Eric L’huillier Needs to Stay in Vegas

We’ve just had our 3rd outstanding meal in less than a year at Pinot Brasserie — Las Vegas’s most underrated restaurant.

Over the past year or so, we’ve taken to calling PB an under-appreciated jewel in our crown of restaurant gems, and nothing we’ve tasted lately has dissuaded us from trumpeting the excellence of the cooking on display here.

We also know this Joachim Spichal mainstay is not long for the Vegas restaurant world. (Sources have been telling us for months that the Venetian has tried to buy out Splichal’s lease, but he’s not budging until it expires sometime in the next year.)

Be that as it may, the Executive Chef at PB — Eric L’huillier — the man who has churned out precise and drop-your-fork-delicious versions of French bistro food here for the past seven years — is soon to be out of a job through no fault of his own. (ELV feels L’huillier’s pain, as he has been out-0f-a-job many times in his life, although always through some fault of his own.)

Eating Las Vegas thinks L’huillier (pronounced Loo-WEE-lee-ay) would be a perfect fit at a place like Tableau in the Wynn or Marche Bacchus — places in need of some real talent (and stability) in the kitchen.

Of course, they’d have to pay him a boatload of money.

But he would be worth it.

Because the man knows French cooking like I know alimony.

PINOT BRASSERIE

In the Venetian Hotel and Casino

3355 Las Vegas Blvd. South

Las Vegas, NV 89109

702.414.8888

www.patinagroup.com/restaurant.php?restaurants_id=26

Accosting the Critic 101

So we’re at a restaurant for lunch yesterday.

It wasn’t a location of our choosing, but at the behest of a regular lunchtime companion.

The name of the place isn’t important, but let’s just say we spent plenty of time and typing last year telling people how mediocre (or worse) it is.

We did not, however, ever call it “The Worst Restaurant In Town.” (The importance of this will be made clear below.)

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“Crush” – Dave Matthews Band: The Restaurant

Ah, the dulcet tones, the violin solo, the sweet as hell music video of some Utopian jazz club.  I was very excited to see the new joint in the MGM (taking over the Nob Hill spot) is named after my favorite song from one of my favorite bands, Dave Matthews Band (I call them DMB).  “Crush” is a totally great song with good music in it, but will this tapas/wine bar be worth the square footage?

It’s a venture of Michael and Jenna Morton (of La Cave, La Comida, and the Morton Steakhouse Group [but only via familiar relation, not business]), but an interesting one.  The space itself is unusually cozy.  I was thinking it would be all bistro seats and techno music.  Yes friends, I am glad to tell you there is a semi-casual restaurant that isn’t pumping out Teen Disney or geriatric-core rock, but rather simple and soft jazz piano covers.

The interior here is cool, but cool in that way where you make a normal space and put a ton of vintage laboratory equipment in it to make it “hip”.  Like all darkened tapas/wine bars, it has already started to attract every lady over 30, probably by way of some kind of pheromone or emitting an extremely low frequency.

The menu, in a very uncharacteristic move for such concepts, is actually NOT a giant unfocused mess!  Twenty-three items are tapas (seven of which are pizzas, just thin enough to skirt the entree category), eight are “full-size” dishes.  More on the suspicious quotations around that term later in the article.

Some items, like the hamachi or the kale salad, are a bit phoned-in or could have benefited from some simple tweaks or additions.  These sour notes only punctuate an otherwise very unique menu.  The executive chef, William DeMarco, has taken the next logical step from his La Cave style with pizzas that leave his own flat breads in the dust.  The Thai coconut curry shrimp pizza, with asparagus and smoked bacon, is complexly spiced and surprisingly creative.

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