonstration of wealth and privilege . . . It is an expression of culture, the most enlightened and elegant form of nourishment ever devised. Without it we will slowly regress into the dining habits of cave people, squatting before a campfire, gnawing on the haunch of a bar.”

All I can say to the Adam Platts of the world (and younger food writers who echo the same sentiments) is: If you think “the old gourmet model” is dead or dying, plan a trip to France, where formal restaurants are poised to come roaring back, indeed if they haven’t already done so.

Put another way: get your goddamned head out of that bowl of ramen or whatever Nigerian/Uzbekistani food truck you’re fond of these days and wake up and smell the Sauvignon Blanc.

Or just go to Guy Savoy.

(Savoy at his stoves)

If the world’s best restaurant can’t change your mind, nothing will. Before you accuse me of bandwagon-ing, let me remind you that I’ve been singing the praises of Savoy’s cuisine since 2006, and have even gone so far as to travel between Vegas and Paris to compare his American outpost with the original. Back then (2009), the flagship got the nod, but not by much.

Since its move to the Monnaie de Paris (the old Parisian Mint) in 2015, Savoy’s cuisine and reputation have attained a new level of preeminence (which is all the more incredible when you consider he has held three Michelin stars since 1980).

With mentors like Joël Robuchon and Paul Bocuse having departed to that great stock pot in the sky, and Alain Ducasse having spread himself thinner than a sheet of mille-feuille, Savoy now rules the French gastronomic firmament as a revered elder statesman. The difference being that he and his restaurants haven’t rested on their laurels, but are every bit as harmonious with the times as they were thirty years ago. To eat at Guy Savoy overlooking the banks of the Seine from a former bank window, is to experience the best French cooking from the best French chefs performing at the top of their game. There is something both elemental and exciting about his cooking that keeps it as current as he was as the new kid on the Michelin block back in the 80s.

Dining in the dead of winter can have its challenges. Greenery is months  away, so chefs go all-in on all things rooted in the soil. The good news is black truffles are in abundance; the bad news is you better like beets.

The great news is: in the hands of Savoy and his cooks, even jellied beets achieve an elegance unheard of from this usually humble taproot:

Image(Savoy heard we hated beets, so he tried to hide them from us)

As mentioned earlier, a French chef respects an ingredient by looking at it as a blank canvas to be improved upon. Look no further than this beet hash (Truffes et oefus de caille, la terre autour) lying beneath a quail egg and a shower of tuber melanosporum, both shaved and minced:

Image(Beet-i-ful)

Neither of these would I choose for my last meal on earth. Both gave me new respect for how the French can turn the prosaic into the ethereal –food transcending itself into something beautiful.

Which, of course, is what Savoy did with the lowly artichoke so many years ago, when he combined it with Parmesan cheese and black truffles and turned it into the world’s most famous soup.

There’s no escaping this soup at Guy Savoy, nor should you want to. Regardless of season, it encapsulates everything about the Savoy oeuvre: penetrating flavor from a surprisingly light dish, by turns both classic and contemporary:

Image(Nobody knows the truffles I’ve seen)

We may have come for the truffles, but we stayed for the filet of veal en croute (below), once again lined with, you guessed it, more black truffles.

Image(Filet de veau et truffes cuits en croûte is French for: the most delicious meat dish in the history of the world)

From there we progressed through a salad of roasted potatoes and truffles, a bouillon of truffles served like coffee in a French press, then a melted cheese fondue over a whole truffle:

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…and even something that looked like a huge black truffle but which, upon being nudged with a fork, revealed itself to be a chocolate mousse. All of it served by a staff that looked like teenagers and acted like twenty-year veterans.

Suffice it to say the wine pairings were as outstanding as the food, all of it meshing into a seamless meld of appetite and pleasure — the pinnacle of epicurean bliss — high amplitude cooking where every element converges into a single gestalt.

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We then went nuts with multiple desserts, including a clafoutis (above) and the petit fours carte (like we always do), and rolled away thinking we wouldn’t be eating again for two days. This being Paris, we were at it again later that night, taking down some steak frites at Willi’s Wine Bar

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I write these words not to convince you that Guy Savoy is the greatest restaurant in the world, or even that such a thing exists, but rather to persuade you of the transcendent gustatory experiences you can have at places like it. Until I’ve been to every restaurant in the world, I won’t be able to proclaim one of them “the best.” Even then, the best would only be what best fit my mood, my likes and my expectations at the very moment I was there.

Adam Platt was right about one thing: “the best restaurant in the world” doesn’t have to be fancy. The best restaurant in the world can be something as simple as a plat du jour of boeuf bourguignon , studded with lardons and button mushrooms in a run-down bistro smelling of wine sauces and culinary history. It can be at a tiny trattoria on the Amalfi Coast or a local diner where everyone knows your name, or that little joint where you first discovered a dish, a wine, or someone to love. But your favorite restaurant, no matter where or what it is, owes an homage to the place where it all started.

Emile Zola’s “The Belly of Paris” describes the markets of Les Halles as “…some huge central organ pumping blood into every vein of the city.” Those markets may be gone, but their soul lives on in the form of Parisian restaurants, which remain, one hundred a fifty years later, its beating heart. To eat in the great restaurants of Paris is to be inside the lifeblood of a great city, communing with something far bigger than yourself. To be in them is to be at the epicenter of the culinary universe and the evolution of human gastronomy — where the sights and smells of the food, and the way it is served, reflect the entire history of modern dining.

Free Man In Paris

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I was a free man in Paris

I felt unfettered and alive

There was nobody calling me up for favors

And no one’s future to decide Joni Mitchell

American writers have been rhapsodizing about Paris since Ben Franklin’s powdered wig was peeking down some bustier. There’s not much I can add — literary-wise — to the musings of everyone from Henry James to Ernest Hemingway, but I can share a few pointers on what to see and where to eat, along with some musings of my own about what makes the City of Light so compelling, one-hundred years after Ernest & Friends fell in love with it.

The culture of Paris insinuates itself into your soul if you let it. Americans love to talk of snooty Frenchmen and various un-pleasantries, but those are the carpings of the intentionally uncomfortable — the sorts who arrive in any foreign environment looking for something to bitch about.

All you have to do to enjoy yourself in Gay Paree is give in to the Parisian vibe (by turns energetic one minute, and insouciant the next). Leave your American expectations at home, relax, stroll around a bit, and say “bonjour!” and “s’il vous plait” about thirty times a day. Do that and they are almost as nice as Italians.

As I was somewhere over the Atlantic, coming back from ten days walking the streets and haunting cafes from Montparnasse to Montmartre, it occurred to me that this might be my writing future: travelogues for those who might wish to follow in my footsteps in the coming months/years. My covering the Las Vegas food scene has reached its natural end; there are no more mountains for me to climb here, and frankly, it’s more fun these days to see the world rather than wander around (again and again) in my own backyard.

(If you’re dying to hear my mellifluous tones pontificate on where best to exercise your palate in Sin City, tune in Fridays to What’s Right with Sam & Ash — where we whoop it up about food while recapping my eating week.)

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Unshackled by the bonds of servitude to Sin City, I am thus free to eat the world, where, quite frankly, the food, wine, and scenery are better (and often cheaper). Consider this a combination of food diary and love letter to my favorite city in the world, where the sights and smells never fail to astonish me, and where eating and drinking well is as easy as rolling out of bed.

But before you can embrace all the picturesque wonderfulness, you first have to get there, and sad to say, that will be more annoying than anything you encounter once you arrive.

News flash: Flying remains a pain in the ass.

Air France is a shell of its former self. A country’s airline — be it SwissAir, Lufthansa or whatever — used to tickle you with anticipation (“As soon as you board, you feel like you’re almost in the country,” I used to tell my kids.) Now you’re on an airbus in more ways than one. They throw some cardboard food at you a couple of times and wheel a shitty beverage cart up the isle twice (first, an hour into your eight-hour transatlantic haul; then again six hours later), and that’s it.

No cans of soda, no mixers, nothing but water, crappy coffee, tepid tea and supermarket wine. Pro tip: load up on snacks and beverages at the airport. What’s become an insult to passengers has been a boon to SmartWater and SlimJims. None of this applies if you fly business- or first-class, which we never do, preferring to save our $$$s for the food and wine which lie ahead.

Enough negativity, let’s get to the fun stuff.

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Traveling is living intensified. – Rick Steves

Paris the “Being John Curtas” way means you literally lose yourself there; park your worst instincts back home and drink it all in, every waking moment. I become more sanguine, taciturn even (about everything but the ubiquitous dog shit).

Every time I see Paris’s low profile and history-drenched boulevards, I feel like I’m an awestruck ten-year old seeing a big city for the first time. Rick Steves’ quote is no more true than on the streets of Paris, where your senses are excited on every block, and awesome architecture defines every corner.

The French invented blasé (the word and the mood), but no matter how many times I’m in the city (this last trip was my tenth), that’s the one feeling I never have. I’m too busy picking my jaw off the pavement…when I’m not using it.

If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life, it stays with you, for Paris is a moveable feast. – Ernest Hemingway

Image(When I’m in Paris, I’m on a seafood diet: when I see food I eat it.)

The Food. The wine. The seafood! (sea above) The size of the brasseries and the sheer number of cafés means you’ll never go hungry, no matter what the hour.

It’s really one of the most impressive things about Paris: the mind-blowing number of places to feed and refresh yourself. They’ve always been in abundance, but the patisseries/boulangeries (technically not the same thing, but often combined) seem to have doubled in number over the past decade.

The Style: men in snappy coats and women being worn by heroic scarves.  No t-shirts or cargo shorts, please. Someone asked me what the French don’t like about Americans and the answer is simple and understandable: the way we dress.

Finally: awesome architecture and history envelops its iconic restaurants. The sheer beauty of them should not surprise (the French invented the modern restaurant, after all), but the stunning interiors (and how well they’ve aged) are still enough to take your breath away:

Image(Le Grand Colbert)

If you can’t enjoy yourself walking around Paris, you need to have your pulse checked.

My advice to anyone traveling to France or Italy is to always find a café to call your own, preferably close to your hotel. Stopping by every morning will start to make you feel like a local, and by your third visit, even the frostiest waiter will start to smile when he sees you.

 Walking, smelling, sitting, sipping cafe au lait. “Encore, s’il vous plait” we say.(“please bring another”)…and your favorite waiter will let you sit there all day, diddling your phone, reading a book, or planning where next to eat  — which is the surest way to make you feel like a Frenchman.

Amazingly though, we actually lose a few pounds on every visit. Five-to-ten miles of walking each day will do that, no matter how many baguettes or soufflés you inhale. Sage advice: use your mornings to plan your pre- and post-dejeuner walks.

If The Food Gal® is lucky, I occasionally agree to a little shopping, just to buy some marital harmony. (Poor thing has always operated under the illusion there is something to do in Paris other than eat and drink.)

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Breakfast, you ask? Fuggidabadit. In France, breakfast (aka “petit dejeuner”) is good for only one thing: thinking about lunch. Some coffee and a croissant is all you’ll need to fuel you for the first few hours of the day. From then on, it’s Katy bar the door/calories here we come, as temptations await on every block.

THE RESTAURANTS

Image(97 and still cookin’)

Straight off the plane, still groggy from jetting the ocean, we staggered into L’Ami Louis (above) perhaps the toughest bistro ticket in Paris. It was worth the wait, which for me had been twenty-five years — a quarter century of hearing about its allure to ex-pats, celebs, and galloping gourmands, followed by a revisionist decade of how gauche and “not worth it” it was. It is the one bistro critics love to hate. Especially British critics, as you’ll see below.

Founded in 1924, they only things that have changed in ninety-seven years are the prices and the dress of the patrons. Some have called its interior “museum-like”, others, like the late, great, splenetic A. A. Gill described it as a “painted, shiny distressed brown dung…set with labially pink cloths which give it a colonic appeal and the awkward sense that you might be a suppository.”

All nasty Brit-lit gymnastics aside, what you find when you enter is a classic, narrow, well-worn bistro that feels as comfortable as a pair of well-worn Wellingtons. Where Gill found “paunchy, combative, surly men” waiting tables, all we saw were affable-if-brusque, seen-it-all pros.

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Gill (who died in 2016, and whose hemorrhoids must’ve been acting up in ’11 when he wrote those words) also savaged the food. As much as we were a fan of his knives-out style, we found ourselves silently pleading with his ghost throughout our two-hour lunch. Au contraire, mon frere, we muttered continually. From an ethereally silky slab of foie gras to our deviled veal kidneys to the famous roast chicken (above), this was Parisian bistro cooking at its most elemental and satisfying. True, the recipes probably haven’t changed since Bogart was wooing Bergman, but that’s part of the charm. 

Where Gill found the foie to be “oleaginous and gross”, our bites were of the smoothest, purest duck liver. A mountain of shoestring fries came with our oversized bird, and better ones we had trouble remembering. Ditto the escargot, brimming with butter and electric green parsley — shot through with garlic in all the best ways.

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No fault could be found with the wine list either (pricey for a bistro, but not off-putting), or  a baba au rhum the size of a human head.

“Brits love to bag on the Frogs,” is what we thought as we were paying the bill and thanking the staff. The prices (for solids and liquids), are high but not enough to put you on our heels, especially if you’re used to Las Vegas. (Our lunch came to about 400 euros/couple, with about half being wine.) 

Gill concluded his hatchet job by calling L’Ami Louis the “worst restaurant in the world.” It may not be the best, old-fashioned bistro in Paris, but it’s a long way from deserving such opprobrium. I’d call it a must-stop for our next visit, for that terrine de foie gras alone:
 
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As I ate the oysters with their strong taste of the sea and their faint metallic taste that the cold white wine washed away, leaving only the sea taste and the succulent texture, and as I drank their cold liquid from each shell and washed it down with the crisp taste of the wine, I lost the empty feeling and began to be happy and to make plans. – Ernest Hemingway

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Le Dôme remains le ultimate seafood brasserie in a neighborhood swimming with them. All gleaming glass and brass, it has become a de rigueur to stop for oysters whenever we get to town. Montparnasse is chock full of good restaurants, many of which, like Le Select (1925), La Rotonde (1911) and La Cloiserie des Lilas (1847), are haunted by the ghosts of Gertrude Stein, Hemingway and Henry Miller.

These cafes formed the social hub of Roaring Twenties Paris, and, amazingly, continue to hold their own today, one-hundred years after they became American-famous.

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Like many of its equally famous neighbors, Le Dôme is huge, so don’t think twice about dropping in on a whim for a douziane plates and a glass of Sancerre.

Classics like Breton lobster and Dover sole (above), are prepared so perfectly they remind you why these dishes became renowned in the first place, and if you want to hunker down for a full meal, LD dazzles with best of them. The freshness of its cooked seafood is legendary, even in a town known for legendary fresh fish and shellfish.

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For dessert: don’t miss the mille-feuille Napoleon (sliced from a pastry the size of a rugby football) — which elicits ohhs and aahs for both its appearance and taste.

A note about the supposed insufferable French: this was our third visit to Le Dôme in the past four years, but we are hardly “known” to the management. On each visit, whether as a walk-in solo or with reservations and guests, we have always received a friendly welcome from the solicitous staff — who couldn’t be more helpful in either guiding us to the best oysters of the day, or which wine to pair with them. You get out of restaurants what you put into them, and if you walk into Le Dôme with happy heart, it will only make you happier.

A walk about Paris will provide lessons in history, beauty, and in the point of life. —Thomas Jefferson

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From Montparnasse one day, we trekked up the hill to Montmartre the next, to visit Le Coq et Fils (formerly Le Coq Rico) — Antoine Westermann’s paean to poultry.

Climbing up to Sacré Coeur and exploring the nooks and crannies of cobblestoned streets of this “village inside a city” puts you in a mood to take down an entire yardbird accompanied by a variety of other Westermann signatures like poultry broth “shots” (perhaps the most intense chicken soup ever made), duck rillettes, and egg mayonnaise “Westermann’s Way” (a gorgeous puck of the best egg salad ever tasted):

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But the undeniable stars of the show are the whole birds, and we opted for a four pound Bresse specimen of unsurpassed flavor:

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Image(Poulet de Bresse-my-soul)

From the crispness of the skin to the fineness of the grain to the richness of the flesh, these are flocks which put to shame the universal putdown of “tasting like chicken.” Of course the olive oil-drenched pommes puree and straight-from-the-fat frites don’t hurt your enjoyment of this beautiful bird, either.

The birds are sized and sold according to how many you want to feed (e.g. a guinea hen and smaller birds are sized for two). The wine list was modest in scope but interesting and reasonable, and the service couldn’t have been better.

For dessert we took down an Ile Flottante (“floating island”) — a lighter version of this classic — with a softball-sized meringue so airy it seemed to be floating above the creme Anglaise beneath it.

I have been in Paris for almost a week and I have not heard anyone say calories, or cholesterol, or even arterial plaque. The French do not season their food with regret. Mary-Lou Weisman

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Watching your calories is the last thing you want to do at L’Ami Jean — the au courant favorite of Parisian foodies  — a bistro which resists mightily the Brooklynization of casual Parisian dining

As with L’Ami Louis, its slightly older cousin across the Seine, you enter something of a time warp when you cross the threshold into a crowded, narrow room — whose general appearance hasn’t changed since Maurice Chevalier was breaking into talkies.

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Cheek-by-jowl everyone sits, the crowd being a mixture of internet-educated gastronauts and local trenchermen who’ve been expanding their ample bellies since the 70s. (From the vantage point of our sole, round six-top along the wall, the diners seemed to be running at about a 10-to-1 men-to-women.)

The effect is one of a raucous eating club in a cramped space where appreciating hearty, rustic food is the coin of the realm.

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Having taken serious umbrage to Gill’s evisceration of L’Ami Louis, I must raise an exception in the other direction  — in this case to the lavish praise universally heaped upon Stéphane Jégo’s ode to excess. We have nothing against wild boar stews and roasted pigeons drenched in wine. And we are hardly one to quibble with rough-hewn bricks of paté de campagne or nutty/puffy lobes of sweetbreads roasted with thyme. But when we considered our meals as a whole at this temple of bistronomy, what stuck with us was the textural, taste and visual sameness of our multiple courses — more  cuisine bourgeois-than restaurant cooking — finesse-free food heaped into bowls…which is probably the point. Nothing wrong with any of it, mind you, but no standouts, either.

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Service was the definition of “harried” but also almost preternaturally fast. They screwed up our white wine order, but brought the “wrong” bottle that happened to go beautifully with the food at the same price.

For dessert, get the signature rice pudding with caramel sauce, even if your ribs are pleading for something less to stick to them.

In wine there is wisdom, in beer there is freedom, in water there is bacteria. – Benjamin Franklin

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If food is the body of good living, wine is the soul. – Clifton Fadiman

The same advice I gave about cafés above applies to wine bars. There is wine aplenty in the area — Juveniles, Le Rubis, A L’Heure du Vin — so calling the First Arrondissement a “target rich environment” for oenophiles is like referring to Le Louvre as a nice art gallery.

We’re more Right Bank than Left Bank these days, so it’s a no-brainer to make Willi’s Wine Bar our home away from home.

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Oh Willi’s, how do we love thee? Let us count the ways:

Your wine (of course, specializing in Rhones both new and aged), either by the glass or bottle, always interesting at a fair price; the food (classic bistro fare but made with flair and good groceries by chef Francois Yon); excellent bread; exceptional cheese; and best of all, a friendly welcome (whether you are known or unknown).

English is freely spoken (it’s still owned by the Brit – Mark Williamson (below) – who founded it in 1980) and your staff is cheerful and knowledgeable, and their patience (with idiotic Americans who can’t decide what to order) is as long as the bar (above). 

And then, of course, there are those iconic posters: 

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And finally: the location — just a block from the Palais Royale — in the heart of where-it’s-happening Paris.

In other words, Willi’s is just about perfect, whether you’re hungry for a full meal, or seeking a simple sip. It’s as much restaurant as wine bar, but no matter what you’re looking for, it will send you away smiling.

Paris nourishes the soul, is how Victor Hugo put it, and Willi’s nourished us, in more ways than one on this trip.

We always returned to [Paris] no matter who we were or how it was changed or with what difficulties, or ease, it could be reached. Paris was always worth it and you received return for whatever you brought to it. – Ernest Hemingway

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As the sunlight fades over the distance of the Left Bank, a Parisian day always seems to end quietly, but regretfully, like a sigh.

There are few magic spells left to be woven in the world and this city still weaves one of them. How many cities on earth can you say that about? 

When good Americans die, they go to Paris. – Oscar Wilde 

Something else occurred to me 36,000 feet over the Atlantic: I am my best self in Paris — engaged, entranced and relaxed like nowhere else on earth. Perhaps it will be where I end my days. Who knows? There are worse ways to go.

This is the first part of a two-part article. Next month we go big game hunting among the haute-est of the haute cuisine temples of French gastronomy. 🥂🍾🇫🇷

CIPRIANI

I liked the location at once because it was at the end of a dead-end street….This meant that the customers would have to come there on purpose and couldn’t just stop in as they were passing by. That is the way I wanted it. To this day people have to come to Harry’s Bar on purpose. – Giuseppe Cipriani (1900-1980)

You go to Cipriani on purpose. You don’t go because there’s some hot new chef at the stoves. You aren’t there for pirouettes on the plate or cartwheels in the kitchen. You didn’t just stumble by the place on your way to somewhere else (the pool, a nightclub, blackjack, etc.), and cutting-edge is not in your cuisine vocabulary. The reasons you walk through the door say more about you than the restaurant. You are there because you can’t find this experience anywhere else but here or in Italy. (Venetian cuisine being perhaps the least-traveled of all regional Italian foods.)

The restaurant is there to serve you, but it has nothing to prove. It knows itself like a high soprano knows the aria from Madame Butterfly. It’s been doing the same thing, in the same way, successfully since 1931. There is no need for it to change. All that is left is for you to submit to its charms and history, and discover that, through decades of refinement, it serves a menu of subtle perfection like you’ve probably never tasted before.

If you resist this submission you will be disappointed. If your idea of Italian food is Tuscan meatiness, Neapolitan flamboyance, Calabrian heat or Emilia-Romagna-Sicilian-Roman largesse, you may look at your plate and wonder what all the shouting is about. But if you’re open to experiencing the deceptively simple yet hyper-delicious food of the Veneto —  — you will be transported to a cuisine both rustic and refined.

Image result for Ernest Hemingway at Harry's Bar(Ernest Hemingway and Giuseppe Cipriani prepare for their hangovers, Venice, 1950)

Before we get to that food, a little history is in order. Cipriani Las Vegas (pronounced chip-ree-AH-NEE LAS VAY-gus) is the latest in a chain of Italian restaurants that trace their lineage to Harry’s Bar in Venice (Italy, not California). Harry’s Bar was founded in 1931 by Giuseppe Cipriani — the grandfather of the founding family — and became famous as a watering hole/restaurant for European nobility, the carriage trade, celebs and American literati in the 1940s and 50s. (Sinclair Lewis and Ernest Hemingway were constant habitués, even though they hated each other, and once almost came to blows in the place. Orson Welles and Truman Capote were also regulars, and also hated each other, but the only punches they landed had rum in them.)

Being something of a louche, café society lover myself, I consider it my home away from home whenever I’m in Venice. (Unlike Hemingway, however, I find myself constitutionally incapable of parking six bottles of Amarone in my liver (as he did) every night before bedtime.)

Nevertheless, hanging out at Harry’s Bar has been de rigueur when I’m in town, perhaps in hopes of absorbing a bit of Ernest’s mojo. (In case you’re ever there, the first seat at the bar, by the cash register, is the one with my name on it.) So far, it hasn’t worked — I am also constitutionally incapable of writing short, declarative sentences —  but it’s made me more than a little acquainted with the bottom of a Bellini glass, and what constitutes a definitive seppie in tecia (cuttlefish served in its own ink).

When Arrigo Cipriani (Giuseppe’s son) answered the siren song of expanding and branding Harry’s Bar to other locales in 1989, he chose New York City  – specifically a space on the ground floor of the Sherry Netherland hotel. Then and now, the family considers the name “Harry’s Bar” to be sacrosanct, and chose their last name as the brand for their empire. (Arrigo originally wanted the first Harry’s Bar clone to be called “The Copy” but thankfully someone talked him out of it — no doubt because “Let’s meet at Cipriani” has a much more musical ring to it than “Let’s go grab some ‘Copy’ for lunch.”)

When I was frequenting New York in the early 90s, I found myself perched there many a time, too, although in 1992 I remember the prices to be cripplingly expensive. Now they don’t bother me at all — 30 years of “Eating Las Vegas” having immunized me from all restaurant sticker shock.

Las Vegas is now the 19th Cipriani in the world. They stretch from London to Singapore (New York currently has three), and the business is still family-owned. This alone probably explains why the quality remains high, and why the food in Las Vegas may be as close to the original as one could ever hope for.

Image result for Ernest Hemingway at Harry's Bar(Harry’s Bar)
(Cipriani Las Vegas)

First timers may find those low tables take a little getting used to, but they are a definitive part of Harry’s/Cipriani brand, so get used to them you will.

Arrigo Cipriani, in his written history of Harry’s Bar,  explains their design as reminiscent of the low tables he sat at as a child, where he always had more fun than at the taller, stuffier “grown up” tavola. Sit at them for a few minutes (they and the chairs are about 3″ lower than standard height) and you will see how they promote a certain intimacy among your table-mates. For larger folk, there are a number of plush booths (also lower) where you can spread out with lots of comfy pillows.

Eighty-seven years on, the details still matter, whether you’re in Las Vegas or one of the other Ciprianis around the world. Those tables will always be covered in starched white linens, the flatware is modestly-sized (Arrigo hates big, clunky knives and forks), and the staff is one of the most smartly outfitted in the business. Liquids are served in short, stout glasses (even the wine), and the sleek and sexy decor — all polished woods and gleaming brass — makes everyone feel like they’re in a Cary Grant movie.

And then there is the food. It’s the real deal, not an Americanized version of the idiosyncratic cuisine of Venice, but as pitch perfect as you could hope for thousands of miles from its homeland.

Before you get to it, you will first have a Bellini: a small glass of Prosecco and white peach juice invented because Giuseppe looked around one day in the summer of 1948 and said, “What the hell am I going to do with all of these white peaches?” Purée them and add the sparkling wine was the answer. He then named it after a 15th Century Venetian painter — Giovanni Bellini — and the world, literally, started beating a path to his bar.

The good news is that those Bellinis are cheaper here! They cost $17.00 in Vegas, and 30 euros in Venice, so have two! (They’re pretty small.)

(A proper carpaccio)

After the Bellini, you’ll have the carpaccio: the other world famous invention of Giuseppe Cipriani. Only slightly younger than the Bellini, its invention (in 1950) stemmed from some “ravishing countess” telling Giuseppe that she couldn’t eat cooked meat. “No problemo, segnora,” was his reply, “I’ll just pound a raw filet paper thin and dress it with a white, mustard/mayonnaise sauce.” He could have called it anything he liked, but the Renaissance painter Vittore Carpaccio happened to be hanging about Venice at the time (his paintings, at least). Giuseppe loved his bold red and white colors, so “carpaccio” it was, and every raw, flattened piece of food ever since has been stuck with the name.

As with the Bellini, a proper carpaccio couldn’t be any simpler, but as with all unadorned, exquisite things, there is no room for error. The raw ingredients must be impeccable, and their treatment must be precise, the better to let the result transcend the sum of its parts. Unfortunately, as with the martini, bourbon, pizza, sushi, etc., the letter and spirit of the original is honored more in the breach these days.

With those preliminaries out of the way, you will be free to peruse the wine list as you nibble on addictive short grissini (breadsticks), or some rather forgettable bread. (Don’t despair, the bread at Harry’s Bar is pretty forgettable, too.)

You’ll find the wine list of modest length and actually rather approachable, with plenty of decent choices of Italian white wines from multiple regions in the $65-$100 range. Maybe it’s the water of the Venetian Lagoon, or it’s famous fish, but I’ve always found white wines go best with this cuisine…even the meat dishes.

By now, it will be time to dive in. Certain dishes separate the men from the boys as it were, when it comes to the food of the Veneto: polenta, salt cod, cuttlefish, veal with tuna sauce, and most of all, calf’s liver “alla Veneziana”. None of these are what spring to mind when most Americans think “Italian food”.

Venetians love their fine white cornmeal (from the Friuli region) and serve it with everything but pasta and gelato. Good polenta — and at Cipriani it is always good — is much more than mere mush. It stands alone, like great pasta, for its elemental purity and strong sweet flavors of the earth. Polenta is as Venetian as a gondolier and learning to love it is your first step in obtaining your Venetian food diploma.

(Baby artichokes alla Romana)

Of things not to be missed (after that carpaccio) should be an order of baby artichokes “alla Romana” and Bacalà Mantecato (whipped salt cod, served with fried polenta).

The first will be the best artichokes you have ever eaten — soft, small and delicate — so unlike the woody, giant, indigestible globe artichokes we are stuck with in America.

Americans resist mightily the allure of the second dish, even though salt cod is no fishier than a tuna sandwich), but serious foodies love its airy, whipped refinement, which echoes the sea without bathing you in it.

Tuna of a more refined sort makes an appearance in a mayonnaise-like emulsion covering thin slices of cold veal — another exquisite recipe of extreme foreignness to American palates. Vitello tonnato appears on menus from Turin to Trieste, and is an umami-rich, meat-sea antipasti, much beloved by Italians in the summer.

(Seppie in tecia)

Salads of endive and radicchio and lobster with avocado are offered, and they’re perfectly fine (if a bit boring), so you’ll want to lean more towards the prosciutto and bresaola, which are top shelf and sliced right.  Seafood lovers are equally well-served by the plump shards of sweet-sour anchovies, and the seppie in tecia — a real test of your Venetian food chops — it being a thick, black stew of ink enveloping tender cuttlefish strands that’s as far from fried calamari as foie gras is from a chicken salad sandwich.

It would be nice if they could offer some of the bounty of the Adriatic Sea/Venetian Lagoon here (moeche, canoce, barboni, etc.), but a 6,000 distance makes seafood a secondary protein on this menu, rather than its focus. You’ll forget all about the fish, however, as soon as you dive into the pastas.

(Baked tagliatelle with ham)

Pastas are where things get heftier. But the portions easily feed two, and are so good they should come with a warning label that repeated exposure to any of them could become habit forming.

It’s doubtful you’ve ever had a veal ragú as light as the one dressing thick strands of tagliardi, and you’ll wonder if cream, ham, peas and cheese have ever matched better with tortellini, or baked more beautifully as a crust for thin, egg-y tagliatelle — the latter being another must-try signature dish. Knuckle-sized gnocchi come dressed with tomato cream one day, Gorgonzola cream the next, and are surprisingly light despite their weighty descriptions.

They do a beautiful Dover sole “alla Mugnaia” (a.k.a. a la meuniere) here, wonderful langoustines “al forno” and a rib-sticking braised short rib (again, all easily feed two), but if you really want to eat like the Doge of Venice, tuck into the calf’s liver “alla Veneziana”:

(Fegato alla Veneziana – liver and onions, Venetian-style)

The Venetians claim to have invented the dish, but as Waverly Root wrote in his The Food of Italy, “…it seems so natural a combination that it need hardly be pinned down to any single point of origin. It is true, however, that nobody does it better.” And nobody does it better in Las Vegas than Cipriani. Even if you think you hate liver, you should give it a try.

Pizza makes an appearance (just to appease knuckle-dragging Americans) —  but going to Cipriani for a pizza is like going to La Scala to see the “Book of Mormon.”

Something called “YOTTO Japanese Cuisine” is also on the menu, presumably because when people go to an Italian restaurant, what they really want is some Japanese food.

Desserts are remarkably light and white: Dolce Vanilla Meringue Cake, a Napoleon with vanilla cream, vanilla panna cotta, and the thickest, creamiest, silkiest and most vanilla-i-est gelato you have ever tasted. No foolin’….it is truly extraordinary gelato, worth a special trip all by itself.

(Best. Gelato. Ever.)

Cipriani is neither crowd-pleasing nor horde-imploring. Some people won’t “get it” in the same way people don’t “get” classical music, haiku poetry, new wave cinema, or the lines of a simple black dress. Cipriani is a state of mind. The ease and grace with which it displays its good taste is something new here — refinement and subtlety being to Las Vegas what strippers are to the Piazza San Marco. But there is a seductive reassuring quality to its flavors and its atmosphere. Nothing overpowers, but each bite beckons another; every visit inspires a return. The cuisine is born of nuance, and the service has been honed by almost a century of tradition. Cipriani is not for everyone. It is for the cognoscenti. You have to go there on purpose.

(Cipriani is open for lunch and dinner, seven days a week, with the same menu for both. Most dishes are easily split between two people with apps and pastas running $15-$30, and mains in the $30-$50 range, meaning: a modest lunch or dinner for two can run well under a hundy, or a more extravagant one about $150, excluding booze. My first meal here was comped, my next three have run $72, $200, and $163. They also validate your parking. Anyone who orders “nigiri sushi” here should be (figuratively) shot.)

CIPRIANI LAS VEGAS

Wynn Hotel and Casino

702.770.7390

http://www.cipriani.com/restaurant/?loc=las-vegas