Free Man In Paris

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I was a free man in Paris

I felt unfettered and alive

There was nobody calling me up for favors

And no one’s future to decide Joni Mitchell

American writers have been rhapsodizing about Paris since Ben Franklin’s powdered wig was peeking down some bustier. There’s not much I can add — literary-wise — to the musings of everyone from Henry James to Ernest Hemingway, but I can share a few pointers on what to see and where to eat, along with some musings of my own about what makes the City of Light so compelling, one-hundred years after Ernest & Friends fell in love with it.

The culture of Paris insinuates itself into your soul if you let it. Americans love to talk of snooty Frenchmen and various un-pleasantries, but those are the carpings of the intentionally uncomfortable — the sorts who arrive in any foreign environment looking for something to bitch about.

All you have to do to enjoy yourself in Gay Paree is give in to the Parisian vibe (by turns energetic one minute, and insouciant the next). Leave your American expectations at home, relax, stroll around a bit, and say “bonjour!” and “s’il vous plait” about thirty times a day. Do that and they are almost as nice as Italians.

As I was somewhere over the Atlantic, coming back from ten days walking the streets and haunting cafes from Montparnasse to Montmartre, it occurred to me that this might be my writing future: travelogues for those who might wish to follow in my footsteps in the coming months/years. My covering the Las Vegas food scene has reached its natural end; there are no more mountains for me to climb here, and frankly, it’s more fun these days to see the world rather than wander around (again and again) in my own backyard.

(If you’re dying to hear my mellifluous tones pontificate on where best to exercise your palate in Sin City, tune in Fridays to What’s Right with Sam & Ash — where we whoop it up about food while recapping my eating week.)

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Unshackled by the bonds of servitude to Sin City, I am thus free to eat the world, where, quite frankly, the food, wine, and scenery are better (and often cheaper). Consider this a combination of food diary and love letter to my favorite city in the world, where the sights and smells never fail to astonish me, and where eating and drinking well is as easy as rolling out of bed.

But before you can embrace all the picturesque wonderfulness, you first have to get there, and sad to say, that will be more annoying than anything you encounter once you arrive.

News flash: Flying remains a pain in the ass.

Air France is a shell of its former self. A country’s airline — be it SwissAir, Lufthansa or whatever — used to tickle you with anticipation (“As soon as you board, you feel like you’re almost in the country,” I used to tell my kids.) Now you’re on an airbus in more ways than one. They throw some cardboard food at you a couple of times and wheel a shitty beverage cart up the isle twice (first, an hour into your eight-hour transatlantic haul; then again six hours later), and that’s it.

No cans of soda, no mixers, nothing but water, crappy coffee, tepid tea and supermarket wine. Pro tip: load up on snacks and beverages at the airport. What’s become an insult to passengers has been a boon to SmartWater and SlimJims. None of this applies if you fly business- or first-class, which we never do, preferring to save our $$$s for the food and wine which lie ahead.

Enough negativity, let’s get to the fun stuff.

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Traveling is living intensified. – Rick Steves

Paris the “Being John Curtas” way means you literally lose yourself there; park your worst instincts back home and drink it all in, every waking moment. I become more sanguine, taciturn even (about everything but the ubiquitous dog shit).

Every time I see Paris’s low profile and history-drenched boulevards, I feel like I’m an awestruck ten-year old seeing a big city for the first time. Rick Steves’ quote is no more true than on the streets of Paris, where your senses are excited on every block, and awesome architecture defines every corner.

The French invented blasé (the word and the mood), but no matter how many times I’m in the city (this last trip was my tenth), that’s the one feeling I never have. I’m too busy picking my jaw off the pavement…when I’m not using it.

If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life, it stays with you, for Paris is a moveable feast. – Ernest Hemingway

Image(When I’m in Paris, I’m on a seafood diet: when I see food I eat it.)

The Food. The wine. The seafood! (sea above) The size of the brasseries and the sheer number of cafés means you’ll never go hungry, no matter what the hour.

It’s really one of the most impressive things about Paris: the mind-blowing number of places to feed and refresh yourself. They’ve always been in abundance, but the patisseries/boulangeries (technically not the same thing, but often combined) seem to have doubled in number over the past decade.

The Style: men in snappy coats and women being worn by heroic scarves.  No t-shirts or cargo shorts, please. Someone asked me what the French don’t like about Americans and the answer is simple and understandable: the way we dress.

Finally: awesome architecture and history envelops its iconic restaurants. The sheer beauty of them should not surprise (the French invented the modern restaurant, after all), but the stunning interiors (and how well they’ve aged) are still enough to take your breath away:

Image(Le Grand Colbert)

If you can’t enjoy yourself walking around Paris, you need to have your pulse checked.

My advice to anyone traveling to France or Italy is to always find a café to call your own, preferably close to your hotel. Stopping by every morning will start to make you feel like a local, and by your third visit, even the frostiest waiter will start to smile when he sees you.

 Walking, smelling, sitting, sipping cafe au lait. “Encore, s’il vous plait” we say.(“please bring another”)…and your favorite waiter will let you sit there all day, diddling your phone, reading a book, or planning where next to eat  — which is the surest way to make you feel like a Frenchman.

Amazingly though, we actually lose a few pounds on every visit. Five-to-ten miles of walking each day will do that, no matter how many baguettes or soufflés you inhale. Sage advice: use your mornings to plan your pre- and post-dejeuner walks.

If The Food Gal® is lucky, I occasionally agree to a little shopping, just to buy some marital harmony. (Poor thing has always operated under the illusion there is something to do in Paris other than eat and drink.)

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Breakfast, you ask? Fuggidabadit. In France, breakfast (aka “petit dejeuner”) is good for only one thing: thinking about lunch. Some coffee and a croissant is all you’ll need to fuel you for the first few hours of the day. From then on, it’s Katy bar the door/calories here we come, as temptations await on every block.

THE RESTAURANTS

Image(97 and still cookin’)

Straight off the plane, still groggy from jetting the ocean, we staggered into L’Ami Louis (above) perhaps the toughest bistro ticket in Paris. It was worth the wait, which for me had been twenty-five years — a quarter century of hearing about its allure to ex-pats, celebs, and galloping gourmands, followed by a revisionist decade of how gauche and “not worth it” it was. It is the one bistro critics love to hate. Especially British critics, as you’ll see below.

Founded in 1924, they only things that have changed in ninety-seven years are the prices and the dress of the patrons. Some have called its interior “museum-like”, others, like the late, great, splenetic A. A. Gill described it as a “painted, shiny distressed brown dung…set with labially pink cloths which give it a colonic appeal and the awkward sense that you might be a suppository.”

All nasty Brit-lit gymnastics aside, what you find when you enter is a classic, narrow, well-worn bistro that feels as comfortable as a pair of well-worn Wellingtons. Where Gill found “paunchy, combative, surly men” waiting tables, all we saw were affable-if-brusque, seen-it-all pros.

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Gill (who died in 2016, and whose hemorrhoids must’ve been acting up in ’11 when he wrote those words) also savaged the food. As much as we were a fan of his knives-out style, we found ourselves silently pleading with his ghost throughout our two-hour lunch. Au contraire, mon frere, we muttered continually. From an ethereally silky slab of foie gras to our deviled veal kidneys to the famous roast chicken (above), this was Parisian bistro cooking at its most elemental and satisfying. True, the recipes probably haven’t changed since Bogart was wooing Bergman, but that’s part of the charm. 

Where Gill found the foie to be “oleaginous and gross”, our bites were of the smoothest, purest duck liver. A mountain of shoestring fries came with our oversized bird, and better ones we had trouble remembering. Ditto the escargot, brimming with butter and electric green parsley — shot through with garlic in all the best ways.

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No fault could be found with the wine list either (pricey for a bistro, but not off-putting), or  a baba au rhum the size of a human head.

“Brits love to bag on the Frogs,” is what we thought as we were paying the bill and thanking the staff. The prices (for solids and liquids), are high but not enough to put you on our heels, especially if you’re used to Las Vegas. (Our lunch came to about 400 euros/couple, with about half being wine.) 

Gill concluded his hatchet job by calling L’Ami Louis the “worst restaurant in the world.” It may not be the best, old-fashioned bistro in Paris, but it’s a long way from deserving such opprobrium. I’d call it a must-stop for our next visit, for that terrine de foie gras alone:
 
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As I ate the oysters with their strong taste of the sea and their faint metallic taste that the cold white wine washed away, leaving only the sea taste and the succulent texture, and as I drank their cold liquid from each shell and washed it down with the crisp taste of the wine, I lost the empty feeling and began to be happy and to make plans. – Ernest Hemingway

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Le Dôme remains le ultimate seafood brasserie in a neighborhood swimming with them. All gleaming glass and brass, it has become a de rigueur to stop for oysters whenever we get to town. Montparnasse is chock full of good restaurants, many of which, like Le Select (1925), La Rotonde (1911) and La Cloiserie des Lilas (1847), are haunted by the ghosts of Gertrude Stein, Hemingway and Henry Miller.

These cafes formed the social hub of Roaring Twenties Paris, and, amazingly, continue to hold their own today, one-hundred years after they became American-famous.

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Like many of its equally famous neighbors, Le Dôme is huge, so don’t think twice about dropping in on a whim for a douziane plates and a glass of Sancerre.

Classics like Breton lobster and Dover sole (above), are prepared so perfectly they remind you why these dishes became renowned in the first place, and if you want to hunker down for a full meal, LD dazzles with best of them. The freshness of its cooked seafood is legendary, even in a town known for legendary fresh fish and shellfish.

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For dessert: don’t miss the mille-feuille Napoleon (sliced from a pastry the size of a rugby football) — which elicits ohhs and aahs for both its appearance and taste.

A note about the supposed insufferable French: this was our third visit to Le Dôme in the past four years, but we are hardly “known” to the management. On each visit, whether as a walk-in solo or with reservations and guests, we have always received a friendly welcome from the solicitous staff — who couldn’t be more helpful in either guiding us to the best oysters of the day, or which wine to pair with them. You get out of restaurants what you put into them, and if you walk into Le Dôme with happy heart, it will only make you happier.

A walk about Paris will provide lessons in history, beauty, and in the point of life. —Thomas Jefferson

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From Montparnasse one day, we trekked up the hill to Montmartre the next, to visit Le Coq et Fils (formerly Le Coq Rico) — Antoine Westermann’s paean to poultry.

Climbing up to Sacré Coeur and exploring the nooks and crannies of cobblestoned streets of this “village inside a city” puts you in a mood to take down an entire yardbird accompanied by a variety of other Westermann signatures like poultry broth “shots” (perhaps the most intense chicken soup ever made), duck rillettes, and egg mayonnaise “Westermann’s Way” (a gorgeous puck of the best egg salad ever tasted):

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But the undeniable stars of the show are the whole birds, and we opted for a four pound Bresse specimen of unsurpassed flavor:

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Image(Poulet de Bresse-my-soul)

From the crispness of the skin to the fineness of the grain to the richness of the flesh, these are flocks which put to shame the universal putdown of “tasting like chicken.” Of course the olive oil-drenched pommes puree and straight-from-the-fat frites don’t hurt your enjoyment of this beautiful bird, either.

The birds are sized and sold according to how many you want to feed (e.g. a guinea hen and smaller birds are sized for two). The wine list was modest in scope but interesting and reasonable, and the service couldn’t have been better.

For dessert we took down an Ile Flottante (“floating island”) — a lighter version of this classic — with a softball-sized meringue so airy it seemed to be floating above the creme Anglaise beneath it.

I have been in Paris for almost a week and I have not heard anyone say calories, or cholesterol, or even arterial plaque. The French do not season their food with regret. Mary-Lou Weisman

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Watching your calories is the last thing you want to do at L’Ami Jean — the au courant favorite of Parisian foodies  — a bistro which resists mightily the Brooklynization of casual Parisian dining

As with L’Ami Louis, its slightly older cousin across the Seine, you enter something of a time warp when you cross the threshold into a crowded, narrow room — whose general appearance hasn’t changed since Maurice Chevalier was breaking into talkies.

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Cheek-by-jowl everyone sits, the crowd being a mixture of internet-educated gastronauts and local trenchermen who’ve been expanding their ample bellies since the 70s. (From the vantage point of our sole, round six-top along the wall, the diners seemed to be running at about a 10-to-1 men-to-women.)

The effect is one of a raucous eating club in a cramped space where appreciating hearty, rustic food is the coin of the realm.

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Having taken serious umbrage to Gill’s evisceration of L’Ami Louis, I must raise an exception in the other direction  — in this case to the lavish praise universally heaped upon Stéphane Jégo’s ode to excess. We have nothing against wild boar stews and roasted pigeons drenched in wine. And we are hardly one to quibble with rough-hewn bricks of paté de campagne or nutty/puffy lobes of sweetbreads roasted with thyme. But when we considered our meals as a whole at this temple of bistronomy, what stuck with us was the textural, taste and visual sameness of our multiple courses — more  cuisine bourgeois-than restaurant cooking — finesse-free food heaped into bowls…which is probably the point. Nothing wrong with any of it, mind you, but no standouts, either.

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Service was the definition of “harried” but also almost preternaturally fast. They screwed up our white wine order, but brought the “wrong” bottle that happened to go beautifully with the food at the same price.

For dessert, get the signature rice pudding with caramel sauce, even if your ribs are pleading for something less to stick to them.

In wine there is wisdom, in beer there is freedom, in water there is bacteria. – Benjamin Franklin

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If food is the body of good living, wine is the soul. – Clifton Fadiman

The same advice I gave about cafés above applies to wine bars. There is wine aplenty in the area — Juveniles, Le Rubis, A L’Heure du Vin — so calling the First Arrondissement a “target rich environment” for oenophiles is like referring to Le Louvre as a nice art gallery.

We’re more Right Bank than Left Bank these days, so it’s a no-brainer to make Willi’s Wine Bar our home away from home.

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Oh Willi’s, how do we love thee? Let us count the ways:

Your wine (of course, specializing in Rhones both new and aged), either by the glass or bottle, always interesting at a fair price; the food (classic bistro fare but made with flair and good groceries by chef Francois Yon); excellent bread; exceptional cheese; and best of all, a friendly welcome (whether you are known or unknown).

English is freely spoken (it’s still owned by the Brit – Mark Williamson (below) – who founded it in 1980) and your staff is cheerful and knowledgeable, and their patience (with idiotic Americans who can’t decide what to order) is as long as the bar (above). 

And then, of course, there are those iconic posters: 

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And finally: the location — just a block from the Palais Royale — in the heart of where-it’s-happening Paris.

In other words, Willi’s is just about perfect, whether you’re hungry for a full meal, or seeking a simple sip. It’s as much restaurant as wine bar, but no matter what you’re looking for, it will send you away smiling.

Paris nourishes the soul, is how Victor Hugo put it, and Willi’s nourished us, in more ways than one on this trip.

We always returned to [Paris] no matter who we were or how it was changed or with what difficulties, or ease, it could be reached. Paris was always worth it and you received return for whatever you brought to it. – Ernest Hemingway

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As the sunlight fades over the distance of the Left Bank, a Parisian day always seems to end quietly, but regretfully, like a sigh.

There are few magic spells left to be woven in the world and this city still weaves one of them. How many cities on earth can you say that about? 

When good Americans die, they go to Paris. – Oscar Wilde 

Something else occurred to me 36,000 feet over the Atlantic: I am my best self in Paris — engaged, entranced and relaxed like nowhere else on earth. Perhaps it will be where I end my days. Who knows? There are worse ways to go.

This is the first part of a two-part article. Next month we go big game hunting among the haute-est of the haute cuisine temples of French gastronomy. 🥂🍾🇫🇷

I Once Flew to Paris Just to Have Lunch

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I once flew to Paris just to have lunch

To Paris I went without care, without crunch

I once flew to Paris just ’cause I could

On a plane, on a whim, on the hopes of meals good

To Paris I flew, alone as it were

Leaving the wife to her toils, don’t think me a cur

A fantasy it had been throughout my manhood

To fly just for lunch, thinking I should…

Learn French, eat France, explore all things Gaulois!

My fate I once thought, it wistfully was

Today on this day, I thought of such things

And the swings of good fortune which enabled such flings

To meet Mariani, a gastronome friend

Paris did beckon us fellow curmudgeons

On landing that morn, I rubbed out the sleep

Where I’d dreamed to myself of lambs, ducks and geese

Image(Duck confit with summer vegetables)

To the Ritz as it were, did we travel that day

Where a meal was awaiting the French call déjeuner

The difference you see, is one of degree

For in France you can feast, and here we just feed

A pity it seems, so to France I did fly

To eat like a king and kiss troubles goodbye

How much do you ask, would be this repast?

Expensive it is, too much for mere mortals

But walking is free among these luxe portals

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This is insane, I thought on the Seine

To travel for food so many disdain

But undaunted I was, so to lunch I did go

For dining so fine it sets me aglow

The Ritz is The Ritz, as ritz as they come

As were our courses, one after one

So beautiful they were, elegant, precise

Both John and I could’ve eaten them thrice

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And the bread, oh the bread, for which French are so famous

Rising and baking Français are not aimless

Crusty, yeasty, with softness yet crunch

One travels an ocean to have it for lunch

Image(Pan-fried Dorade with mussel tortellini and artichoke purée)

And while we’re at it, did we mention the fish?

Nowhere on earth, is it found this delish

The French have a way with all things that swim

While America flounders with fins the most grim

Image(Raisin Einset en compotée et sorbet, crème montée et meringue croustillante)

Image(aka grapes in vanilla cream sorbet in meringue crust)

And it goes without saying that desserts reign supreme

Anywhere the French are whipping some cream

The Ritz, as you imagine, is kingly of sorts

When it comes to sorbets, meringues, tarts and tortes.

An art form lunch is, in France like no other

With wine, with cheese, with friends or a lover

I once flew to France just for a feast

On food so sublime all troubles did cease.

Image(Crab “Napoleon” with lobster sauce)

Image(Tomate stracciatella, crémeaux basilic poundré à l’olive noire – but you knew that)

 

 

GUY SAVOY

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The destiny of nations depends on how they nourish themselves. – Jean Anthelme Brillat-Savarin

FRANCE

As clichés go, the one about Americans falling in love with France is an old one. It probably started around the time they helped us win our independence from England, gained more currency when noted Francophile Thomas Jefferson was in the White House, and gathered full steam when the literary lions of the Roaring 20s (Hemingway, Fitzgerald, Stein, et al) took France to their bosom and spent most of the mid-20th Century living there and writing about it.

When I began traveling there in the early 1990s, France was still the ne plus ultra of dining. The rise of Spain in the early aughts might have eclipsed it for a while (as did the mercifully short New Nordic fad), but the French gastronomic meal (an official UNESCO cultural heritage icon) is still the standard by which all western dining is judged.

More accurately, the progression of how we eat our formal meals — from light to heavy, fish to meat, soup to nuts — is based upon culinary rules set down hundreds of years ago. They’ve lasted this long because they make sense — both from a taste and digestion standpoint — and because:

The gastronomic meal emphasizes togetherness, the pleasure of taste, and the balance between human beings and the products of nature. Important elements include the careful selection of dishes from a constantly growing repertoire of recipes; the purchase of good, preferably local products whose flavours go well together; the pairing of food with wine; the setting of a beautiful table; and specific actions during consumption, such as smelling and tasting items at the table. The gastronomic meal should respect a fixed structure, commencing with an apéritif (drinks before the meal) and ending with liqueurs, containing in between at least four successive courses, namely a starter, fish and/or meat with vegetables, cheese and dessert. Individuals called gastronomes who possess deep knowledge of the tradition and preserve its memory watch over the living practice of the rites, thus contributing to their oral and/or written transmission, in particular to younger generations.

In other words, there’s a reason you don’t start dinner with ice cream and steak, proceed to chocolate cake, and then end with a hunk of sautéed skate, and those reasons were first codified by the French when native Americans were still throwing rocks at each other.

FRENCH FOOD

Image(It’s tough to clam up about GS)

From a food writing perspective, that same period (deep into 1990s) was dominated by the French. From M.F.K. Fisher to Richard Olney to Elizabeth David to Julia Child, if you were “into food” back then, you were into France. Couldn’t help it. Whereas these days the food media goes a ga-ga over obscure Asian soups and South African street food, then it was pot au feu or bust.

Fifteen years before I actually went there, I immersed myself in French cooking. Pierre Franey, Julia Child, Craig Claiborne and Jacques Pepin were my guides (as were two subscriptions to Gourmet and Bon Appétit magazines), and I soaked up information like a baguette in bouillabaisse.

Reading about French food is nothing like tasting it, though, and tasting it in France is incomparable to eating it anywhere else. This I had to learn the expensive way.

French food is about technique — French chefs are drilled with military precision into masters of slicing, dicing, braising and plating. Their repertoire is vast and their training so thorough they can break down chicken or fish with the ease of a blindfolded Marine dismantling his rifle.

The French spend more time thinking about steaming a bundle of asparagus than an Italian thinks about vegetables his entire life. And when it comes to sauces, no country can touch them. A Greek’s idea of a sauce is squeezing a lemon over something; the Japanese don’t have them at all. A Gaulois will massage a demi-glace for hours.

Image(Ex-cepe-tional Parisian eats)

French food gets a bad rap because it’s complicated — and it is — in the same way all worthwhile things are. Do you refuse to listen to classical music because too many instruments are involved? (Too many notes!) Do we avoid art museums because studying all those pictures hurts our eyes? Should we disdain books because they overload us with information? Criticizing French food for being multi-layered, richly-textured, and densely fascinating is like knocking Mozart because you can’t dance to him. The old triticism about La Cuisine Française being too heavy — another insult tossed about by those challenged by anything beyond a meatball — hasn’t been true since 1972.

Modern French cuisine really began with Escoffier over a century ago. It was further lightened up by the nouvelle cuisine revolution of the 1970s — spearheaded by Paul Bocuse, Jean Troigros and others —  and settled into post-modern form (if you want to label it thus) around the time Guy Savoy received his second Michelin star (back when they actually meant something) in 1985. Thirty-five years later, he is still cooking some of the best food in Paris…which means some of the best food in the world.

French restaurants continue to dominate any list of the world’s best, and at the time of the Covid shutdowns, Savoy was riding high atop (or near the top) of many of them.

Having spent forty years with this food, we don’t place a lot of stock in the opinion of others. Nor do we cotton to the idea that there a “best” restaurant anymore than there is a best concert, movie, or book. The “best” of anything really can’t be measured unless a score or finish line is involved. At most what you have is a continuum of quality, and at the pinnacle (as with art, literature, and music) there is a level of excellence only a select few ever achieve. All the rest of us can do is sit back and enjoy the show.

The show at both Guy Savoys is always on the plate. No one and nothing seems to be trying too hard, and the effect is one of seamlessness — like a virtuoso who is barely breaking a sweat. As the audience, we soak it all up, blissfully unmindful of how much training and repetition goes into making it look so easy.

PARIS

Image(Guy Savoy Paris)

Invariably, whenever I update my review of Restaurant Guy Savoy, the question is asked: How does Vegas compare to Guy Savoy Paris? The most honest answer I can give is: GS Paris is great French food in France; RGS in America is sublime, but it’s an extension of the original that’s traveled 6,000 miles to get here. Nothing compares to eating a cuisine on its native soil, and nothing, not clam chowder, tacos or Lièvre à La Royale improves once it is transported to another locale for interpretation.

This is not to take away from our off-shoot (as you will read below), but only to point out that the edges are finer, the applications more punctilious, the snap and sizzle a tad sharper in Paris than anywhere not Paris. Eating French bread and French cheeses on French soil, or desserts too, for that matter, is the apotheosis of alimentation — black belt gastronomy at tariffs to match.

The French know these things and are very proud of their culinary heritage, but the old saw about French restaurants being snooty is as out of date as the guillotine. Yes, you have to have the coin to dine in these temples, but if you come with an open mind and a smile on your face, you will be charmed out of your socks. Everywhere in Paris, restaurant staffs are young, way better looking than waiters were in my day, multi-lingual, and cheerfully solicitous. Anyone who thinks French waiters are sour and condescending ought to visit Germany sometime.

You eat with your eyes, the old saying goes, and everything about Savoy’s new digs (since 2015) in Paris is an eyeful. As at Caesars Palace, the location is in an unlikely place: in this case through a courtyard of a large building that used to house the Paris Mint (Monnaie de Paris), up two massive flights of stairs, to an entrance desk leading to a warren of small rooms, each holding 3-4 tables looking out onto the Pont Neuf (Ninth/New Bridge).

The maze is impressive and effective — preparing you for your entry into the rarefied air of the French meal at its most refined. Four centuries of savoir faire distilled into edible things on a plate, served course by course, all so delicious they will send a happy shudder down your spine.

Image(Sweetbreads and peas in Gay Paree)

Many months after my last meal there, the details are still vivid: the petit pois with sweetbreads (above); woodsy cèpes — tasting of good clean earth — folded into a flower around an onion-bacon marmalade; San Pierre with the sweetest razor and baby clams; bread and butter to die for; a langoustine seemingly dropped from a Norway fijord onto to your plate; les fromages; les desserts…as I sit here writing it all comes flooding back, haunting me like Proust ruminating on a madeleine:

An exquisite pleasure had invaded my senses, but individual, detached, with no suggestion of its origin. And at once the vicissitudes of life had become indifferent to me, its disasters innocuous, its brevity illusory–this new sensation having had on me the effect which love has of filling me with a precious essence; or rather this essence was not in me, it was myself. I had ceased now to feel mediocre, accidental, mortal. Whence could it have come to me, this all-powerful joy?

All it took was a few crumbs from a tea cake for Marcel; with me, it is sitting down to a meal at Guy Savoy to make my mortality and the burdens of existence but a fleeting thought for a few hours. A great meal in a great city by a great chef will do that to you.

LAS VEGAS

Image(There’s a lot to loaf about Guy Savoy)

By the time Guy Savoy planted his flag in Las Vegas in May 2006, I had dived deeply into the restaurants of France multiple times. His was a name revered for his Michelin stars and his innovative take on the gustatory pleasures of France, but it was one I had missed amidst all my high-altitude eating.

In the early days of Restaurant Guy Savoy, I was like a kid in a French candy store, probably dining there ten times in its first two years, sometimes on my dime, sometime on his. As our dining scene cranked up, the competition got stiffer (Robuchon, Pierre Gagnaire, José Andrés, Mario Batali, Daniel Boulud to name a few) so my visits cooled, even if my ardor didn’t.

In normal times, we hit RGS about once a year. But these are anything but normal times, mon ami. August 2020 finds a double-sawbuck of Vegas hotels closed, and the open ones running at half-steam, if that.

Cruise any hotel on a mid-week evening and you’ll find only a handful of spots open. Even the mighty Bellagio is operating with Picasso, Le Cirque, Michael Mina (and others) closed until further notice.

The late, great Joël Robuchon’s twin destinations in the MGM (his namesake and L’Atelier de Joël Robuchon – the world’s classiest chain restaurant) are shuttered right now. Pierre Gagnaire looks to be kaput over at the Waldorf, and the Eiffel Tower is but an empty vessel these days.

What this means is Savoy has the territory all to himself, and those looking for a high-falutin’, once-in-a-lifetime, big deal French meal — the kind becoming rarer and rarer anywhere outside of France and a few cosmopolitan world capitals — have but one place left in Las Vegas, and that place is located up a flight of stairs in an obscure corner of Caesars Palace.

Repeat customers will notice how things have changed: the bar is closed, the menu is accessed through your phone, the bread is sliced and served from the kitchen, and the cheeses and desserts are lesser in number and covered with plastic lids (yummy). What hasn’t changed is the precise cooking and plating, the fork-dropping combinations of flavors in each dish, and the jaw-dropping amazement one feels at the beginning, middle and end of each dish.

Image(Berry berry berry good)

Great French chefs (unlike the Japanese and Italians) are never content to leave well enough alone . They, like the Chinese, never saw an ingredient they didn’t think they could make taste like more of itself (see blueberries times three above). Unlike the wacky Spanish, they rely more on extracting an ingredient’s essence and less on culinary sleights of hand. What sets Savoy apart is his ability to simplify, amplify, and still astonish without ingenuity for its own sake.

You start your meal with an amuse of something tiny — ranging from the world’s miniest miniburger to an etoile (star)-shaped nugget of poached foie gras. You will, at first, think nothing of this trifle until you pop it in your mouth. It will be rich yet light, intriguing but beckoning you to want more. OMG you will say, either to yourself or to your companions, I could eat ten more of these. And so you could, and so has the amuse-bouche accomplished its job.

Image(Spinach-truffle “Napoleon”)

From then on, you can’t go wrong, no matter what you order. As per everything post-Covid, the menu has been truncated: only one seasonal tasting menu is offered ($355); a la carte sees five starters and six entrees are on the card and that’s it. Newbies with purpose, appetite and purse would do well to go whole hog, but mere mortals will find a shorter experience just as enchanting by sticking to three courses – which quickly become more like six once various treats are tossed your way by the kitchen. (Dessert always seems to be a three course affair, no matter what you order.)

It all starts with the bread (above). The point of French food at this level is that everything has a purpose, and bread is as elemental to the French as water and wine. Échiré butter (salted and un- always at the correct temperature) accompanies it and resistance to their charms will be futile. (This is no place for the gluten or lactose averse.) The whole point of the bread and butter being to transport you to French soil, and within two bites, you’re imagining yourself on the Champs-Elysée.

Those mini-bites of foie gras (along with another perfectly round, seared slab appearing in tiny truffle-d sandwich form) are another symbol of French food — representing classic cuisine both new and old. A larger portion can be ordered as an appetizer, seared and served on brioche, which gives a foie liver lover all they can handle.

Image(The world’s greatest soup)

Savoy’s classic artichoke, truffle, Parmesan soup is always on the menu (even though its flavor profile fits cooler climes than a Las Vegas summer), but by now, its reputation precedes it, so no Savoy meal is without. Likewise “Colors of Caviar” — a multi-hued concoction of  caviar in various guises (creamed, naked, vinaigrette) layered in a small glass with a green beans, is a wonder of tastes, textures and temperatures in a compact vessel that, by all rights, shouldn’t be able to hold so much sumptousness in such a small space. Is it expensive? Yes ($90), but it also represents a level of delicacy very few kitchens in the world can match.

Savoy’s oyster trilogy is remarkable as well, even if they’re out of season. The shellfish are plump and fat and come bedecked with uni, caviar, and a citrus gelée. We could do without the uni (it’s a flavor bully who doesn’t always bring a lot to the party except brininess – something not in short supply with good oysters), but if you insist on ordering ‘ersters in summer, you will find no better.

Image(Tomato “carpaccio” and sorbet)

The cheapest appetizer on the menu right now ($65) is also the best: “Tomatoes All Around.” A play on another Savoy signature, “Peas All Around,” — a  seasonal wonder presenting the love apple in three, distinct ways: as a carpaccio, giving way to a gazpacho (deceptively parked underneath the top plate), accompanied by a thick-flesh tomato compote of pure, aching, tomato sweetness.

At this level of dining, everything counts, everything on the plate has a purpose, every swirl, garnish and smudge is there for a reason. If Japanese food is the most inscrutable, and Italian the most crowd-pleasing, then French is the surely the most thoughtful. Little bites give way to bigger ones: lobster with coral sauce; veal chop and sweetbreads; roast duck in all its glory; John Dory (St. Pierre fish en Français) come sprinkled with crispy fish scales in a nice-sized pool of impeccable beurre blanc.

When Andy Hayler reviewed our Guy Savoy six years ago, he took issue with the quality of the produce (compared to Paris), While there’s no denying the superiority of some European products, I’ve never found the fruits and veggies here to be lacking; where I’ve had some (minor) quibbles has been with the fish. Las Vegas, no matter how good the air freight, can’t compete with Paris for the absolute freshness and variety of French oysters or cold water European seafood…and absolute freshness is everything when considering fish. Just ask François Vatel.

Not sure if chicken has ever appeared on this menu, but we must concede to French authority there as well.

Image(The French know ducks like a Korean knows cabbage)

Savoy himself has told me he prefers American beef, so we will brook no debate with Hayler or anyone else about the quality of the major proteins here (including veal and that roast duck). All compete on equal terms with anything Paris can throw at you.

Chef Nicolas Costagliola runs the kitchen these days, and I have yet to find a misstep in his recitation of the Savoy catechism. No doubt some of these recipes are now so rote the cooks could do them in their sleep, but at this level, every detail must be attended to and it is.  Here, the craftsmanship is so meticulous it is almost invisible, which, at this lofty perch in the fine dining universe, is how it should be.

Each of the entrees pushes way past a hundred dollars (most are in the $120 range), but, as we said, between the extra flourishes, the ingredients, and the flawlessness of the execution, you’re getting the best food money can buy.  As restaurant food goes, this is some of the priciest on earth. But the best of anything is always expensive, and unlike cars, clothes, and real estate, non-oligarchs can experience these delights for themselves, on equal footing with high rollers and trust fund babies.

Image(My usual at GS Caesars)

At these prices the service should never miss a beat…and it never does. As I’ve mentioned before, the wine list (now overseen by Andrew Hurley) remains an oenophile’s dream come true. The only things to fault are not the restaurant’s: the shortened menu, fewer desserts, cheeses, and the sense that you are eating in a restaurant operating with one hand tied behind its back.

But those hands are some of the most skilled in the business, and they’re right in our own backyard. Thomas Keller is closed; California is now being run by scared-of-their-shadow bureaucrats; New York is putting everyone on a sidewalk. Great restaurants are under siege, through no fault of their own. If and how they recover is anyone’s guess.

Guy Savoy is all we have left, ladies and gentlemen, the last Frenchman standing in America, if you will. Who knows what the future will bring, but if you are one of those intrepid types who seeks food so good it will make you weep, all you can do is applaud Caesars Palace for taking the bold move of reopening its most high-toned restaurant. From two recent visits, the gamble seems to be paying off, as most of the tables were full — telling us that even in this messed-up world, there are those who still seek the best when it is offered to them.

And make no mistake, Guy Savoy is the best. To completely contradict myself: Restaurant Guy Savoy is certainly the best restaurant in Las Vegas right now, and for the foreseeable future, it might be the best one in America.

My last two meals at Restaurant Guy Savoy in Las Vegas, cost $1,000 and $455 (for two). (The more expensive one was 50% wine.) My last meal at Guy Savoy Paris was comped; I left a 100E tip.

Monnaie de Paris
11 Quai de Conti
Paris, France 75006
+33 1 43 80 40 61
Caesars Palace
3570 Las Vegas Blvd. South
Las Vegas, NV 89109
702.731.7286
French chef Guy Savoy in the kitchen of his eponymous restaurant in Paris.