Major Awards 2024

50" Deluxe Christmas Leg Lamp Plain Cardboard Box

 

It’s award season, and true to yearly form, our wits are sharpened, appetite is keen, and patience at an end. So buckle up, pilgrim…

Its Going To Be A Bumpy Ride GIFs | Tenor

Best Restaurant That’s Closest to My House: Le Thai 2

Best Restaurant That No One Goes To: Jamon Jamon Woodfired

Best Restaurant That’s So Crowded No One Goes There Anymore: Esther’s Kitchen

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Restaurant That Deserves to be More Famous Than It Is: Ada’s Food + Wine– Don’t call it a wine bar any more. Jackson Stamper, Kat Thomas and James Trees have turned this corner of Tivoli Village into our town’s most adventuresome gastropub. Surf and turf in-your-face concoctions like nowhere else. Witness the coconut broth mussels above. Paired with a fascinating wine list at prices that won’t have you reaching for a respirator.

Fucktard of the Year Award: Fountainebleu – because after we pointed out what a rip-off the wine lists were throughout the hotel (and got a bit of traction for it on social media), the p.r. folks (and executives) went into full hose job mode, assuring me the hotel really “cared about locals” and wanted its restaurants (and wine lists) to be accessible to a wide range of customers, not just high rollers and rich douchebags. Waited a month and went back. Nothing had changed. Waited another month. Nada. Poked around a few weeks ago….if anything prices have gotten worse. (Good luck finding a bottle for less than $100, anywhere in the hotel.) Then they took the excellent burger off the menu at Don’s Prime because, as one insider told me: “It was getting too popular and people were buying it instead of $100 steaks.” In other words, everything about the place now screams “We’re only here to rip-off people with more money than sense,” and encapsulates everything we hate about late-stage Las Vegas.

F**k the Fountainebleu with a rusty corkscrew.

Speaking of hotels….

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Hotel(s) Whose F & B programs We Don’t Give a Shit About Anymore: Basically all of them except Wynn/Encore and Venetian/Palazzo. The opposite of love isn’t hate; the opposite of love is indifference.

Only Steakhouse That Gets Us to the Strip Without Too Much Kvetching: Peter Luger

Told You So Award: Lotus of Siam’s ill-fated partnership with Red Rock Hotel-Casino (see further discussion below).

Runner-Up:  The Sundry Food Hall at Uncommons – because everything about this place (from the ghost kitchens to the QR codes) was stupid from the jump.

Best Smashburger: Stay Tuned Burger – Hard Hat Lounge ($12):

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Burger of the Year: the pop-up, $15 semi-smash burger at Featherblade Craft Butchery:

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Enough Already Award: Smashburgers

Enough Already GIFs | Tenor

 

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Croissant of the Year: 1228 MainHear all about these mille-feuille marvels on Eat. Talk. Repeat. here.

Image(Let’s taco about how good these are..)

Tacos of the Year: Carnitas y Tortas Asahogadas (above)

Pleasant Surprise Award: Brasserie B by Bobby Flay, 6666 Ranch Steakhouse, Spring by Chinamama, Caramá – our degree of skepticism was only matched by how impressed we were by the food at each of these. If this keeps up, we may start getting excited by the food in Strip hotels again.

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Pancake(s) of the Year: Chamana’s Cafe’s blueberry and Winnie & Ethel’s banana-pecan  beauties (above and above)

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Hot Dog of the Year: Windy City Beefs ‘n Dogs loaded Chicago Dog (above)

Image(The 70s called, they want their color scheme back)

Image(Ash Watkins, calling all Ottomans!)

Turkish Pimp Bordello Award: Palate (above)

Dat Sum Dim Sum Award: Palette Tea Lounge (Yes, we know, it gets confusing.)

Image(Muchas gracias, Julian!)

Game Changer/Riding Into the Sunset Award: Julian Serrano – who retires after a quarter century of excellence, knowing his enthusiasm, dedication and haute cuisine chops changed the face of Las Vegas. Read more about Serrano’s legacy in this month’s Desert Companion Restaurant Awards (some of which were written by someone you might recognize).

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Never Again Award: Marché Bacchus (above) – because what was once a passion restaurant has become a money restaurant. The above pic was from a recent visit, at peak brunch hour (1:00 pm) on a Saturday. As my dad used to say: “All the people who aren’t eating there are trying to tell you something.”

Runner-Up: Lotus of Siam Red Rock Hotel and Casino – which is as close to the edgy, in-your-face flavors and authenticity of the real LOS as Bangkok is to the Bellagio.

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Underappreciated Award: The Legends Oyster Bar & Grill – for the freshest seafood (and fabolous ‘ersters, above) you’ll find, 250 miles from the nearest ocean. Also, now with a second location in Henderson!

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Brunch It and They Will Come Award: Mi Barrio – which answered the question: Just how bad can Mexican food get and still pull a crowd? Exhibit One (above): what they called a “Milanese” torta, and what we called shoe leather burnt to an inedible crisp. The prosecution has five more exhibits but will rest with this one. We didn’t think anything could make Casa Don Juan look good, but this place manages to.

F**k Mi Barrio and it’s slack-jawed, endless margarita crowd with a stale tortilla.

As long as we’re trashing mediocre Mexicans…

Mexican Disappointment of the Year: Los Molcajetes – what was once a favorite is now straight outta Sysco – proving that Mexican food can be just as terrible in the barrio as it is in the ‘burbs.

Phoning It In Award: Eater Vegas – for continuing to live down to expectations with nonsense like this:

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…which begs all sorts of questions: Why are two of the five “best restaurant” awards going to bars (with a third being more about “hanging” than eating)? Also, were there no contenders for “Grooviest Playlist” or “Best Chef Tattoos”? Shame. And finally: How far up their collective rectum did the Eater writer(s) have to reach for these?

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Wine Bar of the Year: Wineaux – slick, comfy build-out, good vibes (are you listening Eater?), beautiful food. One of the few joints that can induce us to travel 15 miles for a bite.

Italian(s) of the Year (toss-up): Brezza, Caramá, Vetri, Cipriani, Ferraro’s, Matteo’s – Las Vegas is lousy with Italian, but these are six of the best.

Unsung Italian Award: Aromi– make that seven.

Image(When you get a hankerin’ for Hunanese)

Chinese Meal of the Year: Xiang Wei Xuan (above)

Vietnamese Meal of the Year: YEN Viet Kitchen

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Podcast of the Year: Eat. Talk. Repeat.– Are we biased? Does the Pope wear a beanie? Does the Navy have ships? Does a wild bear sh____you get the point. YOU BET we’re biased! But no one has more fun covering the Vegas restaurant scene that we do. (CAN YOU PROVE IT ISN’T TRUE?)

Runner-Up: City Cast Las Vegas – the newsy, trendy, gossipy, informative-yet-fun podcast you need to be listening to, daily.

Snoop Dogg Overexposure Award, Sponsored by Martha Stewart, produced and presented by Snoop Dogg, after a very special exclusive interview with Martha Stewart and Snoop Dogg: Caviar

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Foie Gras of the Year: Mae Daly’s– a more luscious piece(s) of duck liver (prepared two ways) you will not find anywhere in Vegas.

IHOP With Better Architecture Award: Norm’s

Chinese Hegemony Award: China MamaComing out of Covid, CM’s original location rebounded with a vengeance. Then it (literally) caught on fire. So they moved the operation to Shanghai Plaza, and opened a satellite take-out address on Rainbow. When they re-open the original location early next year, and a Palace Station outlet, this once-humble Shanghai noodle parlor will have seven locations across the Vegas Valley. Expansion this fast doesn’t happen unless major investor $$$s are involved. So far, quality-control at all the branches remains high. Hao Chī (right down the street from my ‘hood) and Spring by China Mama, have hit all their marks from the get-go. But experience tells us they’re going to have to simplify their approach when they open in the Palace Station, which has, for twenty years, been a graveyard where good eats go to die.

Image(Mitsuo Endo at work)

 

Japanese Meals of the Year (tie): ENDO, Raku, Izakaya Go, Kaiseki Yuzu, Sushi Hiro

ENDO has the most exquisite Japanese food in Las Vegas, with two seatings nightly (for only six lucky souls) — but it’ll cost you, bigly. Figure a grand a couple once some sake is folded in. As with ‘e’ by José Andrés, definitely an experience every budding gastronome owes themselves. Kaiseki Yuzu is slightly easier on the wallet, and a bit less precious. The other three are restaurants we could go to once a week and never tire of the food, or the (relatively) gentle tariffs.

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Drop Dead View of the Year: Vetri Cucina (above) and (below):

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Worst Meal of the Year: fingernail pizza at The Bootlegger (see it and weep):

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Regrettable Trend of the Year: the corporatization of local brands (cf. Bacchus, Marche, Siam, Lotus of), by restaurant groups who swoop in, with ice water in their veins and profits on the brain, to ruin what was once a good thing, all the while cynically calculating that the hoi polloi won’t notice. We noticed.

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Trend That Needs to Die a Sudden, Violent Death: Black food…especially black hamburger buns.

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Don’t Fill Up On Bread Award: the glazed, salty-doughy-sweet, drool-worthy Parker House rolls (above) at Scotch 80 Prime  which you’ll be tempted to make a meal in themselves.

Image(At half off, you can’t beat this meat)

Deal of the Year: the end-of-summer happy hour menu(s) at Scotch 80 Prime – which more than a few restaurants could learn a lesson from during the cash-strapped dog days of summer.

Cut Above Award (Steaks of the Year): Mae Daly’s, Nicco’s, Peter Luger

Image(Meat me at Mae Daly’s)

Something on The Strip To Look Forward To Award: Fabio Trabocchi bringing his exquisite Mediterranean seafood to the Wynn at Fiola Mare set to open early next year.

Image(Seafood risotto at La Rosetta, Roma)

Meal(s) of the Year:

Restaurant Guy Savoy (Las Vegas)

La Tour D’Argent (Paris, France not Texas)

L’Ambroisie (Paris, France not Kentucky)

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Gaya by Pierre Gagnaire (Paris, France not Illinois)

La Rosetta (Rome, Italy, not Georgia)

The Seafood Ristorante (St. Andrews, Scotland)

ENDO (Las Vegas, Nevada, not New Mexico)

Dish of the Year: Paella, hand-crafted by José Andrés at Jaleo– Bomba rice, spread a single kernel thick, in a paella pan the size of a manhole cover, over which he melted gossamer-thin Jamon Iberico De Bellota de pata negra, topped with premium Spanish oscetra caviar. All of it washed down with ‘o5 Dom Perignon. Proving that some of the greatest food experiences you will ever have are the unplanned ones, and Las Vegas (even without a world-famous chef at the stoves) can cook with the best of them.

Some days a guy just has to pinch himself.

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Cheers and Happy Holidays from us and our staff at Being John Curtas/Eating Las Vegas.

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Spanish Inquisition – Part One

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As a first-time tourist in any country, I’m usually an easy lay. Buy me a drink of good, indigenous hooch and I’ll lift my skirt. Seduce me with the tastiest local vittles and I’m yours for the asking. Show me your historical sites and I’ll show you my…er…uh…you get the idea.

With Spain though, I left my roll in the jamon not so much begging for more, but rather, wondering if what we ate was all it had to give. It did not sweep me off my feet as much as leave me feeling that our first date might be our last.

Which is another way of saying I liked Spain but didn’t love it. Not the way I’ve fallen numerous times for countries as diverse as Germany is from Mexico.

With Japan it was love at first sensory-overloaded sight. China captivated me with its gritty, cacophony, as did London with its starchy-sexy stiff upper lip. Hell, occasionally I even catch myself lusting for Canada, in all its bland, whitewashed politeness. And Jamaica still inspires bamboo levels of turgidity, even though I haven’t seen her coconuts since 1975.

But Spain was different, and maybe my expectations were to blame.

You see, I’ve been trying to get to España for thirty years and through three wives, but something has always derailed me: lack of funds (the 80s) or lack of time (the 90s), divorces (also the 90s), terrorist attacks, Great Recessions and Covid shutdowns have all conspired to thwart my plans. So when the stars finally aligned late last year, we were off on a trip I hoped would have me swooning more than a flamenco dancer in full vuelta quebrada.

Alas, twas not to be, and therein lies a tale as to why I wasn’t hoping for a return the moment I left — the way I always feel when boarding a flight home from Paris or Rome. Was it the cities themselves? Hardly, as they are fascinating and immaculate. The people? You can’t blame them, as Spaniards may not be Mexican- or Italian-friendly, but they’re darn close.

The wine? Well, it doesn’t come close to the polish of French or the varietals of Italy, but it’s a perfect fit with the food. And cheap! More on this below.

Nope, when all my ruminations were done, it came down to the food, which, for all its savor, failed to stir my soul.

Let’s take our Spanish gastronomic capitals one by one, and try to figure out why…

BARCELONA

Image(El Palatial)

We started in Barcelona, a city I’ve been enchanted by (from a distance) since 1994, after seeing the Whit Stillman movie of the same name.

(Actually, we landed in Madrid, grabbed and excellent eclair and coffee at LHardy, and then bombed around Mercado San Miguel for an hour or so before catching the very fast train to Barcelona the same day, arriving just in time to check into our palatial digs at Hotel El Palace (above) and freshen up for dinner on-premises at the Michelin-starred Amar.

The hotel was everything its name suggested: expansive, old and grandiose, with an eye-popping lobby and solicitous staff, we couldn’t have been happier with our choice. It is also a bit off the beaten track (a half-mile or so from La Rambla), but in a nice neighborhood full of sights and sounds of the city, but also quiet, with a couple of hipster coffee bars on the block, and good shopping just minutes away. With this kind of overture provided by the hotel, Barcelona’s opening act would have to be a showstopper, and unfortunately, Amar, for all of its performative appeal, was not.

Amar checks a lot of boxes: the room is as comfortable and modern as its surrounding hotel is classic. Service was exemplary and there was no faulting the provenance of the seafood.

Image(Amar you ready for some Spanish shade?)

What it seemed to lack was sense of place or warmth, or anything evoking the city it claims to represent. As sparkling as our oysters, and as flawless the fish, it was a meal that could’ve been served in a thousand restaurants around the world. Indeed, we’ve eaten such a meal, a thousands times. The only things that change are the accents of the waiters.

At the risk of sounding like a broken record: Michelin stars are more reliable in Europe than anywhere else, but still need to be taken with a bit of brine. A Michelin one-star in a European capital will have a certain standard of accoutrements and service, and often a menu more predictable than a Waffle House.

Carpaccio to crudo, caviar service, innovative (?) oysters; a little crab here and a free-range there — the progression of courses (straight up the food chain) is so similar they might as well be AI generated. This is not to say the food wasn’t top-shelf, only predictable. And we didn’t travel 5,000 miles to feast on the familiar.

Image(Don’t go to the truffle)

To be fair, certain dishes did command respect: Peas with cod tripe and Catalan black pudding (above, adorned with truffles which brought nothing to the party); white beans with tuna and pancetta; and red prawns tasting like they had leapt straight from the boat onto our plates:

Image(Shrimply irresistible)

Most of it felt like gussied-up peasant fare, and when the formula progressed into high-toned gastronomia, it wasn’t for the better.

Our classic sole meunière —  was draped with the weirdest, whitest beurre blanc we’ve ever seen; spider crab cannelloni proved, once again, that pasta should be left to the Italians; and the most impressive thing about the cheese course was the expandable trolley it came in.

Perhaps is was the jet lag, but we wanted to be blown away by our first bites in Barth-a-lona and weren’t. We left thinking of it as just another exercise in generic dining, brought to you by the Michelin Guide.

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Things got better when they turned less formal the next day.  The better parts of two mornings were spent at La Boqueria, with its sensory assaults tempting us at every step and testing our resolve not to spoil lunch by chowing down on everything in sight.

Be forewarned: in the age of Instagram, half of the hoi polloi is there not  for the food, but rather to photograph themselves filling their little buckets of narcissism. It becomes a madhouse after noon, so get there at 8 am, so you can cruise around (and chow down on your own, personalized Spanish food crawl) for a few hours before the selfie crowd shows up.

The good news is: this being Spain, no one will bat an eye if you want a cerveza at 10:00 am:

Image(Beer o’clock)

On day one, we stuffed ourselves silly with jamon:

Image(Hamming it up)

By day three, we strapped on the blinders and made a beeline to El Quim before a hundred other vendors could tempt us with their wares.

Think of the world’s most hectic lunch counter, located in the middle of one of the world’s most famous urban markets, and you’ll get the sense of Quim’s cacophony. Only in this case, they’re serving patas bravas and croquetas instead of pancakes and hash.

Quim has been called the best Catalan tapas in Barcelona, high praise indeed from no less an expert than Gerry Dawes. What seems intimidating at first (you hang around the counter waiting for a seat(s) to open up) becomes less so as soon as you catch one of the waiters’ eyes and are directed to a stool, then are handed a one-page menu which will fight for your attention with all of the prepared foods and signboard specials tempting you.

We settled on a pork loin sandwich with asparagus, toothsome deep-fried artichokes, eggs with foie gras, and patas bravas for breakfast, forgoing other egg and potato dishes which looked heavenly, but also would have filled us up for the day. Each bite packed a wallop – seriously succulent pork on incredible bread, seared duck liver atop eggs (a belt-and-suspenders approach to richness which will ruin you for bacon and eggs forever), while the fluffy-crisp potatoes were lashed with two competing mayos — one, creamy white, the other possessing serious kick.

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Quim is the sort of place you need to go with a group and order a dozen things. Two people and four items don’t make a dent in its delectation. But it is the first place I would recommend to go to any first time visitor, and the one locale I wish we could’ve returned to.

Which is probably something we should have done instead of cruising through the Gothic Quarter  to our next venue.

Image(Can they be less welcoming?)

Dinner at Can Culleretes (the second oldest restaurant in Spain) was punctuated by a surly teenage waitress and a hostess with all the poise of a hemorrhoid. But the historic rooms were a sight to see and the tariff soft – especially wine, where bottles cost what a glass does in Las Vegas. (This held true in both Barcelona and Madrid, in restaurants both humble and hi-falutin’.)

The food, however (a decent mixed seafood grill, lots of stewed proteins), was one b-flat sensation after the next. Anchovies and olives are everywhere (by day three we decided there must be some kind of law against not serving anchovies with every meal); they put a fried egg on everything; and seasonings are remarkably mild. Anyone who tells you there are similarities between Mexican and Spanish food needs to have their head examined. Mexican food is to Spanish what a habanero is to a bell pepper.

The charms of Culleretes’ famed brandade-stuffed cannelloni also escaped us, and with every bite we kept thinking how traditional Catalan must be the three-chord rock of Spanish food.

But I digress.

Can Solé 1903 redeemed Old Barcelona in our eyes with sparkling paella served by friendly folks who seemed genuinely happy to have us. We arrived a few minutes early for lunch and there was already a crowd outside, pretty much split 50-50 between hungry natives and tourists:

Image(Olé Solé!)

We booked on-line about a month earlier, and, as soon as the doors opened, were shown to the best seat in the house, right under the curtains in the picture above. From there we could watch the steady stream of patrons and various dishes flying forth from the kitchen — all of it washed down with pitchers of white sangria:

Image(Sangria – the official drink of “just one more glass”)

Can Solé is only a block away from the marina so the scents of the shore permeates the food the way it does in all seaside seafood restaurants. (Whether this is an objective fact or simple sensory suggestion is debatable, but briny creatures always seems to taste sweeter when consumed within eyesight of an ocean.)

Our seafood paella was so infused with the sea it was like breathing a spray of salt air with every bite. A steal at 43 euros:

Image(I’m on an all-seafood diet: when I see food, I eat it)

What you’ll find in these old school Barcelona establishments is sticker shock in reverse. The most expensive Spanish wine on the Can Solé list was 34 euros. At Can Culleretes it was 29.50 for a very good Priorat red. Even in fancy joints, the pricier offerings were often well under 100 euros. It didn’t take long to figure out what a bargain wine is in Spain, so our group made no apologies for overspending like a bunch of drunken sailors, since even at their highest, the prices were a welcome respite from Las Vegas’s eye-watering tariffs.

Keep in mind, Barcelona, like Vegas is definitely a tourist town too, but we saw little evidence of price-gouging anywhere, and once you get a few blocks off the tourists paths, you can eat like a local and feel like one too.

Image(Gresca at lunch)

Such was our experience at Gresca — a gastro-pubby hallway of a space so narrow even the vegetables have to enter in single-file. A few blocks west of the tony Passeig de Gràcia, Barcelona’s Fifth Avenue, this shoe box houses a row of four-tops along one cramped wall, and an open kitchen which straddles a second parallel space. The few waitstaff scramble between tables, while in the kitchen, a half-dozen cooks toil away, churning out small plates (not really tapas, despite what the interwebs say) that were the most compelling dishes we had in Spain. Of course, all of the usual suspects were there on the menu, but with a little guidance we crafted a menu of dishes that showed both ingenuity and restraint. A rarity in “modern” restaurants these days.

Rabbit kidneys, sweetbreads, bacon-thin bikini cheese toast, cod “gilda” pintxos, grilled quail, all of it so toothsome we were fighting over the last bites:

Image(Itsy bitsy teeny weeny bikinis)

Image(Thymus be in heaven)

Everything washed down with excellent wines from regions we barely know made by producers we’ve never heard of — which is why god invented sommeliers.

WINE GEEK ALERT: These wines were some of the best of the trip, and we quickly learned Corpinnat is the new Cava. Much as Valdobbiadene has replaced Prosecco, these premium Corazón de Penedès sparklers were tired of being lumped with mass-produced plonk, and have re-made and re-marketed themselves into world-class bubbly.

Image(Life is too short to drink bad wine)

 If Gresca made us feel like an in-the-know local, Lomo Alto brought out our inner carnivorous connoisseur.

What resembles a slightly antiseptic butcher shop upon entering, leads up a stairway to a second floor of capacious booths designed for one thing: to showcase the best beef in Spain. Before you get to your dictionary-thick steaks, you’ll first plow through some beautiful bread, three kinds of olive oil, “old cow” carpaccio with smoked Castilian cheese,  and some of the softest artichokes known to man.

Then the carving starts and you are transported to a higher level of beef eating:

 

The Spanish way to cook beef is basically to yell “fire!” at the meat as it is leaving the kitchen. Need proof? This is what they call medium-rare:

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Make no mistake, though, it was an aged steak for the ages. We did a side-by-side of two steaks (a vaca vieja chuleta – beef aged both on the hoof and in the fridge), the other a very lean, 60-80 day aged strip of Simmental beef from Germany. Neither was cheap. (145 euros and 118 euros) together amounting to about $300 of European, grass-fed beef split between four people. As compared to an American steakhouse (remember, we practically invented the genre), I’d give it and A- for food (the Simmental was as chewy as overcooked octopus and not worth the tariff) and high marks for service, despite the room exuding all the hospitality of a hospital. But I’ll remember that steak and those starters for a long, long time.

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Was Barcelona worth it after thirty years of anticipation? I wish I could say yes, but nothing we ate was memorable enough to draw me back there.

Not to end on a sour note, but much of the traditional Catalan cuisine left us cold. Bread, stews, olives and anchovies are nothing to scoff at, but when you see them at every restaurant for days on end, the template gets tiresome. Anyone expecting vibrant seasonings, or a little spice with their ultra-fresh ingredients will quickly discover they’ve landed on the wrong shore.

In spite of the gorgeous Gothic quarter, the shimmering seafood, and those steaks, and the tapas of Quim and the precision of Gresca, we left Barcelona feeling there wasn’t much left for us to try.

Before you take me to task, I know all cities are full of surprises, and a single visit barely scratches the surface. Perhaps next time someone like this big guy will show us a range of flavors we didn’t experience.

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After all, some of the world’s greatest romances started with a whimper instead of a bang.

This is the Part One of a two-part article.

The Best Restaurant(s) in the World

Image(Restaurant Guy Savoy, Paris)
If you take it as a given that French restaurants are the best in the world, it only stands to reason that the best restaurant in the world will be in France.
Don’t get your panties in a bunch, I’m not here to dismiss the cuisines of entire countries — only to point out that, like sushi, Mexican street food, and pasta, the places where some food was invented are generally where you will find the highest elevation of the art. And Paris, in case you’ve forgotten, is where the modern restaurant was born in the latter half of the 18th Century.

Of course, the “best” of anything is a conceit and highly subjective. Measuring a “winner” or “the best” of anything — from wine to women — is a nice parlor game, but ultimately a waste of time unless there’s a stopwatch involved.

Whoever wins these accolades usually comes down to who got fawned over the most in a few influential publications — not who objectively gives diners the best food, drink, and experience. Anyone who thinks the several hundred voters who weigh in on these awards have actually eaten at the places they vote for as “the best restaurant in the world” (as opposed to forming their opinions based upon reading accounts of the few who have), has rocks in their head.

“Awards” of this sort are simply a way to give a deceptively false measuring stick to those who don’t know much about a subject. Subjectivity disguised as objectivity, all in the name of marketing to the wealthy with more money than taste. Same as with wine scores and Oscar nominations. The rich need these adjudications to convince themselves they’re doing the right thing, and “The “World’s 50 Best Restaurants” is there for them. As Hemingway puts it in “A Moveable Feast”:

The rich came led by the pilot fish. A year earlier they never would have come. There was no certainty then.

Back when El Bulli was garnering these awards (and I was voting on them), I heard from several colleagues who ate there, and what they described was more of a soul-deadening food slog (an edible marathon, if you will) than an actual pleasant experience.

A close friend (who also happens to be a chef) told me he stopped counting after 40(?) courses of (often) indecipherable eats, and was looking for the door two hours before the ordeal ended. (The trouble was, he said, there was literally no place to go — El Bulli being, literally, in the middle of nowhere.)

But Feran Adrià (like Thomas Keller before him and Grant Achatz and René Redzepi after), was anointed because, as in Hollywood, a few influential folks decided they were to be christened the au courant  bucket list-of-the-moment, and woe be to anyone in the hustings to question these lordly judgments. In the cosseted world of gastronomic beneficence (and the slaves to food fashion who follow them) this would be akin to a local seamstress suggesting Anna Wintour adjust her hemline.

Because of this nonsense, we’ve been saddled with the tyranny of the tasting menu for twenty-five years (Keller, Achatz, et al), disguised foods and tasteless foams (Adria), and edible vegetation (Redzepi) designed more for ground cover than actual eating.

As far as I can tell, neither molecular cuisine nor eating tree bark and live ants has caught on in  the real world — beyond trophy-hunting gastronauts, who swoon for the “next big thing” the way the fashion press promotes outlandish threads to grab attention.

Which brings us back to France. More particularly, French restaurants and what makes them so special. Let’s begin with food that looks like real food:

Image(Surf & Turf: Langoustines au Truffes La Tour D’Argent)

….not someone’s idea of playing with their food, or trying to turn it into something it isn’t. This cooking philosophy alone separates fine French cuisine from the pretenders, and gives it a confidence few restaurants in the world ever approach.

For one, there’s a naturalness to restaurants in France that comes from the French having invented the game. Unlike many who play for the “world’s best” stakes, nothing about them ever feels forced, least of all the cooking.  With four-hundred years to get it right, and French restaurants display everything from the napery to the stemware with an insouciant aplomb that is the gold standard.

You don’t have to instruct the French how to run a restaurant any more than you have to teach a fish how to swim. Or at least that’s how it appears when you’re in the midst of one of these unforgettable meals, because, to repeat, they’ve been perfecting things for four hundred years. Everything from the amuse bouche to the petit fours have been carefully honed to put you at ease with with being your best self at the table.

Image(Gruyère gougeres have been around longer than America)

Having been at this gig for a while, I’m perfectly aware that the death of fine French dining, and intensive care service accompanying it, has been announced about every third year for the past thirty.

I’m not buying any of it. When you go to France (be it Paris or out in the provinces), the food is just as glorified, the service rituals just as precise, and the pomp and circumstance just as beautifully choreographed as it was fifty years ago. The fact that younger diners/writers see this form of civilized dining as a hidebound, time-warp does not detract from its prominence in the country that invented it.

Whether you’re in Tokyo or Copenhagen, the style and performative aspects of big deal meals still takes their cues from the French. Only elaborate Mandarin banquets or the hyper-seasonality of a kaiseki dinner  match the formality and structure of haute cuisine.

These forms of highly stylized dining follow a path straight up the food chain. There are rules and they are there for a reason, usually having to do with how you will taste and digest what is placed before you. Light before heavy; raw before cooked; simple before complex — you get the picture
You usually begin with something fished directly from the sea. Oysters and other shellfish are a natural match, as is a shrimp cocktail. (A good old-fashioned American steakhouse has more in common, with high falutin’ French than people realize.)  Their natural salinity stimulates the appetite without weighing you down.
Man’s evolution into a more cultivated forms of eating is represented by bread, as is the domestication of animals by the butter slathered upon it. (If you want to stretch the symbolism even further, look at olive oil and the fermentation of wine and beer as representing mankind’s earliest bending of agriculture to his edible wants and needs.)
Image(Early man struggled with the whole pommes soufflé-thing)
From there things get more elaborate, depending on whether you want to go the seafood, wild game, or domesticated fowl route. Vegetables get their intermezzo by using salad greens as a scrub for the stomach to help digest everything that precedes them. (The French think eating a salad at the start of a meal is stupid, and it is.) You finish of course with cheese (“milk’s leap toward immortality” – Clifton Fadiman), and then with the most refined of all foods: sugar and flour and all the wonderful things that can be done with them. A great French meal is thus every bit the homage to nature as Japanese kaiseki, albeit with a lot more wine and creme brûlée.
As I’ve written before, French food is about the extraction and intensification of flavor. Unlike Italians and Japanese, a French cook looks at an ingredient (be it asparagus, seafood, or meat) and asks himself: “Self, how can I make this thing taste more like itself.” All the simmering, searing, pressing, and sieving in a French kitchen is as far a cry from leaving nature well enough alone as an opera is from the warble of a songbird.

With this in mind, we set our sights on two iconic Parisian restaurants: one, as old-fashioned as you can get, and the other a more modern take on the cuisine, by one of its most celebrated chefs. Together, they represent the apotheosis of the restaurant arts. They also signify why, no matter what some critics say, the French still rule the roost. Blessedly, there is no chance of encountering Finnish reindeer moss at either of them.

LA TOUR D’ARGENT

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If experience is any measure of perfection, then The Tower of Money should win “best restaurant in the world” every year, because no one has been serving food this fine, for this long, in this grand a setting.

A restaurant in one form or another has been going on at this location since before the Three Musketeers were swashing their buckles. What began as an elegant inn near the wine docks of Paris in 1582 soon enough was playing host to everyone from royalty to Cardinal Richelieu. It is claimed that the use of the fork in France began in the late 1500s at an early incarnation of “The Tower of Silver”, with Henry IV adopting the utensil to keep his cuffs clean.

Apocryphal or not,  what is certainly true is that Good King Hank (1553-1610) bestowed upon the La Tour its crest which still symbolizes it today:

History, of course, provides the foundation, and the setting continues to provides a “wow” factor unmatched by all but a handful of restaurants in the world. No place but here can you dine with the ghosts of Louis XIV, Winston Churchill and Sarah Bernhardt, all while seeming to float above Paris on this open door to the city’s past — all of it available to anyone with the argent to book a table.
But the proof is in the cooking — that has been, on our last two visits, as awesome as the view. It’s no secret that the glory had started to fade twenty years ago, and that Michelin — the arbiter of all things important in the French food world — had taken notice, and not in a good way.
A reboot of sorts was announced over five years ago, and by the time we visited in 2019, the kitchen was performing at a Michelin two-star level at the very least. Independent of the view, the service, and the iconic wine program, the cooking (and presentation) was well-nigh perfect. It was all you want from this cuisine: focused, intense flavors put together with impeccable technique and an almost scientific attention to detail.
When we returned this past winter, things seemed be have gotten even better. This time we showed up with a party of six. It was a busy lunch, filled with local gourmets and some obvious big business types, but also a smattering of tourists who (like us) had to keep picking their jaws up off the table as spectacle of Paris and its finest French food was spread before them.
I have never been to La Tour at night, but for my money, lunch is the way to go. The food is unchanged (lunch specials are offered, but you can order off the dinner menu and we did), and the sight of the Seine River stretching beneath you and Notre Dame and the Ile de la Cite in the distance are worth the admission all by themselves.
I suppose the ideal time to dine here would be arranging for a table at dusk, so you could see the lights of Paris come alive in all their blazing glory. But as I’ve argued before, lunch has always been the ticket for us when we want to eat and drink ourselves silly in a fine French restaurant.
There’s nothing silly, of course, about the food. This is serious stuff, but there’s nothing stuffy about it, despite its pedigree — French service having retired the snootiness thing decades ago. Meaning: if you show up and are well-behaved, they are friendly to a fault.
(Canard au sang with a side of burns, coming right up)
Credit for that has to lie with owner André Terrail, the third generation of the family to be at the helm. (The Terrails have owned the restaurant since 1911.) Since taking over a few years before his father Claude’s death in ‘o6, Terrail has kept all the historical provenance of his venerated birthright intact — upgrading the cuisine while still managing to keep the whole operation true to its roots. No easy feat that. We don’t know what the problems were twenty years ago, but on our last two visits, we didn’t see any missteps, either on the plate or in the service. And what appeared before us was every bit as stunning as any Michelin 3-starr meal we’ve had…in Paris or elsewhere.
You take good bread for granted in Paris, but even by those lofty standards, this small baguette was a stunner:

Image(Face it: you knead this)

Perfect in every respect: a twisted baguette of indelible yeastiness — perfumed with evidence of deep fermentation — the outer crunch giving way to ivory-pale, naturally sweet dough within that  fought back with just the perfect amount of chew. It (and the butter) were show-stoppers in their own right, and for a brief minute, they competed with the view for our attention. We could’ve eaten four of them (and they were offered throughout the meal), but resisted temptation in light of the feast that lay ahead.

Soon thereafter, these scoops of truffle-studded foie gras appeared, deserving of another ovation:

Image(Home cooking this is not)

From there on, the hits just kept on coming: a classic quenelles de brochet (good luck finding them anywhere but France these days), Then, a slim, firm rectangle of turbot in a syrupy beurre blanc, or the more elaborate sole Cardinale:

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….followed by a cheese cart commensurate with this country’s reputation.

The star of the show has been, since the 1890s, the world-famous pressed duck (Caneton Challandais) — served in two courses, the first of which (below) had the deepest-colored Bèarnaise we’ve ever seen; the second helping bathed in the richest, midnight-brown, duck blood-wine blanket imaginable. Neither sauce did anything to mitigate the richness of the fowl, which is, of course, gilding the lily and the whole point.

Image(You can never be too rich or have too much Béarnaise)

We could go on and on about how fabulous our meal was, but our raves would only serve to make you ravenous for something you cannot have, not for the next ten months, anyway.

Yes, the bad news is the restaurant will be closing today, April 30, 2022 for almost a year — until February 2023 — for renovations. This saddens us, but not too much, since we don’t have plans to return until about that time next year. In the meantime, the entry foyer probably could use some sprucing up (since it looks like it hasn’t been touched since 1953), and we have confidence Terrail won’t monkey with the sixth floor view, or this skinny little pamphlet he keeps on hand for the casual wine drinker:

Image(Not found: 2-Buck Chuck)

If the measure of a great restaurant is how much it makes you want to return, then La Tour D’Argent has ruled the roost for two hundred years. (Only a masochist ever left El Bulli saying to himself, “I sure can’t wait to get back here!”) Some things never go out of style and La Tour is one of them. We expect it to stay that way for another century.

À Bientôt!

RESTAURANT GUY SAVOY

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If La Tour represents the old guard of Parisian dining at its finest, then Guy Savoy — both the man and his restaurant — provides the connective tissue between haute cuisine’s past, present, and a future where new chefs will take up this mantle and teach the world what elegant dining is about.

The Adam Platts of the world may decry the “irrelevance” of the “old gourmet model”, but I stand with Steve Cuozzo in maintaining that the call for luxury and refinement in how we eat (admittedly at rarefied levels of expense), will never go completely out of fashion. Quoting our friend Alan Richman, Cuozzo writes:

As critic Alan Richman eloquently expressed it in the Robb Report a few years ago, fine dining is more than “a demonstration of wealth and privilege . . . It is an expression of culture, the most enlightened and elegant form of nourishment ever devised. Without it we will slowly regress into the dining habits of cave people, squatting before a campfire, gnawing on the haunch of a bar.”

All I can say to the Adam Platts of the world (and younger food writers who echo the same sentiments) is: If you think “the old gourmet model” is dead or dying, plan a trip to France, where formal restaurants are poised to come roaring back, indeed if they haven’t already done so.

Put another way: get your goddamned head out of that bowl of ramen or whatever Nigerian/Uzbekistani food truck you’re fond of these days and wake up and smell the Sauvignon Blanc.

Or just go to Guy Savoy.

(Savoy at his stoves)

If the world’s best restaurant can’t change your mind, nothing will. Before you accuse me of bandwagon-ing, let me remind you that I’ve been singing the praises of Savoy’s cuisine since 2006, and have even gone so far as to travel between Vegas and Paris to compare his American outpost with the original. Back then (2009), the flagship got the nod, but not by much.

Since its move to the Monnaie de Paris (the old Parisian Mint) in 2015, Savoy’s cuisine and reputation have attained a new level of preeminence (which is all the more incredible when you consider he has held three Michelin stars since 1980).

With mentors like Joël Robuchon and Paul Bocuse having departed to that great stock pot in the sky, and Alain Ducasse having spread himself thinner than a sheet of mille-feuille, Savoy now rules the French gastronomic firmament as a revered elder statesman. The difference being that he and his restaurants haven’t rested on their laurels, but are every bit as harmonious with the times as they were thirty years ago. To eat at Guy Savoy overlooking the banks of the Seine from a former bank window, is to experience the best French cooking from the best French chefs performing at the top of their game. There is something both elemental and exciting about his cooking that keeps it as current as he was as the new kid on the Michelin block back in the 80s.

Dining in the dead of winter can have its challenges. Greenery is months  away, so chefs go all-in on all things rooted in the soil. The good news is black truffles are in abundance; the bad news is you better like beets.

The great news is: in the hands of Savoy and his cooks, even jellied beets achieve an elegance unheard of from this usually humble taproot:

Image(Savoy heard we hated beets, so he tried to hide them from us)

As mentioned earlier, a French chef respects an ingredient by looking at it as a blank canvas to be improved upon. Look no further than this beet hash (Truffes et oefus de caille, la terre autour) lying beneath a quail egg and a shower of tuber melanosporum, both shaved and minced:

Image(Beet-i-ful)

Neither of these would I choose for my last meal on earth. Both gave me new respect for how the French can turn the prosaic into the ethereal –food transcending itself into something beautiful.

Which, of course, is what Savoy did with the lowly artichoke so many years ago, when he combined it with Parmesan cheese and black truffles and turned it into the world’s most famous soup.

There’s no escaping this soup at Guy Savoy, nor should you want to. Regardless of season, it encapsulates everything about the Savoy oeuvre: penetrating flavor from a surprisingly light dish, by turns both classic and contemporary:

Image(Nobody knows the truffles I’ve seen)

We may have come for the truffles, but we stayed for the filet of veal en croute (below), once again lined with, you guessed it, more black truffles.

Image(Filet de veau et truffes cuits en croûte is French for: the most delicious meat dish in the history of the world)

From there we progressed through a salad of roasted potatoes and truffles, a bouillon of truffles served like coffee in a French press, then a melted cheese fondue over a whole truffle:

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…and even something that looked like a huge black truffle but which, upon being nudged with a fork, revealed itself to be a chocolate mousse. All of it served by a staff that looked like teenagers and acted like twenty-year veterans.

Suffice it to say the wine pairings were as outstanding as the food, all of it meshing into a seamless meld of appetite and pleasure — the pinnacle of epicurean bliss — high amplitude cooking where every element converges into a single gestalt.

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We then went nuts with multiple desserts, including a clafoutis (above) and the petit fours carte (like we always do), and rolled away thinking we wouldn’t be eating again for two days. This being Paris, we were at it again later that night, taking down some steak frites at Willi’s Wine Bar

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I write these words not to convince you that Guy Savoy is the greatest restaurant in the world, or even that such a thing exists, but rather to persuade you of the transcendent gustatory experiences you can have at places like it. Until I’ve been to every restaurant in the world, I won’t be able to proclaim one of them “the best.” Even then, the best would only be what best fit my mood, my likes and my expectations at the very moment I was there.

Adam Platt was right about one thing: “the best restaurant in the world” doesn’t have to be fancy. The best restaurant in the world can be something as simple as a plat du jour of boeuf bourguignon , studded with lardons and button mushrooms in a run-down bistro smelling of wine sauces and culinary history. It can be at a tiny trattoria on the Amalfi Coast or a local diner where everyone knows your name, or that little joint where you first discovered a dish, a wine, or someone to love. But your favorite restaurant, no matter where or what it is, owes an homage to the place where it all started.

Emile Zola’s “The Belly of Paris” describes the markets of Les Halles as “…some huge central organ pumping blood into every vein of the city.” Those markets may be gone, but their soul lives on in the form of Parisian restaurants, which remain, one hundred a fifty years later, its beating heart. To eat in the great restaurants of Paris is to be inside the lifeblood of a great city, communing with something far bigger than yourself. To be in them is to be at the epicenter of the culinary universe and the evolution of human gastronomy — where the sights and smells of the food, and the way it is served, reflect the entire history of modern dining.